All posts filed under: Sound, Film + Video

If You Want to Watch, You Can Watch: A Conversation with Multimedia Artist Heather Raquel Phillips

In Heather Raquel Phillips’ videos we are so very close. But we rarely get the full picture. Instead, we sense our way. We feel what we are meant to know, despite, or because of, the ambiguity. It is familiar, yet private. We cannot, would not, transpose ourselves onto or into another’s moment. But we watch, transfixed, sometimes trapped up close, sometimes lingering, our desires holding us rapt. Eyes closed, a grimace, then a small smile, as someone takes an electric clipper to another’s head and shaves it clean. Eyes closed, relaxed, stroking hair to the lull of R&B. The gentle touch of a manicured hand against the neck, the other confidently guiding the razor along the scalp. They bend forward as the razor tickles the nape, moving with the grain of their body in response to another’s structured guidance. Tongues ecstatically licking lips, devouring in anticipatory delight. Bodies gleeful with expectation, awaiting their punishment. Phillips, a mixed race artist living and working in Philadelphia, explores the intersections of race, class, gender & sexuality through the …

Mitch Buangsuwon and Modern Americana

Mitch Buangsuwon (he/him) is a photographer, director, and filmmaker based in Chicago and Los Angeles. His work focuses on familial connections and issues. His current film project explores the ways that dementia and lack of control affect a family and his current photography project documents people’s lives across America and delves into their sense of safety. Mitch’s work can be found at mitchb.us. Cecilia Kearney: Let’s start with your background, tell me a little bit about yourself. Mitch Buangsuwon: My name is Aaron Mitchell Buangsuwon. I was born and raised in Los Angles, California. I have only recently been living in Chicago since I moved here for school, so I am very much still heavily tied to my California identity. My dad immigrated from Bangkok, Thailand to go to college where he met my mom—they’re divorced now. I was in a family that was really into the outdoors and traveling, so I was lucky to be able to go all over the U.S. and the world. As a kid, I went to Switzerland a lot as well …

Featured image: Maggie Robinson and Allison Sokolowski performing in “I Am” at the Chicago Danztheatre Auditorium, as part of the Body Passages culminating event. Maggie balances with one foot, knee, and hand on the floor, as Allison stands on Maggie’s lower back. The performers hold each other’s left hands and look at each other. Both are barefoot and wear white t-shirts and jeans. Behind them is a well-lit stage, with a string of colorful paper suspended across it. Still from a video by John Borowski.

Body Passages: Culminating Collaborations

This is the fourth and final article in a series about Body Passages, a partnership between Chicago Danztheatre Ensemble and The Chicago Poetry Center (the first, second, and third pieces can be found here). These articles provide brief looks into a 10-month, interdisciplinary creative process between Body Passages poets and dancers, documenting and reflecting on aspects of that process as it happens. Launched in 2017, Body Passages is an artist residency and performance series curated and produced by Sara Maslanka (Artistic Director of Chicago Danztheatre Ensemble) and Natasha Mijares (Reading Series Curator of The Chicago Poetry Center; Natasha also writes for Sixty). Trigger warning: The performance “Blood Memory,” discussed below, contains references to sexual assault, including in childhood. During a culminating event featuring groups’ final performances, the Body Passages artists offered the audience sugar cereal, sparkling cider, and glowsticks; invited us to dance with them and record ourselves reading their poetic curations; and asked us to travel back in time with them to New Year’s Eve 1998. Especially appropriate given Body Passages’ collaborative focus and …

Interview with Musician Bailey Minzenberger

Bailey Minzenberger is a Chicago singer songwriter whose music focuses on themes of love, loss, and intense emotion. Their debut EP, “Queen Anne’s Lace,” combines acoustic guitar with hauntingly beautiful lyrics to evoke an intimate listening experience, currently available on Bandcamp. Writer Cecilia Kearney had the chance to talk to Bailey and discuss their relationship with music and identity. Cecilia Kearney: Lets start with some background; tell me a little bit about yourself. Bailey Minzenberger: I was born and raised in Evanston and Rogers Park. I haven’t really left the area for an extended period of time, which I would like to change—I am changing, which is exciting. I feel really grateful to have grown up there; Evanston is a really cool place. I’m currently writing my own music. I would like to [have a] full band, but since it’s just me right now, it’s usually just acoustic guitar and vocals. Usually when I write music, I can hear the entire band in my head as I’m writing, so it’s really cool when I can get a …

Installation View: Up is Down at the Block Museum

This fall, Art Design Chicago is illuminating the legacy of art and design that’s embedded in Chicago’s history and culture through a full calendar of exhibitions, events, and other programs across the city. As editorial partners in this effort, we’re working with them to to elevate the stories of Chicago’s lesser-known artists, designers, and creators, past and present, through comics, essays, interviews, podcasts, and videos. For the videos we’ve teamed up with On The Real Film to present short profiles that highlight the exhibitions, projects, and people who are showcasing these legacies in various ways. The third video in this series, “Installation View: Up is Down” takes a behind-the-scenes look at the installation process for The Block Museum’s exhibition Up is Down: Mid-century Experiments in Advertising and Film at the Goldsholl Studio. Co-curators Amy Beste and Corinne Granof discuss the legacy and impact of the Goldsholl Studio on design and advertising, and provide insight into the curating process for a multimedia show that includes a wide variety of mediums and formats. The Block Museum’s Dan Silverstein elaborates …

Chicago Archives + Artists Project: Artist Profile on Ivan LOZANO

The Chicago Archives + Artists Project (CA+AP) is an initiative that highlights Chicago archives and special collections that give space to voices on the margins of history. Led by Chicago-based writers and artists, the project explores archives across the city via online features, a series of public programs and new commissioned artwork by Chicago artists. For 2018, the Gaylord and Dorothy Donnelley Foundation has funded a series of pilot projects pairing three artists with three archives around the city: Media Burn + Ivan LOZANO, the Leather Archives & Museum + Aay Preston-Myint, and the Newberry Library’s Chicago Protest Collection + H. Melt. This series of articles will profile these featured archives and artists over the course of their collaboration, exploring the vital role of the archive in preserving and interpreting the stories of our city as well as the ways in which they can be a resource for creatives in the community.  In this segment, I sit down with Ivan LOZANO in his studio to discuss his experience working with Media Burn Archive, the work he has been creating influenced by …

Featured image: Ryan Keesling leans over the shoulder of Walter, a Free Write Sound and Vision technician, as they both look at audio mixer that sits on a table in front of them. They are outside, under a blue tent, where Sound and Vision is mixing sound for the FEAST festival that took place September 8. Photo by Chelsea Ross

Just Narratives: A Conversation with Ryan Keesling of Free Write Arts and Literacy

“The ‘envisioning justice’ conversation is like – I don’t know, I think people try too hard to think about what it will look like.” Ryan Keesling had just pulled out his phone and was pointing at a photo on Free Write Art and Literacy’s Instagram page as he spoke. It was a flyer for YAS! Fest, the youth art showcase that took place in Millennium Park in September. On the flyer was an image of two DJs who had performed at the festival, Walter and Cortez, a.k.a. DJ 1Solo and DJ Tez. Keesling continued, “That’s not to say that people shouldn’t imagine. But, for me, I have to – I can imagine it, but also when I imagine it I don’t necessarily feel it. But when I see their faces and when I work with our students, both inside and outside, and I see them growing and I see them becoming aware of their abilities, and I see them being able to take control of their lives and I see them being happy and getting …

Broadcasting Art From Inside Cook County Jail

On the night of the screening of Radioactive: Stories from Beyond the Wall, the newest intervention in Maria Gaspar’s 96 Acres Project, the area around Cook County Jail was vibrantly alive. Cars zoomed by with teenage girls poking out of sunroofs, Mexican flags draped around their shoulders, and passengers shouting “Viva México!” in honor of Mexican Independence Day that weekend. Facing the north wall of the massive compound—the largest jail in the country—a parking lot was converted into a viewing space, with folded chairs orbiting around large speakers tuned into Lumpen Radio. William Onyeabor songs played as about fifty people settled in for Radioactive’s second screening. A group gathered around what looked like a food cart, but was actually William Estrada’s Mobile Street Art Cart project, making screen prints that read “Families Belong Together/Abolish ICE/Abolish Prisons” and pinning them up to dry on clotheslines. As the sun set the lot filled out, buzzing. Behind the wall, the light from a single room spilled out through a barred window. With the Radioactive screenings and other aspects of the 96 …

The Thrival Geographies of Shani Crowe, Andres L. Hernandez, and Amanda Williams

Of the 2,240 licensed Black architects working in the United States, only 440 of them identify as Black women. While this number might increase slightly by adding those who have a degree in architecture and aren’t licensed, or who work primarily in teaching, this number becomes even more sobering when you consider the fact that there are about 109,748+ licensed architects in the entire country. My mention of these numbers isn’t simply a commentary on representation. Since architecture is a major influence on how we live and move through our daily lives, be it the spaces of home, work, school, play or otherwise, it’s unsettling to think that an overwhelming amount of spaces are likely conceived of and designed without someone like me in the room, on the team, or even in mind as the possible end user. After learning those numbers, it’s hard for me not to feel the significance of any time spent in conversation with two people who operate within that rare group. Andres L. Hernandez and Amanda Williams are architects and …

Archivist Candace Ming Preserves and Uplifts the Cultural Memory of Chicago’s South Side

Candace Ming (she/her) is the current Project Manager and Archivist for the South Side Home Movie Project (SSHMP), an initiative spearheaded by Dr. Jacqueline Stewart at the University of Chicago. SSHMP collects, preserves, digitizes, exhibits, and documents home movies made by–mostly Black–residents of Chicago’s South Side neighborhoods. Candace regularly facilitates workshops focused on preserving digital materials and sharing ways people can create individual archives to sustain their family history, traditions, and heritage. I became aware of Candace’s work with South Side Home Movie Project while attending the Alternative Histories, Alternative Archives symposium in Fall 2017. She participated in a panel and discussed the role of alternative archives–those which exist and function outside of elitist, academic archival spaces. SSHMP is an alternative archive in that it prioritizes the personal narratives of everyday Black folks and creates a visual history of Chicago’s South Side neighborhoods. ‘Alternative archives’ are subjective in nature, (as opposed to “neutral”). They seek to preserve and collect materials from and about marginalized communities and historical moments. In doing so, they amplify the otherwise …

Glorimar Sanchez on Puerto Rico, Film, and Disseminating Information

Glorimar Marrero Sánchez is a self-taught, multi-disciplinary artist-director-photographer-screenwriter based in Puerto Rico. She was selected as one of the two artists in the three-month Puerto Rican Disaster Relief Residency at the University of Chicago. The residency was launched to support academics, researchers, and artists who have been severely affected or displaced by Hurricanes Irma and Maria. The program, which is a collaboration between The Center for the Study of Race, Politics, and Culture, Office of Admissions, Campus and Student Life, UChicago Arts, UChicagoGRAD, The Graham School, and the Office of the Provost, provides housing, transportation, stipends, and resources.  The following interview has been edited for clarity and length.  S. Nicole Lane: Can you begin with your background in film and photography, and where you’re from? Glorimar Marrero Sánchez: I’m from the town of Barranquitas. It is in the mountains of Puerto Rico. I am a result of the public educational system of Puerto Rico. Then I went to University of Puerto Rico. I did a BA in art, concentration in sociology, in the Mayagüez campus. After that, I got a …

Lakshmi Ramgopal’s “A Half-Light Chorus”

As I’m nestled between the drapes of lush green fronds in the Fern Room at the Lincoln Park Conservatory, I become aware of the ambient sounds. I hear the steady trickle of nearby water and the bird calls that fill the space. As I wait for the afternoon performance to start, the bird calls begin to demand a bit more of my attention. I hear what sounds like a whistle and then what sounds like a human call. Then, clicking, brief pauses, more clicking, and suddenly a layer of bird calls that begin to sound more and more human as the moments pass, all followed by what I’m sure is a human sound. Click. Pause. Bird call? Chirp. No, definitely a human call. Wail. Human call. Pause. As I become more aware of the presence of the piece, Lakshmi Ramgopal and her ensemble, clad in all white, take their places for the final performance for this installation. This environmental soundscape, which feels simultaneously personal and celestial, is Lakshmi Ramgopal’s installation “A Half Light Chorus” at the Lincoln Park Conservatory as part of …

Whose Visions? Introducing the Envisioning Justice Residency

“On the whole, people tend to take prisons for granted. It is difficult to imagine life without them. At the same time, there is reluctance to face the realities hidden within them, a fear of thinking about what happens inside them. Thus, the prison is present in our lives and, at the same time, it is absent from our lives.” -Angela Davis, Are Prisons Obsolete? Sitting in the heart of the Chicago South Loop is the Metropolitan Correctional Center, a federal prison less than a mile from Grant Park. Every day, thousands of people walking to work, class, the Art Institute, or even a festival like Lollapalooza are unknowingly passing 663 people awaiting trial or serving out their prison sentences. Envisioning Justice, a two-year initiative organized by Illinois Humanities, aims to spur a “citywide conversation about the impact of incarceration in local communities.” To this end, Envisioning Justice was awarded $1,500,000 by the MacArthur Foundation as part of its Safety and Justice Challenge, which “seeks to reduce over-incarceration by changing the way America thinks about …

Collector’s Corner: Rob Sevier of Numero Group

“Collector’s Corner” looks at the artistic, curatorial, and cultural forces behind the act of collecting. We visit the homes, businesses, garages, desks, and closets of artists and cultural producers who thrive from this occasionally unruly practice. For this installment, we talk to Rob Sevier about his record collection at the offices of the Chicago-based record reissue label he helped found in Little Village, Numero Group. In Little Village you can spend lots of time walking to the pace of the neighborhood – the loud clog of people and cars beneath its famous archway, the food stands posted up on residential corners attended by entrepreneurial parents and their indifferent toddlers, the intricate murals that invite passersby to stop and stare for a while.  The homes, businesses, even alleyways all have a role in what has made this area so distinct from others in the city. Part of what makes Little Village distinct is Numero Group: an archival record label founded in Chicago in 2003 by Rob Sevier and Ken Shipley. Numero Group started as a soul …

Dwell in Other Futures

I had a basic sense of the urban history of St. Louis: deindustrialization, redlining, and white flight, all reflected in a downward sloping population chart and an interactive online map whose shaded regions shuffle along radial axes further and further apart over time. Nonetheless, I was surprised as I walked downtown. Tallish, newish buildings lined a wide boulevard dotted by tap rooms and cafes dealing overpriced salads to the only other pedestrians out and about: a small cluster of people in color-coordinated tee shirts (a school group, perhaps) and an occasional professional-looking person in a suit. I had arrived that afternoon via the Amtrak Lincoln Service Train No. 301 from Chicago, sleepy and hungry, and after taking care of both concerns with overpriced salad and bottomless coffee, and while waiting for a friend to come pick me up after work, I sought the one place in the area recommended to me by people in Chicago, the City Museum. Sensory overload was sudden and overwhelming. I now understood the meaning of the tip to “bring knee …

Archivist Dan Erdma plugs a wire into equipment at Media Burn. He is surrounded by various equipment used for digitizing and playing different video formats. Photo by William Camargo.

Chicago Archives + Artists Project: Media Burn

The Chicago Archives + Artists Project (CA+AP) is an initiative that highlights Chicago archives and special collections that give space to voices on the margins of history. Led by Chicago-based writers and artists, the project explores archives across the city via online features, a series of public programs and new commissioned artwork by Chicago artists. For 2018, the Gaylord and Dorothy Donnelley Foundation has funded a series of pilot projects pairing three artists with three archives around the city: Media Burn + Ivan Lozano, the Leather Archives & Museum + Aay Preston-Myint, and the Newberry Library’s Chicago Protest Collection + H. Melt. This series of articles will profile these featured archives and artists over the course of their collaboration, exploring the vital role of the archive in preserving and interpreting the stories of our city as well as the ways in which they can be a resource for creatives in the community. The CA+AP Festival will take place at Read/Write Library on July 13-14. This interview has been edited for length. Click here to read the full, unabridged interview. Media Burn Archive, …

Home to Self: An Interview with Preetika Rajgariah

When talking to artist Preetika Rajgariah about how she arrived at her most recent body of work, I was struck by how a lexicon of movement naturally developed. She spoke about the strategies her family used to recreate the feel, warmth, and comfort of a home that was thousands of miles and oceans away after they settled in the city of Houston. She talked about how travel and relocation punctuated significant shifts in her work. She told me how one of her most commercially successful bodies of work addresses concepts of migration and accumulation but also whispers to how, aesthetically, macro perspectives mimic the micro and cellular. But while motion might be one of the most immediately legible themes that one can draw out of her work, it is stillness that has actually allowed her practice to move forward in substantial and  illuminating ways. Having discernment around what advice, suggestions, constructive criticisms are valid and useful and which ones counter her progression has allowed her work to bloom in ways that disrupt her original understandings of …

Retelling Lives on the South Side through Film: South Side Home Movie Project

As a Hyde Parker, I hear about the South Side Home Movie Projects (SSHMP) frequently. I’m a hop, skip, and jump away from their front doors; I’m a short bike ride away from where their current exhibition is located. But I’m always surprised to hear that other people, in other parts of our city, are unaware of their presence, and their promising initiative to archive, collect, restore, and preserve the South side’s history. The SSHMP’s mission is to focus on the people who live here, who have lived here, and who will live here. Their process of researching and exhibiting home movies from the South side of Chicago is reinstating an untold legacy and offering access to views of life on the best side. What follows is a Q + A interview with Candace Ming, the Project Manager and Archivist at the SSHMP. S. Nicole Lane: When did you get into archiving? How did you end up at the the Southside Home Movie Project? Candace Ming: After graduating from American University with a degree in film production I became interested …

Snapshot: Gather Series at Comfort Station

Snapshot is a Sixty column that takes a quick look at art history as it happens in Chicago. We send artists and organizers short and sweet questions to tell us about what they are doing right at this moment. We sent questions to Allen Moore, Nick Meryhew, and Rebecca Himelstein, the curatorial team behind the Gather series at Comfort Station. Gather is an experimental music series bringing musicians and performers from different scenes, backgrounds, practices, disciplines, and communities together for connection and artistic exchange. For information on their upcoming events, as well as past performances, visit them here.  Sixty Inches From Center: To start broadly, what were you envisioning when you started Gather? Can you give us some context for the title? GATHER: We wanted to represent Chicago’s highly active experimental music and performance community by creating a series that highlighted some different approaches to the artists’ chosen medium. For each bill we attempt to bring together artists who might not otherwise be presented side-by-side. We see this as a way of facilitating new audience and artist interactions …

‘Body As Image’ Exhibition at Chicago Artists Coalition

The ‘Body As Image’ exhibition featuring the work of Kioto Aoki, Colleen Keihm, and Darryl DeAngelo Terrell creates a space in which black identity and body politics are simultaneously explored within a historical context through the literal lens of photography, while also repositioning itself outside of these narratives by using alternative modes of image-making such as cyanotypes and photograms. This exhibition, presented by Chicago Artist Coalition, features HATCH Project artists-in-residence and was curated by Chicago-based Sabrina Greig, who is the current curator-in-residence. The exhibition is on view from April 27th – May 17th. Walking into the Body as Image exhibition at Chicago Artist Coalition’s gallery, I immediately noticed that each piece, as well as the gallery itself, is completely absent of color. However, that is not to say it is lacking variance in tone. The stark white of the walls of the gallery provide a dramatic contrast that allowed me to take notice of the subtle variations in tone in the many shades of blacks and browns present within the work. Not only do the darker …

Unplanned: Timothy Winkelman at Jan Brandt Gallery

I. GROUND CONTROL Timothy Winkelman’s digital video, Unplanned, immediately vexes the viewer with a question:  what, exactly, is unplanned about Unplanned? Due in no small part to its infinitesimal scope – the video doesn’t quite reach a full minute in length, and lingers on visual and musical subjects that could easily be overlooked – one could be forgiven for focusing less on immersing themself in the work’s content and more on the confluence of formal planning that underpins a video production. But upon repeated viewings, Winkelman’s camera lets something else appear: a subtle commentary on the desire to shape a space into a dwelling where one may Be in the World. The video never detaches its gaze from an urban scene: a modern building – perhaps an apartment complex – alongside a city street. We quickly see that this is a very built environment, quite the opposite of an “unplanned” setting. The city, particularly in its American grid form, constitutes perhaps the height of planning. Urbanity is the coordination of intent and execution, subjugation of nature and …

This is a photograph of three copies of the book “Brea,” against a light background. Two lie flat in the left side of the frame, front cover and spine visible, and the third is upright, with only the front cover showing. The front cover image is an ink illustration of a young boy in close-up, straight-on, showing his face, chest, and parts of his arms. He wears a long-sleeved shirt and his hands are flipped upside-down over his eyes to form goggles, of sorts, with each thumb and forefinger. Courtesy of the artist.

Beyond the Page: Carlos Matallana

“Beyond the Page” digs into the process and practice of writers and artists who work at the intersection of literary arts and other fields. In March, I was honored to interview artist and educator Carlos Matallana about the development of his ongoing Manual of Violence project, the process of creating its fictional comic installment “Brea,” and how games, childhood, dreams, and more shape his work. Follow @tropipunk on Instagram and check out his presentation about “Brea” at the Hyde Park Art Center on Saturday, May 26, 2-4pm. This interview has been edited for length and clarity, and includes some spoilers about the book “Brea.” Marya Spont-Lemus: I guess I’d love to start by just hearing how long you’ve been making work in Chicago and what brought you here. Carlos Matallana: Well, I ended up in Chicago because I have old friends here in the city. But initially I moved from Bogotá to New York. I spent a couple of months, not even four months, in New York. I spent all my savings, and I tried …

Reflections of the ECLIPSING Festival

I’ll begin at the end. Arms raised, knees levering, booties popping, we danced to the beats served by DJ Hijo Pródigo in the Currency Exchange Café, which had turned into a bar for the night, serving up cocktails loaded with activated charcoal. We had an hour before been perched next door on stools and benches for a reading at the BING art books store, and an hour before that stood chatting with cheese cubes on napkins in the Arts Incubator gallery. Nearly a festival in itself, it was the closing night of the monumental ECLIPSING festival: three months that included a performance series, a group and a solo exhibition, workshops, a vegan market, and a “performative lecture” in four arts venues around Chicago. The festival, whose full title is ECLIPSING: the politics of night, the politics of light, was organized by Amina Ross and took place between January and March. The word Ross used to describe the robust programming is “holistic.” An eclipse is a drama, a shifting in the relationships between the looker, the looked-at, and the …

In Conversation with Terttu Uibopuu

“This is what making work should be like. You should be nervous and you should be a little bit scared. And you should feel kind of apprehensive and you should feel like you’re doing something kind of wrong. That’s the state I want to be in when I make my work. I don’t want to be comfortable. I don’t want to know what the hell I’m doing. I want to feel like I’m trying something new and scary and weird. Something not so polite and not comfortable for anybody.” – Terttu Uibopuu Estonian-American photographer Terttu Uibopuu moved to the United States in 2002. Born in 1984, in Soviet-occupied Estonia, Uibopuu lived much of her formative years during the fall of the Soviet Union. After receiving a photography award from the cigarette company Phillip Morris in 2001, she booked a one-way ticket to the United States. At the age of 17, Uibopuu found herself in a small city in northern Illinois where she began documenting her experiences and forging herself a career in photography. In this …

Chicago Archives + Artists Project: Interview with Roell Schmidt

This interview took place as part of an initiative occasioned by the first Chicago Archives + Artists Festival, held at the Chicago Cultural Center in May 2017. The festival kicked off a series of in-depth artist interviews, including this one with Roell Schmidt of Links Hall, which will be contributed to the Chicago Artist Files at Harold Washington Library. This series of interviews was conducted with a group of artists, curators, instigators, and organizers who we believe are essential to the history of Chicago art. The interview with Roell was conducted by Annie Morse, a curator and Senior Lecturer in Museum Education at the Art Institute of Chicago, and is excerpted below. In addition to this smaller group of Sixty-interviewed artists, a call was put out to ALL the city’s artists: #GetArchived! The core of the free festival was a pop-up archive processing center staffed by Sixty Inches From Center and volunteers. Many partners lent their time, resources, and high-res scanners(!) to this endeavor, including LATITUDE, the Visualist, and Read/Write Library. Sixty Inches From Center is excited to be continuing …