All posts filed under: Resources

A black and white photograph titled Stop White People From Killing Us - St. Louis, MO, c. 1966-1967 by Darryl Cowherd

October Art Picks

If you’ve followed us for a while, you know that our Art Picks offer a wide scope of events that are relevant to our audiences because we and the artists, cultural workers, curators, spaces, and projects we support live full lives that know no boundaries. We maintain expansive practices and work toward justice for BIPOC, LGBTQIA+, and disability communities in Chicago and the Midwest.  If this is your first time coming across this list, welcome. We’re glad you’re here and we hope this list sparks discovery, curiosity, and a demand for justice if you weren’t openly demanding that already. Created in collaboration with The Visualist and adapted for social-distancing due to COVID-19, this list offers online exhibitions, streaming events, a list of online collections from Black and LGBTQIA+ archives, and other ways to spend time in the virtual space. Also, in support of our friends, our communities, ourselves, and abolition/liberation efforts, we’re prioritizing events that uplift and fight for Black Lives and celebrate Black Queer Lives because the fight for Black Lives is the fight for Black artists, our …

Image: Artists Run Chicago 2.0 installation view of artwork by Thomas Kong curated by 062 Gallery. Photography courtesy of S.Y. Lim

September Art Picks

If you’ve followed us for a while, you know that our Art Picks offer a wide scope of events that are relevant to our audiences because we and the artists, cultural workers, curators, spaces, and projects we support live full lives that know no boundaries. We maintain expansive practices and work toward justice for BIPOC, LGBTQIA+, and disability communities in Chicago and the Midwest.  If this is your first time coming across this list, welcome. We’re glad you’re here and we hope this list sparks discovery, curiosity, and a demand for justice if you weren’t openly demanding that already. Created in collaboration with The Visualist and adapted for social-distancing due to COVID-19, this list offers online exhibitions, streaming events, a list of online collections from Black and LGBTQIA+ archives, and other ways to spend time in the virtual space. Also, in support of our friends, our communities, ourselves, and abolition/liberation efforts, we’re prioritizing events that uplift and fight for Black Lives and celebrate Black Queer Lives because the fight for Black Lives is the fight for Black artists, our …

Image: “Chicago Spring,” curated by Lauren Iacoponi featuring various artists. Six small windows have works of several artists hanging. In the top left window, Sarah Genematas, colored pencil drawing and David Stonehouse, mixed media drawing. Bottom left window exhibits MyLinh Mac, canvas painting, Ata Berkol, hand marbled fabric, Marcy Thomas-Burns and Amy Shelton collaboration, sculpture by Thomas-Burns, and print by Shelton, The top middle window exhibits a fine art photo print on cotton paper by Darryll Schiff. Bottom middle window exhibits an exhibition poster by Gordon Hall, a polyhedron wooden sculpture by John Heinze, and a plastic primary colored house by Shistine Peterson. The top right window has work by Tabor Shiles, which is a screenprint on silk, and a screenprint on paper by Trashformal (Charlotte Gasparetti Ribar and Spiros Loukopoulos). The bottom right window exhibits botany illustrations by S. Curtis Glazenwood Essex and Millicent Kennedy’s colored pencil and ink drawing. Photo by Amy Shelton.

August (Virtual) Art Picks

If you’ve followed us for a while, you know that our Art Picks offer a wide scope of events that are relevant to our audiences because we and the artists, cultural workers, curators, spaces, and projects we support live full lives that know no boundaries. We maintain expansive practices and work toward justice for BIPOC, LGBTQIA+, and disability communities in Chicago and the Midwest.  If this is your first time coming across this list, welcome. We’re glad you’re here and we hope this list sparks discovery, curiosity, and a demand for justice if you weren’t openly demanding that already. Created in collaboration with The Visualist and adapted for social-distancing due to COVID-19, this list offers online exhibitions, streaming events, a list of online collections from Black and LGBTQIA+ archives, and other ways to spend time in the virtual space. Also, in support of our friends, our communities, ourselves, and abolition/liberation efforts, we’re prioritizing events that uplift and fight for Black Lives and celebrate Black Queer Lives because the fight for Black Lives is the fight for Black artists, our …

Featured image: Selva Aparicio, Entre Nosotros (Among Us) Detail, 2020. Concrete tiles cast from human cadavers. The images show a close up of the piece, showing details of a grid of square, concrete blocks. Each block has different folds, and one shows a nipple, all cast from human parts. Photo by Robert Chase Heishman. Image courtesy of the artist.

Works Cited: Selva Aparicio on Life, Death, and Breaking Taboo

It goes without saying that so much of the labor in an artist’s practice goes unseen, ranging from the countless hours of trial and error experimenting with a medium before getting it right, to the often mind-numbing planning and prep work when starting a new piece. However, there is yet another layer below the surface of this complex production that is inherent to the creative process: research. There is a collection of information, images, and archives that happens even before any pen is put to paper, feeding and informing an artist’s body of work. Works Cited asks artists to uncover this part of their practice with us, sharing research materials such as essays, playlists, online archives, and tips on how to navigate them. In the spirit of open access, this column also serves as a resource in and of itself, as each interview includes access to these materials in the form of either reading lists or sharable links. In this edition, I spoke with Selva Aparicio, whose interdisciplinary work examines life, death, and mourning through the use …

Three Things You Need to Know About Bright Star Community Outreach

Bright Star Community Outreach (BSCO) is a 501(c)(3) nonprofit organization that has focused on improving the Bronzeville Community for over 9 years. Born out of Bright Star Community Church, they have a strategy which includes developing impactful community development initiatives. Their plan of action targets violence, poor economic opportunities, child safety, drug abuse, inadequate mental health services, and homelessness. BSCO has a mission to strengthen local families and communities as well as empower residents to work collectively, establish relationships, and share the responsibility of building the community. They particularly target the South side of Chicago’s third and fourth ward. There they see an extensive need for more violence prevention measures to be taken and to get the community more involved in being there for one another. The importance of an organization like BSCO is to shed light in all of the dark places and to make sure the voices of minorities are not just heard but taken seriously. There is a need for something different in our communities, and BSCO definitely brings different to the table on …

Chicago Archives + Artists Project: Leather Archives and Museum

The Chicago Archives + Artists Project (CA+AP) is an initiative that highlights Chicago archives and special collections that give space to voices on the margins of history. Led by Chicago-based writers and artists, the project explores archives across the city via online features, a series of public programs and new commissioned artwork by Chicago artists. For 2018, the Gaylord and Dorothy Donnelley Foundation has funded a series of pilot projects pairing three artists with three archives around the city: Media Burn + Ivan Lozano, the Leather Archives & Museum + Aay Preston-Myint, and the Newberry Library’s Chicago Protest Collection + H. Melt. This series of articles will profile these featured archives and artists over the course of their collaboration, exploring the vital role of the archive in preserving and interpreting the stories of our city as well as the ways in which they can be a resource for creatives in the community. The CA+AP Festival will take place at Read/Write Library on July 13-14. For this installment, we sat down with Mel Leverich, the archivist …

This is a photograph of three copies of the book “Brea,” against a light background. Two lie flat in the left side of the frame, front cover and spine visible, and the third is upright, with only the front cover showing. The front cover image is an ink illustration of a young boy in close-up, straight-on, showing his face, chest, and parts of his arms. He wears a long-sleeved shirt and his hands are flipped upside-down over his eyes to form goggles, of sorts, with each thumb and forefinger. Courtesy of the artist.

Beyond the Page: Carlos Matallana

“Beyond the Page” digs into the process and practice of writers and artists who work at the intersection of literary arts and other fields. In March, I was honored to interview artist and educator Carlos Matallana about the development of his ongoing Manual of Violence project, the process of creating its fictional comic installment “Brea,” and how games, childhood, dreams, and more shape his work. Follow @tropipunk on Instagram and check out his presentation about “Brea” at the Hyde Park Art Center on Saturday, May 26, 2-4pm. This interview has been edited for length and clarity, and includes some spoilers about the book “Brea.” Marya Spont-Lemus: I guess I’d love to start by just hearing how long you’ve been making work in Chicago and what brought you here. Carlos Matallana: Well, I ended up in Chicago because I have old friends here in the city. But initially I moved from Bogotá to New York. I spent a couple of months, not even four months, in New York. I spent all my savings, and I tried …

Dancing in Public: Chicago Park District’s Resident Companies

Urbs in Horto: the official motto of the city of Chicago. This translates from Latin to “City in a Garden,” yet the construction of public green spaces around Chicago has a fraught, often troubled history. From its origins in the late nineteenth century, exhuming as corpses from plots on the North Side, the Chicago Park District emerged as a consolidated entity in 1934 and today proudly announces its status as “the largest municipal park manager in the nation.” As the Chicago Park District expanded, so did the city’s need for comprehensive, accessible arts programming. Though these needs existed prior to such expansion, the process of opening new public spaces threw them into a sharper relief. Landscape architects, like the Olmsted brothers who were commissioned to provide some recreational relief for the city’s overcrowded conditions, envisioned a new set of parks providing social and cultural services in addition to open green space. Parks might not merely be designated areas for fitness and recreation, they could also become an important facet of the Chicago’s cultural landscape. As it …