Art Picks
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Bilingual
Memorias, mitos y la práctica maximalista de Cecilia Beaven
Desde los archivos: Si sabes, sabes
Desde los archivos: Why DEMO Matters
Desde los archivos: El virus de la escasez y la cultura de la abundancia
Desde los archivos: Motivación inquebrantable: la marca de Victoria Martínez en Chicago
Columns + Series
Smiling Behind the Sun: An Interview with Brandon Wyatt
Fight For Your Right: Stories on Arts Labor From SAIC // Maggie Wong
Smiling Behind the Sun: An Interview with Destine Phillips
Stronger Together: Building a More Resilient Art Community
Fight For Your Right: Stories on Arts Labor from SAIC // Elena Ailes
Essays + Reviews
Not Geography But a State of Mind: Review of Forecast Form: Art in the Caribbean Diaspora at the MCA
Beauty is in the “I” of the Beholder
The Lover’s Prayer
“The Wizards” are transmuting: a reflection
Review of We. The Culture: Works by The Eighteen Art Collective at the Indianapolis Museum of Art at Newfields
Interviews
Interview with Chicago Ihanktonwan Dakota artist, David Bernie
From Figure to Abstraction with Paul Verdell
On Balance & Play: Tetsuya Yamada’s Shallow River
Smiling Behind the Sun: An Interview with Brandon Wyatt
Making Down Time: Curator Leslie Wilson on the Art of Retreat
On Archives
Make it Last Forever: A Digital Preservation Workshop
Chicago Archives + Artists Project 2022
Where the Money Reside? Grant Writing for Your Archives
Love Notes to Chicago’s West Side with Jonathan Kelley, Jay Simon, and Steven D. Booth
Building a Home for Muses: An Interview with Art Preserve Curator Laura Bickford on Ray Yoshida’s Collections
Poetry + Short Stories
The Lover’s Prayer
Overlap: Anna Kavan & me
Two Poems: “The Motif” and “Twitches”
Feeling Safe While Taking Up Space: The Forefront of Luya Poetry’s Open Mics
Smiling Behind the Sun: An Interview with Zarria Alexander
Sound, Film + Video
BSA Gold on Crafting A Creative Path in Mysterious Times
Time and Time Again: An Interview with Farah Salem
Fluorescence
Going Back to the Future: A Visual Collage In Response to the Film ‘to render the infinite’
Memoir, Mythos, and the Maximalist Practice of Cecilia Beaven
