Elbow Grease: Play and Being Played: Survival Tactics of an Artist by Nayeon Yang May 30, 2023 · Artists, Columns + Series, Essays + Reviews
Small Art, Big Energy: A review of Barely Fair by Christina Nafziger May 23, 2023 · Artists, Essays + Reviews, Exhibitions
Days Later, Down River: The Path to Follow by Francine Almeda May 22, 2023 · Essays + Reviews, Exhibitions, Featured
Entangling the Times: Review of not all realisms: photography, Africa, and the long 1960s by Elizabeth Upenieks May 16, 2023 · Essays + Reviews, Exhibitions
Leading the Way: Women Indigenizing Institutions by Luz Magdaleno Flores May 12, 2023 · Art Design Chicago, Essays + Reviews
What’s Inside a Girl? A Response to Shana Hoehn’s Basket Toss by Annette LePique May 8, 2023 · Essays + Reviews, Exhibitions
Interweave: Morgan Green’s Text Fields by persephone van ort April 30, 2023 · Essays + Reviews, Exhibitions
Artistic Meditation: Bryana Bibbs Explores Personal Narrative Through the Intersection of Weaving and Painting by Jen Torwudzo-Stroh April 11, 2023 · Artists, Essays + Reviews, Exhibitions
Yae Jee Min’s Gift of Wings by Christina Nafziger April 5, 2023 · Artists, Essays + Reviews, Exhibitions
Workin’ 9 to 5: For Those Who Toil at Purple Window Gallery by Annette LePique March 16, 2023 · Artists, Essays + Reviews, Exhibitions
The Willing Selective Hindsight of Islamicate History by Saadia Yasmin Pervaiz February 27, 2023 · Community, Essays + Reviews
A Sound Deemed Unwanted: A Review of Soft Noise at The Plan by Livy Snyder February 21, 2023 · Artists, Essays + Reviews, Exhibitions
Toys Are Us: Deborah Simon’s Embroidered Morphologies at the International Museum of Surgical Science by Annette LePique February 3, 2023 · Artists, Essays + Reviews, Exhibitions
Review of Still Together at Saint Kate Arts Hotel by Annie Raab January 27, 2023 · Artists, Essays + Reviews, Exhibitions
Root of Two: On Darkness by Jared Brown January 23, 2023 · Essays + Reviews, Exhibitions, Sixty Regional
Figures in the Landscape: Pao Houa Her’s Paj qaum ntuj / Flowers of the Sky by Ruby Jeune Tresch January 20, 2023 · Essays + Reviews, Exhibitions
Collage as Worldbuilding: Hybridity in Solo(s): Krista Franklin by Amanda Dee January 14, 2023 · Essays + Reviews, Exhibitions
In defense of communal catharsis, whenever required: on the Foo Fighters’ “Best of You” by Darshita Jain January 12, 2023 · Essays + Reviews, Sound, Film + Video
In Her Own Words: Confessions of Womanhood and Motherhood by Gabrielle Lynch January 6, 2023 · Artists, Essays + Reviews
Review of Glory Hole at Polonium Projects by Annette LePique January 3, 2023 · Artists, Essays + Reviews, Exhibitions
Earthly Pleasures: A Review of Soumya Netrabile’s Searching for Stars by Annie Dauber December 17, 2022 · Essays + Reviews, Exhibitions
The Agenda of Artifice | On Liza Jo Eilers’ The Care And Keeping of You by Ruby Jeune Tresch December 16, 2022 · Essays + Reviews, Exhibitions
Erasing Native Chicago Through Settler Occupation by Fawn Pochel December 8, 2022 · Community, Essays + Reviews
Not Geography But a State of Mind: Review of Forecast Form: Art in the Caribbean Diaspora at the MCA by Elisa Shoenberger December 5, 2022 · Essays + Reviews, Exhibitions
“The Wizards” are transmuting: a reflection by Dr. N. Tulio Bermúdez November 28, 2022 · Artists, Essays + Reviews, Happenings
Review of We. The Culture: Works by The Eighteen Art Collective at the Indianapolis Museum of Art at Newfields by Jen Torwudzo-Stroh November 25, 2022 · Essays + Reviews, Exhibitions
Touch Grass: A Review of Liz’s Childhood Computer: 2003 – 2005 at Prairie by Emeline Boehringer November 21, 2022 · Essays + Reviews, Exhibitions, Projects + Collaborations
