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Essays + Reviews
Writing at The Club: A Look at The State of The Dance Circle
by
Natasha Mijares
March 12, 2018
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Three Simple Words, What Divides Us?: Allison Walsh and Alexis Carballido at Prairie Center for the Arts
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Project 1612
March 12, 2018
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Body Talk: “Beyond Measure: Daniel Cerrejón and Carolyn Lazard” at Tiger Strikes Asteroid
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Nina Wexelblatt
March 5, 2018
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Hold Me: Erin Hayden at UIS Visual Arts Gallery
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Sight Specific
February 23, 2018
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Review: “Resilient Images” at the Hyde Park Art Center
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Maddie Kodat
February 22, 2018
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New Nepotism and What it Means to Curate Friends
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S. Nicole Lane
February 16, 2018
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Review: “Woman With A Camera” at the Museum of Contemporary Art Chicago
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Christina Nafziger
February 13, 2018
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Collected Histories: “Open 24 Hours” by Edra Soto
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Christina Nafziger
February 8, 2018
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The Contours of Absence: Marisa Boyd at Transpace Gallery
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Sight Specific
January 17, 2018
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A Case, Cosign, and Roll Call for Women of Color in the Arts
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Tempestt Hazel
December 15, 2017
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Walking Through Change with Deep Time Chicago
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Nina Wexelblatt
December 12, 2017
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The Terrain Biennial at Enos Park
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Sight Specific
November 24, 2017
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First Nations Film and Video Festival
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Emily Breidenbach
November 15, 2017
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Blue at the Edges at DEMO Project
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Sight Specific
September 22, 2017
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Max Guy’s “Color” At Prairie
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Brandon Sward
June 7, 2017
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Nobody’s Home at DEMO Project
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Sight Specific
May 25, 2017
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Sugary Deception: “The Politics of Desire” by Yvette Mayorga
by
Sabrina E Greig
March 23, 2017
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School’s Out: Eugene “Eda” Wade’s Doors for Malcolm X College
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Ida Cuttler
March 16, 2017
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Crossing Grounds: Between Private and Public Space
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Melanie Teresa Bohrer
February 28, 2017
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Movement Matters: Karen Finley & Young Jean Lee in Conversation at Steppenwolf
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Michael Workman
February 20, 2017
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Release and Rebuild: Bloomington-Normal’s “Art for a Change” Pop-up Show
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Brady Adams and Samantha Comerford
February 20, 2017
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Distance is Not Separation
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Brandon Sward
February 14, 2017
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On Space and Place
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Carlos Matallana
February 13, 2017
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Welcome to the End
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Annette LePique
February 4, 2017
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Kimberly Drew, Rashayla Marie Brown and the Politics of Being Indigestible
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Sabrina E Greig
January 2, 2017
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The Impossibility of Art
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Maya Mackrandilal
December 21, 2016
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Institutional Garbage: Archiving the Emotions of Art Institutions
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Sabrina E Greig
December 16, 2016
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Sadie Benning’s Shared Eye at Renaissance Society
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Robyn Day
December 14, 2016
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Earthbound Moon at Ballroom Projects
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Kelsey Harrison
November 16, 2016
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Softness as Subversion
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Annette LePique
November 8, 2016
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