Antonius-Tín Bui: There are Many Ways to Hold Water Without Being Called a Vase by Francine Almeda September 21, 2023 · Archives, Essays + Reviews, Exhibitions
Broken Open: persevere, honor & create by Mary ejdpkl Lawson September 20, 2023 · Essays + Reviews, Exhibitions, Projects + Collaborations
A Study in Movement, Sound, and Afro-Diasporic Excavation: A Review of Ben Hall and Kaleigh Wilder at Experimental Sound Studio by Nadya Kelly September 14, 2023 · Artists, Essays + Reviews, Sound, Film + Video
Music that Wants You to Sleep: Ambient Lullabies at StretchMetal’s Drone Sleepover by Livy Snyder September 12, 2023 · Essays + Reviews, Happenings, Sound, Film + Video
Pyaar, Jugaad, etc : प्यार , जुगाड़, etc. : On language, multiplicity in meaning, and underground abuse through technology that goes undetected in non-English speaking countries. by Darshita Jain September 1, 2023 · Bilingual, Essays + Reviews
Thoughtful Tracking: A Reparative and Intersectional Guidebook to the Art Critical Landscape by Ian Carstens September 1, 2023 · Artists, Community, Essays + Reviews, Featured
I MADE FRIENDS AND I’M HERE: A Pal on the Inside of Elliot Schiff’s “I’m Not Here to Make Friends” by Maggie Rothberg August 14, 2023 · Artists, Essays + Reviews
Traveling Somewhere Warm in Our Minds: A Review of Presence in the Pause: Interiority and its Radical Immanence by Chenoa Baker July 31, 2023 · Artists, Essays + Reviews, Exhibitions
A Response to D-Composition: Love Is… by Shivani Kumar July 21, 2023 · Essays + Reviews, Exhibitions, Happenings
Aesthetics of Adaptability: Yvette Mayorga, rasquachismo, and pink by Vic Barquin July 18, 2023 · Artists, Essays + Reviews, Exhibitions
By the Action of Light: A Review of Direct Contact: Cameraless Photography Now by Kristie Kahns July 14, 2023 · Essays + Reviews, Exhibitions
Reflections and Thoughts on Black Visibility in Will Rawls’s [siccer] by Adanya Gilmore July 10, 2023 · Artists, Essays + Reviews, Exhibitions
Elbow Grease: Clocking In For Unpaid Labor by Elaine Luther July 5, 2023 · Artists, Columns + Series, Essays + Reviews
Review: Mika Horibuchi’s Showcase at Patron Gallery by Thomas Huston June 23, 2023 · Artists, Essays + Reviews, Exhibitions
Testimonies on Paper: South Asian Women Shed Light on Multiple Stories by Saadia Pervaiz June 16, 2023 · Essays + Reviews, Exhibitions
Elbow Grease: Bringing People Together Under Desi Starlight by Saadia Pervaiz June 7, 2023 · Columns + Series, Community, Essays + Reviews
Elbow Grease: Play and Being Played: Survival Tactics of an Artist by Nayeon Yang May 30, 2023 · Columns + Series, Essays + Reviews
Small Art, Big Energy: A review of Barely Fair by Christina Nafziger May 23, 2023 · Artists, Essays + Reviews, Exhibitions
Days Later, Down River: The Path to Follow by Francine Almeda May 22, 2023 · Essays + Reviews, Exhibitions, Featured
Entangling the Times: Review of not all realisms: photography, Africa, and the long 1960s by Elizabeth Upenieks May 16, 2023 · Essays + Reviews, Exhibitions
Leading the Way: Women Indigenizing Institutions by Luz Magdaleno Flores May 12, 2023 · Art Design Chicago, Essays + Reviews
What’s Inside a Girl? A Response to Shana Hoehn’s Basket Toss by Annette LePique May 8, 2023 · Essays + Reviews, Exhibitions
Interweave: Morgan Green’s Text Fields by persephone van ort April 30, 2023 · Essays + Reviews, Exhibitions
Artistic Meditation: Bryana Bibbs Explores Personal Narrative Through the Intersection of Weaving and Painting by Jen Torwudzo-Stroh April 11, 2023 · Artists, Essays + Reviews, Exhibitions
Yae Jee Min’s Gift of Wings by Christina Nafziger April 5, 2023 · Artists, Essays + Reviews, Exhibitions
Workin’ 9 to 5: For Those Who Toil at Purple Window Gallery by Annette LePique March 16, 2023 · Artists, Essays + Reviews, Exhibitions
The Willing Selective Hindsight of Islamicate History by Saadia Yasmin Pervaiz February 27, 2023 · Community, Essays + Reviews
![Image: Performers from [siccer] stand arm and arm facing the camera. Performers pictured from left to right: Holland Andrews, jess pretty, Katrina Reid, keyon gaskin, Jeremy Toussaint-Baptiste. The picture was taken at Experimental Media and Performing Arts Center by Will Rawls. Courtesy of Will Rawls and the Museum of Contemporary Art Chicago.](https://sixtyinchesfromcenter.org/wp-content/uploads/2023/06/DSC01540-copy-300x169.jpg)
