Featured

Thoughtful Tracking: A Reparative and Intersectional Guidebook to the Art Critical Landscape

by Ian Carstens

September 1, 2023

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Artists, Community, Essays + Reviews, Featured
Days Later, Down River: The Path to Follow

by Francine Almeda

May 22, 2023

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Essays + Reviews, Exhibitions, Featured
Review: Voices from the Margins, Volume II: Present within the Stream of Life

by Livy Snyder

May 6, 2023

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Art Design Chicago, Artists, Featured
November Art Picks

by Sixty Inches From Center

November 1, 2022

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Art Picks, Featured
Kurt Can Act: an essay on theatre and what it does

by Kurt Chiang

October 17, 2022

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Essays + Reviews, Featured, Happenings
FOLD/UNFOLD: Interview with Olivia Rehm

by row särkelä

September 7, 2022

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Columns + Series, Featured, Interviews
The Wound

by Riley Yaxley

June 1, 2022

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Essays + Reviews, Featured, Poetry + Short Stories
On Black Presidential Portraits, Punchlines, and Power with Ross Stanton Jordan

by Tempestt Hazel

May 26, 2022

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Archives, Art Design Chicago, Featured, Interviews
Review of This House Is Mine by Bob Thompson

by Elizabeth Upenieks

April 15, 2022

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Essays + Reviews, Exhibitions, Featured
Fluorescence

by Ariel Yisrael

April 14, 2022

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Featured, Poetry + Short Stories, Sound, Film + Video
Opal Pools of Milk and the Luzhin Defence: Review of This Too Shall Pass

by Annette LePique

April 14, 2022

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Archives, Artists, Essays + Reviews, Exhibitions, Featured
Notes on Designing Cultural Change

by Noëlle Pouzar

April 13, 2022

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Art Design Chicago, Community, Essays + Reviews, Featured, Interviews
Looking Forward by Looking Back: Dawn to Dusk by Azadeh Gholizadeh

by Livy Snyder

April 12, 2022

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Essays + Reviews, Exhibitions, Featured
Disabled Sanctuary: Interview with Sangi Ravichandran

by carrie sarah kaufman

April 11, 2022

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Artists, Columns + Series, Featured, Interviews
April Art Picks

by Sixty Inches From Center

April 9, 2022

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Archives, Art Picks, Featured
In My Mother’s House There Is Still God: A Response to the Film ‘to render the infinite’

by Riley Yaxley

April 5, 2022

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Archives, Art Design Chicago, Essays + Reviews, Featured
Going Back to the Future: A Visual Collage In Response to the Film ‘to render the infinite’

by Ireashia Bennett

April 5, 2022

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Archives, Art Design Chicago, Featured, Sound, Film + Video
Memoir, Mythos, and the Maximalist Practice of Cecilia Beaven

by Tempestt Hazel

April 4, 2022

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Archives, Featured, Interviews, Sound, Film + Video
God is a Black Woman: a Selection of Poems by Chaz Shermil Hodges

by Chaz Shermil Hodges

March 31, 2022

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Featured, Poetry + Short Stories, Sixty Regional
The Object as a Lightning Rod For Meaning: A Review of General Objects

by Ally Fouts

March 30, 2022

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Essays + Reviews, Exhibitions, Featured
Radically Galvanizing Chicago’s Arts Worker Ecosystem, via Data

by Felicia Holman

March 30, 2022

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Archives, Artists, Chicago Arts Census, Community, Featured
Review: Crip* at Gallery 400

by Ashley Ariel

March 29, 2022

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Essays + Reviews, Exhibitions, Featured, Resources
Pool Party

by Caitlin Price

March 28, 2022

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Featured, Poetry + Short Stories, Sixty Regional
EXTENDED BREAKDOWN(s) with Patric McCoy

by Jared Brown

March 27, 2022

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Community, Featured, Interviews, On Archives
Our Message in a Bottle, Notes from VEGA: A.J. McClenon

by isra rene

March 25, 2022

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Artists, Essays + Reviews, Exhibitions, Featured
March Art Picks

by Sixty Inches From Center

March 1, 2022

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Art Picks, Featured, Happenings
Archiving Through Social Media: An Interview With kee mabin

by Onyx Montes

February 21, 2022

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Archives, Featured, Interviews
Archiving 101 with Skyla Hearn of The Blackivists

by Sixty Inches From Center

February 20, 2022

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Archives, Community, Diamond in the Back, Featured, On Archives
Review: Two Exhibitions at Dragon Crab Turtle

by Del O’Brien

February 19, 2022

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Essays + Reviews, Exhibitions, Featured, Sixty Regional
Makeup, Mortification, and Memory: A Review of “Evidence” by Bimbola Akinbola

by Benji Hart

February 17, 2022

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Essays + Reviews, Exhibitions, Featured