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Happenings
June Art Picks
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Sixty Inches From Center
May 31, 2026
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May 3, 2026
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April 1, 2026
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March 2, 2026
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Reflecting on “Signal Overload” at Star Lite Drive-In in Bloomington, Indiana
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Ian Carstens
February 5, 2026
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February 3, 2026
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November 8, 2025
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September 2, 2025
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A Future What? Detroit-Based Queer Sci-fi Drama Makes History
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Ian Carstens
August 28, 2024
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Disneylandia for Functioning Alcoholics: a Dark Lord Day Comic
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Carlos Matallana
July 21, 2024
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La Máquina de Los Sueños
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Carlos Matallana
January 19, 2024
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El Dolor Comunitario de O Death
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Sofia Sanchez Borboa
January 6, 2024
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Desde los archivos
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Leaving the Dollhouse: On “The Writer,” Political Theatre, and Abandoning Institutions
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persephone van ort
January 5, 2024
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Communal Grieving at Santiago Quintana’s
O Death
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Sofía Sanchez Borboa
December 18, 2023
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Cosquilleo en las Hemorroides
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Carlos Matallana
December 12, 2023
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Shop ’til You Drop: A Review of Kokandy Productions’ “American Psycho: The Musical”
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Annette LePique
December 8, 2023
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Música de Resistencia: House Music
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Nancy Sánchez
November 10, 2023
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Community
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Music that Wants You to Sleep: Ambient Lullabies at StretchMetal’s Drone Sleepover
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Livy Snyder
September 12, 2023
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A Response to D-Composition:
Love Is…
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Shivani Kumar
July 21, 2023
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Parts of the Process: An interview with the director and cast of
Buy Sell Trade
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Rachel Dukes
May 23, 2023
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“The Wizards” are transmuting: a reflection
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Dr. N. Tulio Bermúdez
November 28, 2022
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Make it Last Forever: A Digital Preservation Workshop
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The Blackivists
October 27, 2022
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Kurt Can Act: an essay on theatre and what it does
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Kurt Chiang
October 17, 2022
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Where the Money Reside?
Grant Writing for Your Archives
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The Blackivists
September 27, 2022
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Nubes Art Fair at Heaven Gallery Promotes Both Equity and Sales
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Susan J. Musich
September 20, 2022
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On BOUND and Religious Experiences at Dive Bars
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Yoana Tosheva
September 16, 2022
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July Art Picks
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July 3, 2022
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