Performance

What Do We Owe Each Other? A Review of “Charges (The Supplicants)” at Theatre Y

by Annette LePique

April 10, 2026

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Essays + Reviews, Performance
TUNING AWAY FROM MECHANIZED LISTENING: Music making in the window: Access Contemporary Music unveils new concert venue, The CheckOut

by Emily McClanathan

November 17, 2025

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Columns + Series, Featured, Performance, Sound, Film + Video
TUNING AWAY FROM MECHANIZED LISTENING: Sound Ecologies: A New Landscape of Music Community

by Camille Arnett

October 24, 2025

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Artists, Columns + Series, Community, Performance, Sound, Film + Video
THICK

by Corey Smith, Rachel Lindsay

May 27, 2025

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Essays + Reviews, Performance
Cosmic Docks

by Corey Smith, Rachel Lindsay

May 26, 2025

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Essays + Reviews, Performance
There are no dead people

by Sarah Skaggs

April 19, 2025

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Essays + Reviews, Performance
Bodies, Bodies, Bodies or A Year in the Life of Alexandra Barbier

by Courtney Becks

February 28, 2025

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Artists, Essays + Reviews, Performance
When We Hold Loss Together: A Reflection on Territory and People

by Rachel Lindsay

January 23, 2025

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Essays + Reviews, Performance
A Sonic Geography of Voice: A Review of EXP/VOX

by Livy Snyder

October 12, 2024

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Artists, Exhibitions, Performance, Sound, Film + Video
Call & Response: On Knockout

by Rachel Lindsay

September 17, 2024

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Essays + Reviews, Performance