Small Art, Big Energy: A review of Barely Fair by Christina Nafziger May 23, 2023 · Artists, Essays + Reviews, Exhibitions
Days Later, Down River: The Path to Follow by Francine Almeda May 22, 2023 · Essays + Reviews, Exhibitions, Featured
Entangling the Times: Review of not all realisms: photography, Africa, and the long 1960s by Elizabeth Upenieks May 16, 2023 · Essays + Reviews, Exhibitions
What’s Inside a Girl? A Response to Shana Hoehn’s Basket Toss by Annette LePique May 8, 2023 · Essays + Reviews, Exhibitions
Interweave: Morgan Green’s Text Fields by persephone van ort April 30, 2023 · Essays + Reviews, Exhibitions
Collaborating with Non-Human Species: an interview with artist Laleh Motlagh by Livy Snyder April 28, 2023 · Artists, Exhibitions, Interviews
Artistic Meditation: Bryana Bibbs Explores Personal Narrative Through the Intersection of Weaving and Painting by Jen Torwudzo-Stroh April 11, 2023 · Artists, Essays + Reviews, Exhibitions
Rural Opulence: An interview with Faleasha Savage and Imagine Uhlenbrock by Jared Packard April 7, 2023 · Exhibitions, Interviews
Yae Jee Min’s Gift of Wings by Christina Nafziger April 5, 2023 · Artists, Essays + Reviews, Exhibitions
Workin’ 9 to 5: For Those Who Toil at Purple Window Gallery by Annette LePique March 16, 2023 · Artists, Essays + Reviews, Exhibitions
A Sound Deemed Unwanted: A Review of Soft Noise at The Plan by Livy Snyder February 21, 2023 · Artists, Essays + Reviews, Exhibitions
Toys Are Us: Deborah Simon’s Embroidered Morphologies at the International Museum of Surgical Science by Annette LePique February 3, 2023 · Artists, Essays + Reviews, Exhibitions
Review of Still Together at Saint Kate Arts Hotel by Annie Raab January 27, 2023 · Artists, Essays + Reviews, Exhibitions
Root of Two: On Darkness by Jared Brown January 23, 2023 · Essays + Reviews, Exhibitions, Sixty Regional
Figures in the Landscape: Pao Houa Her’s Paj qaum ntuj / Flowers of the Sky by Ruby Jeune Tresch January 20, 2023 · Essays + Reviews, Exhibitions
Collage as Worldbuilding: Hybridity in Solo(s): Krista Franklin by Amanda Dee January 14, 2023 · Essays + Reviews, Exhibitions
Review of Glory Hole at Polonium Projects by Annette LePique January 3, 2023 · Artists, Essays + Reviews, Exhibitions
Earthly Pleasures: A Review of Soumya Netrabile’s Searching for Stars by Annie Dauber December 17, 2022 · Essays + Reviews, Exhibitions
The Agenda of Artifice | On Liza Jo Eilers’ The Care And Keeping of You by Ruby Jeune Tresch December 16, 2022 · Essays + Reviews, Exhibitions
Not Geography But a State of Mind: Review of Forecast Form: Art in the Caribbean Diaspora at the MCA by Elisa Shoenberger December 5, 2022 · Essays + Reviews, Exhibitions
Review of We. The Culture: Works by The Eighteen Art Collective at the Indianapolis Museum of Art at Newfields by Jen Torwudzo-Stroh November 25, 2022 · Essays + Reviews, Exhibitions
Touch Grass: A Review of Liz’s Childhood Computer: 2003 – 2005 at Prairie by Emeline Boehringer November 21, 2022 · Essays + Reviews, Exhibitions, Projects + Collaborations
Review: MDW Art Fair at Mana Contemporary by Joan Roach October 8, 2022 · Essays + Reviews, Exhibitions
Thoughts on Remaking the Exceptional: Tea, Torture, and Reparations at the DePaul Art Museum by Isra Rahman September 22, 2022 · Artists, Essays + Reviews, Exhibitions
Nubes Art Fair at Heaven Gallery Promotes Both Equity and Sales by Susan Musich September 20, 2022 · Essays + Reviews, Exhibitions, Happenings
Review: Arghavan Khosravi’s The Witness at Kavi Gupta Gallery by Elizabeth Upenieks September 17, 2022 · Essays + Reviews, Exhibitions
A Review of Artist Run Spaces at the Contemporary Art Center, Cincinnati by Megan Bickel September 15, 2022 · Essays + Reviews, Exhibitions, Sixty Regional
Between the Strange and Sublime: A Review of Heft at Patron Gallery by Pia Singh August 22, 2022 · Artists, Essays + Reviews, Exhibitions
