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Art Picks

Image: The upside down upper half of a person's body, holding their upper arms. Their eyes are closed and their long dark hair floods across the bottom left of the illustration. Their eyes are closed. Their t-shirt is shaded an orange color while the rest of the person is colored in shades of a reddish-purple. Over the whole image is a translucent grid of circles. Image by Julia O'Brien.

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Bilingual

Image: Neon green text that reads "Pobre Diabla" is projected upside down on a wall at Comfort Station over a blurred black and white projected image of a person wearing dark lipstick and eyeshadow. The room is lit up by a bluish purple light and two people are captured on the dance floor. Photo by Jonas Mueller-Alheim, 2023.

Dark and Hot: Summoning Latin American Vernacular
Entrevista con Hope Wang sobre LMRM, el acto de tejer comunidad, y el telar CH2 el único con acceso público en Chicago
An Interview with Hope Wang on the LMRM, the act of weaving community, and Chicago’s only public access TC2 loom
Deer in Headlights: A Review of Archiving Edging at Roots & Culture
Weapons of Mass Distraction: A reflection on Difference Machines, an exhibition at Wrightwood 659

Columns + Series

Weapons of Mass Distraction in bold neon green font with comic creation credit to Carlos Matallana. His three fictional characters drawn in black outlines in this spread converse and exchange the following statements "This exhibition reflects with clarity the origin of the current state of the web." "Great compilation of conversations and critical multimedia essays that get burried under news making their case against fake news."

Weapons of Mass Distraction: A reflection on Difference Machines, an exhibition at Wrightwood 659
AMULETOS, MAKERS, AND VOICES Part I
AMULETOS, HACEDORES, Y VOCES Parte I
Magic’s in the Air: The Actors Gymnasium
Disabled Sanctuary: Interview with Jade T. Perry

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Essays + Reviews

Image: Neon green text that reads "Pobre Diabla" is projected upside down on a wall at Comfort Station over a blurred black and white projected image of a person wearing dark lipstick and eyeshadow. The room is lit up by a bluish purple light and two people are captured on the dance floor. Photo by Jonas Mueller-Alheim, 2023.

Dark and Hot: Summoning Latin American Vernacular
In the Echoes of Pauline Oliveros: The Practice of Deep Listening
Good Words and Good Works: Greg Bae, CV at Bill’s Auto
Hidden Midwest: Detroit
A Miserable Party

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Interviews

Image: A photo of Alyssa Laney reading a white book. On the left side of the image are windows that go from the bottom of the image to the top. Outside, it looks to be dusk in a suburb. On the right side of the image, Alyssa—lit only by the window—holds a white book in front of her, raising her right hand slightly. She wears a purple shirt. Photo by Tonal Simmons.

Arriving At Art: Alyssa Laney
Hidden Midwest: Detroit
Entrevista con Hope Wang sobre LMRM, el acto de tejer comunidad, y el telar CH2 el único con acceso público en Chicago
An Interview with Hope Wang on the LMRM, the act of weaving community, and Chicago’s only public access TC2 loom
Show & Tell: Records and Reflections on Burlesque in Chicago

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On Archives

Image: A photograph of small bits and pieces of black paper debris at the bottom of a plastic quart deli container. Photo by Bob. and Bills Auto. Courtesy of Gregory Bae Archive.

Good Words and Good Works: Greg Bae, CV at Bill’s Auto
Rejecting Neutrality: Reparative Description at the Johnson Publishing Company Archive
The Cookout: A Community-Based Archiving Conversation
On Collaborative Recomposition and Shabez Jamal As Archive
Activating the Archive: A Panel Discussion

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Poetry + Short Stories

Image: A close up of two lovers in an embrace. Both are rendered in dark blue and multiple scratches obscure the image. Illustration by Sammi Crowley.

A Miserable Party
SAMO
Chris Aldana, the Poet: On Organizing, “The Water We Swim In,” and Making It Happen
twilight zones: A Collection of Poems by Alex Jane Cope
Transcending The Fugue

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Sound, Film + Video

Image: Neon green text that reads "Pobre Diabla" is projected upside down on a wall at Comfort Station over a blurred black and white projected image of a person wearing dark lipstick and eyeshadow. The room is lit up by a bluish purple light and two people are captured on the dance floor. Photo by Jonas Mueller-Alheim, 2023.

Dark and Hot: Summoning Latin American Vernacular
In the Echoes of Pauline Oliveros: The Practice of Deep Listening
Reimagining Reparations with Raja’Nee Redmond
Listening to Whales in Central Illinois: A Review of CETACEAN and Who Speaks for the Oceans?
Un Viaje x El Tiempo y Espacio Colectivo: An Interview with Projection Designer Eme Ospina-López of Tambo and Bones

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