Art Picks
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Memorias, mitos y la práctica maximalista de Cecilia Beaven
Desde los archivos: Si sabes, sabes
Desde los archivos: Why DEMO Matters
Desde los archivos: El virus de la escasez y la cultura de la abundancia
Desde los archivos: Motivación inquebrantable: la marca de Victoria Martínez en Chicago
Columns + Series
FOLD/UNFOLD: Interview with Iyomi Ho Ken
Snapshot: Interview with Photographer Sarah Joyce
Disabled Sanctuary: Interview with Sangi Ravichandran
The Evolution of a Thought: Interview with Marcus Pruitt
Mourning Racial Categories: Why White?
Essays + Reviews
clouds again.again.again.again.again
E. Saffronia Downing’s Geology of Fissures
Stepping In and Seeing Through with Artist Kelly Clare
Review: Beautiful Snail at the Logan Center for the Arts
A Horizon of Being in Red: Kristoffer Ala-Ketola’s Dreams & Delusions
Interviews
BSA Gold on Crafting A Creative Path in Mysterious Times
Social Art and Performing Art Criticism: Lori Waxman at Weinberg/Newton Gallery
Rooting Deeper with Nicole Anderson-Cobb and Latrelle Bright
Place and Timelessness: An Interview with Jin Lee
Approaches and Strategies within Hospitality: An Interview with Curator Sylvie Fortin
On Archives
EXTENDED BREAKDOWN(s) with Patric McCoy
Archiving 101 with Skyla Hearn of The Blackivists
Diamond in the Back: Excavating Chicago’s Black Cultural and Material Heritage with The Blackivists
Sixty Inches From Center and Dreams of Future Canons
Chicago Archives Dive: Zine Festivals with Oscar Arriola
Poetry + Short Stories
Ending Credits / And In The End, They Still Live
The Wound
Egg
Fluorescence
God is a Black Woman: a Selection of Poems by Chaz Shermil Hodges
Sound, Film + Video
BSA Gold on Crafting A Creative Path in Mysterious Times
Time and Time Again: An Interview with Farah Salem
Fluorescence
Going Back to the Future: A Visual Collage In Response to the Film ‘to render the infinite’
Memoir, Mythos, and the Maximalist Practice of Cecilia Beaven