All posts filed under: Sound, Film + Video

Not Confession, But Investigation: Jubilee Turns Over Joy’s Hidden Corners

Featured image: A portrait of Michelle Zauner by Peter Ash Lee. Zauner is facing the camera holding a persimmon. She has her hair in a braid and wears yellow and orange make up. Persimmons hang by strings around her. “Audiences want confessional bits from rock icons,” reflected music critic Jessica Hopper in a 2011 review of St. Vincent’s Strange Mercy, “and expect them from female singer-songwriters.”  Anyone familiar with the contemporary indie-rock scene would agree that Hopper’s diagnosis has only grown more accurate over the past few years. In a 2018 album review, the New York Times’ Jon Pareles noted that “Soccer Mommy joins a wavelet of young women—along with Julien Baker, Phoebe Bridgers, Mitski and many others—who [write] songs that probe vulnerability and trauma, self-sabotage and self-preservation.” That same year, the New Yorker’s Jia Tolentino declared something similar: “I’m thinking of Mitski, Waxahatchee, Jay Som: women who […] explore everyday longing and disappointment in their lyrics, and cradle their songs in wryness and sincerity and guitars.” Digging through album reviews of female indie rock …

My First Chicago Film: Bri Clearly

Chicago has long been a place for indie creators to get together and make something beautiful. The filmmaking community in the city is one filled with ideas galore and the determination to make it happen. Throughout the years, we’ve seen many writers, directors, and producers start and grow their careers here, always recognizing Chicago in the process, even if they move to the coasts to pursue entertainment.  Chicago Made Shorts, a new platform hosted on Instagram TV, provides a hub for said filmmakers, simply looking for a place for their work to get seen. Imani Davis, Founder and Creative Director of Chicago Made Shorts, is deeply curious about how people make their way through the film scene in Chicago and get that first short film made. What was the impact of that first project made here? Who was involved? Why Chicago? In this series, Imani dives deep into these questions as well as the stories and beginnings of five different Chicago-based filmmakers. Through these interviews, she’ll make her way through topics such as making your way …

Image: A photo of Tonina Saputo sitting on a rug while posing with her guitar. Photo by Danny Zones, courtesy of the musician and the photographer.

The Undefined: Tonina Saputo

Tonina Saputo is an out-of-the-box musician who doesn’t know how to exactly define herself or her music. Playing the upright bass, she might tell you she’s folk, but she could change her mind. Either way, she knows how to pull a crowd here in St. Louis, Missouri.  “This is my third,” “This is my fourth Tonina concert,” or, “I’ve lost count,” are pretty common phrases one might hear entering a Tonina set.  I went to my first (socially-distanced) Tonina concert in a sea of seasoned vets in the summer of 2020. I had never heard of her, but like the honest concert go-er I am, I made sure to listen to her music before. I was transfixed with her bold tones and spicy flare—and not because she sings in Spanish, but because her Latin music techniques are obviously brought into her English songs. She definitely brings a unique song and style to the St. Louis music scene, which she describes as “supportive” and “close-knit”. Her albums and singles go back and forth between strong alternative-like …

Two poster designs by screen printer Jay Ryan. The poster on the left contains two bears on bicycles holding tacos. The poster on the right says "I will hug you in the future."

Chicago Archives Dive: Chicago Music Posters with Jay Ryan

Chicago is home to a long tradition of printmaking. In this video, Jay Ryan, the artist behind Chicagoland’s print studio The Bird Machine, talks about his experiences learning his craft at Screwball Press, another print studio in Chicago celebrated for its innovative production of rock music posters since the early 1990s. This video was produced by artist Ryan Edmund Thiel of Sixty Inches from Center, in collaboration with Chicago Collections Consortium and Art Design Chicago Now.

Two poster designs by screen printer Alexandrea Pataky. The poster on the left contains a bird, a rabbit, and a fox all holding instruments. The poster on the right is an illustrated gig poster for The Reverend Peyton's Big Damn Band.

Chicago Archives Dive: Chicago’s Screenprinting Community with Alexandrea Pataky

From scientific illustration to rock music posters, artist Alexandrea Pataky, owner of High Lonesome Print, talks about her work, the screen printing community in Chicago, and being taught to print by Steve Walters of Screwball Press. This video was created in collaboration with Art Design Chicago and Chicago Collections Consortium, and was produced by Ryan Edmund Thiel.

We Series: Food

Journeys and weavings that we explore through cooking, eating, and sharing food. Sharing food with ourselves, our loved ones, and the ghosts we carry.  What is the comfort zone you need to create in order to take that journey?  ////////////////////////////////// The Beginning of the recipe starts at the table bickering with your family.  The Beginning of the recipe starts sprawled across a plush couch when a long twisting aromatic thread travels from the kitchen and tugs at your impatient hunger.  The Beginning of the recipe starts buried in a memory you left to tumble around in your mind and is now a glistening Fable.  As we peer at our Fable, Into the PRIMORDIAL SOUP of our creation Infinite worlds begin to form Some give us comfort     [wrapped in the wafts of atmospheric nostalgia] While others are  w h i s p e r s of possibilities     [adrift in the escapism of dreams] *Coalescing and creating a symphony of FUCKING DELICIOUSNESS* TAP, TAP, TAP. Are we ready?  Layer your atmosphere – a low hiss …

Chicago Archives Dive: Zine Festivals with Oscar Arriola

Oscar Arriola, a collector, curator, and photographer based in Chicago, talks about the power of preservation while also delving into the history of Chicago zine festivals. In particular, he talks about his role as an organizer of ZINEMercado, an annual outdoor festival devoted to zines and other DIY publications that takes place at Comfort Station in the city’s Logan Square neighborhood. This video was created in collaboration with Art Design Chicago and Chicago Collections Consortium, and was produced by Ryan Edmund Thiel. __Featured Image: A compilation of images of posters and promotional images from ZINEmercado. Images courtesy of Oscar Arriola.

Chicago Archives Dive: Underground Publishing with Julia Arredondo

Did you know Chicago is a mecca of underground publishing? In this video, Julia Arredondo—artist entrepreneur and graduate of Columbia College Chicago—talks about the political influence of Chicago’s zine culture while also sharing more about her zine product lines, including the counterculture entity Vice Versa Press and the more spiritual “Bedroom Botánica” Curandera Press.This video was created in collaboration with Art Design Chicago and Chicago Collections Consortium, and was produced by Ryan Edmund Thiel. ___Featured Image: A compilation of images of covers of zines by Julia Arredondo. Each cover has a different design–one with colorful flowers, illustrated collages, intermixed with text. Images courtesy of Julia Arredondo.

Chicago’s zine-makers: Liz Mason

For several decades, Chicago has had a rich history of artists making zines; independently published, low budget periodicals. Liz Mason currently manages Quimby’s Bookstore and has been making her own perzines (personal zines) since the early nineties. Her writing, which is often comedic and punchy, recounts personal anecdotes, relationships, and simply things she finds awesome. We interviewed her to learn more about what got her into Zines and some of the zines she has created over the years. This video was created in collaboration with Art Design Chicago and Chicago Collections Consortium, and was produced by Ryan Edmund Thiel. __Featured Image: A compilation of images of covers of Zines by Liz Mason. Each cover has black text printed on yellow paper. Images courtesy of Liz Mason.

Out of Site: Public Performance goes Virtual

Since its inception, Out of Site (OoS) has sought to create wonder through “unexpected encounters in public space.” Performances took place in unusual places, such as alleyways, parking lots, underneath the El tracks, as well as during the middle of Wicker Park Fest. However like many performance art groups and initiatives during the coronavirus shutdown, Out of Site pivoted to present innovative performance art through live streaming tools. Started by Carron Little and Whitney Tassie in 2011, this public performance art series has brought artists from all around the world and on to the streets of Wicker Park, Noble Square, and other parts of the city. Performances varied in tone whether it was two women, Elena & Erin, pushing a cabinet down Milwaukee avenue or Austin-based artists performing an underwater puppet show with a truck-sized whale in Ballenarca.  Taking performance art into the digital realm seemed like a natural step. Out of Site teamed up with Experimental Sound Studio’s (ESS) The Quarantine Concert series on May 26th to present Out of Site Virtual Performance. Donations …

Inaccessibility as Material: an interview with Alison O’Daniel

Alison O’Daniel is a visual artist and filmmaker whose ongoing project The Tuba Thieves interweaves elements of sound composition, sculptural installation, performance, and film. Beginning in 2011, The Tuba Thieves has been screened and exhibited in numerous iterations, expanding and complicating the notion of a filmic whole. Using a film as a site through which to explore how continuity, equivalency, and legibility intersect O’Daniel’s work complicates the presumption of normativity inherent in traditional cinematic and narrative modes. Building a vocabulary of missing information, misunderstanding, and processual aesthetics, The Tuba Thieves asks us to rethink differing sensory experiences as a generative and imperative storytelling force.  The following is an excerpt from a longer conversation conducted over Google Meet between the artist, Christopher Robert Jones, and Liza Sylvestre. Google Meet was chosen after discussing various video conferencing platforms and their inadequate accessibility features.  Liza Sylvestre: How do you wake up? Alison O’Daniel: My dog wakes me up. She comes in and punches the bed. She is a deaf boxer and she wakes me up every day at …

A Scene of Her Own: The Inimitable Vaginal Davis

Her blond hair perfectly flipped, a smile breaking across her warm and open face, Vaginal Davis takes the mic, satin blue nighty shimmying. Amidst a stage of fierce femmes of all shapes and sizes rocking back and forth in slumber party attire, Davis holds the center of our attention. Performing tonight as Graciela Grejalva—lead singer of Cholita!—she sings, she shouts, sweating, spitting rapid-fire lyrics, a pink swatch of fabric clutched in one hand. Her other hand gesticulates wildly, mirrored by the lingerie-clad woman to her left who cajoles in pantomime, pointing at, sometimes flipping off the audience, implicating and drawing them in. Black and brown women, including Alice Bag of Sad Girl and The Bags, play backup to our Blatino (half Black, half Mexican), intersexed, queer drag superstar, churning out a low-fi frenzied garage punk beat. “CHINGA TU, CHINGA TU, CHINGA TU MADRE!” they collectively sing in urgent, joyful unison. Go fuck yourself. Literally, go fuck your mother. Vaginal Davis, who named herself after Black radical Angela Davis with a queer, humorous twist, is not …

Recipes for a post-colonial kitchen: maize / Recetas para una cocina poscolonial: el maíz

I remember the days before smartphones when my parents would load me and my brothers up into our white, blue velvet interior, 1985 Oldsmobile Toronado to make the 2-day trip down south to visit our grandparents. It was always a hot summer, a 24 hour drive to the border, 12 hours to Durango, and a few extra hours here and there so my dad could sleep. This was usually somewhere just outside of Tulsa and after getting through Border Patrol in Nuevo Laredo. I knew the path in my heart. No matter how far away we were, I felt the magnetic pull that snapped us from our house in Aurora, Illinois to the fig trees growing in the yard behind my grandmother’s kitchen in Durango. Mexico was my summer camp. As the in-car map reader, it was my job to make sure we took I-55 South through St. Louis so we could drive over that spectacular bridge that crossed the Mississippi River. My father, a former truck driver who is very familiar with this route, …

Beyond the Page: Regina Martinez & Threewalls’ In-Session

“Beyond the Page” digs into the process and practice of writers and artists who work at the intersection of literary arts and other fields. For this installment, I interviewed Regina Martinez, Threewalls’ Artist and Artistic Engagement Manager, about the In-Session program — a critical interdisciplinary salon that incorporates reading, conversation, and performance together, now entering its third season. I spoke with Martinez in late July about the ideas and values behind In-Session, the theme she chose for its coming season, sensitivities of working between artists and institutions, and Martinez’s own path to and through this work. Check out In-Session’s third season, themed “The Art of Memory.” Find Threewalls @threewalls on Twitter and @three-walls on Instagram. This interview has been edited for length and clarity. Marya Spont-Lemus: Thank you for taking the time to speak with me about In-Session! I’m so glad I went to Udita Upadhyaya’s In-Session event in March, because I think this program has such a great premise and I’m excited to hear how other artists engage with it. Especially for readers who may …

The Art of DJing: Miss Twink USA

DJing is a curious art form and rarely discussed as one. It is rarely discussed at all, except by other DJs in industry publications; what is there to say that can’t be expressed more vigorously on the dancefloor? If you’re talking, you’re not dancing, and you’re probably standing in the way of people trying to dance. Is it art? It’s entertainment, it’s a trade, it’s a party. I hear André Leon Talley in the documentary “Catwalk” wrinkling his nose at a parallel question about that other commercial art form: “No, no, no. Is fashion art? No! Fashion is hard work, gritty; it’s not glamorous”—the question is an embarrassment to both art and fashion. Or DJing. To consider the question at all means that the answer is at least “sometimes.” DJing is work in the realm of aesthetic experience; it is a discipline with a touch of wonder and mystery and creative talent. DJs hear what others don’t, they surprise us with a blend, they tell a story, they improvise, they observe the energy of a …