Thoughts on Remaking the Exceptional: Tea, Torture, and Reparations at the DePaul Art Museum by Isra Rahman September 22, 2022 · Artists, Essays + Reviews, Exhibitions
Nubes Art Fair at Heaven Gallery Promotes Both Equity and Sales by Susan Musich September 20, 2022 · Essays + Reviews, Exhibitions, Happenings
Review: Arghavan Khosravi’s The Witness at Kavi Gupta Gallery by Elizabeth Upenieks September 17, 2022 · Essays + Reviews, Exhibitions
A Review of Artist Run Spaces at the Contemporary Art Center, Cincinnati by Megan Bickel September 15, 2022 · Essays + Reviews, Exhibitions, Sixty Regional
Between the Strange and Sublime: A Review of Heft at Patron Gallery by Pia Singh August 22, 2022 · Artists, Essays + Reviews, Exhibitions
E. Saffronia Downing’s Geology of Fissures by Alexandra Méndez August 11, 2022 · Essays + Reviews, Exhibitions
Stepping In and Seeing Through with Artist Kelly Clare by Rachel L. Hausmann Schall August 3, 2022 · Essays + Reviews, Exhibitions, Sixty Regional
Review: Beautiful Snail at the Logan Center for the Arts by Christina Nafziger July 25, 2022 · Essays + Reviews, Exhibitions
Place and Timelessness: An Interview with Jin Lee by Pia Singh July 14, 2022 · Artists, Exhibitions, Interviews
A Horizon of Being in Red: Kristoffer Ala-Ketola’s Dreams & Delusions by Livy Snyder July 8, 2022 · Essays + Reviews, Exhibitions
Rae Stern: Flourishing Despite Disruption by Chenoa Baker July 7, 2022 · Essays + Reviews, Exhibitions, Sixty Regional
when the sun fills your throat: split my sides at The Luminary by Annette LePique July 6, 2022 · Essays + Reviews, Exhibitions, Sixty Regional
Approaches and Strategies within Hospitality: An Interview with Curator Sylvie Fortin by Christina Nafziger June 30, 2022 · Exhibitions, Interviews
Review: I don’t know you like that: The Bodywork of Hospitality by Christina Nafziger · Essays + Reviews, Exhibitions, Sixty Regional
A Tribute to the Sustenance of Friendship: Dawoud Bey & Carrie Mae Weems at the Grand Rapids Art Museum by Kristie Kahns June 20, 2022 · Essays + Reviews, Exhibitions, Sixty Regional
Review of A Vibe Called Death: The Black Afterlife at Cleaner Gallery + Projects by Lauren Iacoponi May 25, 2022 · Essays + Reviews, Exhibitions
Sutures: An Interview with Michael Khuth by Ian Hanesworth May 17, 2022 · Exhibitions, Interviews, Sixty Regional
Review: Space to Say at Heaven Gallery by S. Nicole Lane May 12, 2022 · Essays + Reviews, Exhibitions
(Re)Materializing Dread: An Interview with Mayumi Lake and Stacia Yeapanis by Annie Raab April 20, 2022 · Artists, Exhibitions, Interviews
Review of This House Is Mine by Bob Thompson by Elizabeth Upenieks April 15, 2022 · Essays + Reviews, Exhibitions, Featured
Opal Pools of Milk and the Luzhin Defence: Review of This Too Shall Pass by Annette LePique April 14, 2022 · Archives, Artists, Essays + Reviews, Exhibitions, Featured
Looking Forward by Looking Back: Dawn to Dusk by Azadeh Gholizadeh by Livy Snyder April 12, 2022 · Essays + Reviews, Exhibitions, Featured
The Object as a Lightning Rod For Meaning: A Review of General Objects by Ally Fouts March 30, 2022 · Essays + Reviews, Exhibitions, Featured
Review: Crip* at Gallery 400 by Ashley Ariel March 29, 2022 · Essays + Reviews, Exhibitions, Featured, Resources
Our Message in a Bottle, Notes from VEGA: A.J. McClenon by isra rene March 25, 2022 · Artists, Essays + Reviews, Exhibitions, Featured
Review: Two Exhibitions at Dragon Crab Turtle by Del O'Brien February 19, 2022 · Essays + Reviews, Exhibitions, Featured, Sixty Regional
