Essays + Reviews

Artist Residencies, Collaboration, and Alternative Models of Education

by Christina Nafziger

October 15, 2020

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Archives, Community, Essays + Reviews, Featured
Review: Windows to Our World

by Susan J. Musich

September 27, 2020

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Archives, Artists, Essays + Reviews, Exhibitions, Featured, Happenings
The Artist as Changemaker: A Conversation with February James

by Rachel L. Hausmann Schall

September 16, 2020

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Archives, Artists, Essays + Reviews, Exhibitions, Featured, Interviews
Roland Santana: the gum beneath your shoe at Baby Blue Gallery

by Lauren Iacoponi

September 15, 2020

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Archives, Essays + Reviews, Featured
Heaven Gallery: Relic, Ritual, and Remedy

by S. Nicole Lane

August 22, 2020

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Archives, Essays + Reviews, Exhibitions, Featured
Korra, a testimony on Black Girlhood

by Tempestt Hazel

August 21, 2020

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Archives, Columns + Series, Essays + Reviews, Featured
Tracy Drake, a testimony on Black Motherhood

by Tempestt Hazel

August 21, 2020

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Archives, Columns + Series, Essays + Reviews, Featured
Louise LeBourgeois: Life on the Great Lake

by S. Nicole Lane

August 11, 2020

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Artists, Essays + Reviews, Featured
Support for the Arts Supports Us All

by Jessica Hammie

July 21, 2020

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Archives, Community, Essays + Reviews, Featured, Interviews, Sixty Regional
A Letter from the Black Faculty at SAIC

by Black Faculty at SAIC

July 7, 2020

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Archives, Artists, Essays + Reviews, Featured
SAIC Solidarity Student Letter

by SAIC Solidarity

July 7, 2020

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Archives, Artists, Essays + Reviews, Featured
Maya-Camille Broussard, a testimony on invisible disability

by Tempestt Hazel

July 3, 2020

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Archives, Artists, Columns + Series, Essays + Reviews, Featured
Rashayla Marie Brown, a testimony on (not) giving up

by Tempestt Hazel

June 30, 2020

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Archives, Artists, Columns + Series, Essays + Reviews, Featured
In the Cut: A Word from Marcus E. Davis

by TRACE

May 21, 2020

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Archives, Columns + Series, Essays + Reviews, TRACE
In the Cut: A Virtual Exhibition by TRACE + Alt_

by TRACE

May 20, 2020

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Archives, Columns + Series, Essays + Reviews, Featured, TRACE
In the Cut with Darius Hazen

by TRACE

May 20, 2020

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Archives, Columns + Series, Essays + Reviews, TRACE
In the Cut with Paris Dority

by TRACE

May 18, 2020

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Archives, Columns + Series, Essays + Reviews, TRACE
In the Cut with Preleah Campbell

by TRACE

May 17, 2020

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Archives, Columns + Series, Community, Essays + Reviews, TRACE
In the Cut with Danelise Comas

by TRACE

May 17, 2020

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Archives, Columns + Series, Community, Essays + Reviews, TRACE
In the Cut with Catherine Arroyo

by TRACE

May 17, 2020

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Archives, Columns + Series, Community, Essays + Reviews, TRACE
Blackness, Images & the Space Between

by Rachel L. Hausmann Schall

May 2, 2020

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Archives, Artists, Essays + Reviews, Exhibitions, Featured, Interviews, Sixty Regional
On Hoarding Love Notes, and Other Gifts of Community and Anxiety

by Marya Spont-Lemus

May 1, 2020

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Archives, Community, Essays + Reviews, Featured
A Projection Into ‘Paths Between Two Steps’ by Soo Shin

by Amanda Dee

April 11, 2020

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Archives, Essays + Reviews, Exhibitions, Featured, Interviews
Slanting Towards Uselessness

by Noa Micaela Fields

April 7, 2020

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Archives, Essays + Reviews, Exhibitions, Featured
Yasaman Moussavi at the Beverly Art Center

by Kaveh Rafie

March 18, 2020

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Archives, Essays + Reviews, Exhibitions, Featured
In Case of Emergency: Artist Resources For You, For Us

by Sixty Inches From Center

March 17, 2020

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Archives, Community, Essays + Reviews, Featured, News, Resources
Hardware & Soft Bodies: What I’m Learning From Agnes Denes

by Morgan Green

February 20, 2020

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Archives, Essays + Reviews, Featured
Recipes for a post-colonial kitchen: maize / Recetas para una cocina poscolonial: el maíz

by Kristina Felix Ibarra

November 27, 2019

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Archives, Artists, Bilingual, Essays + Reviews, Featured, Sound, Film + Video
The Last Cruze: LaToya Ruby Frazier at the Renaissance Society

by Annette LePique

November 21, 2019

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Archives, Essays + Reviews, Exhibitions, Featured
“Time Is The Thing A Body Moves Through”: A Review

by Noa Micaela Fields

November 18, 2019

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Archives, Essays + Reviews, Featured, Poetry + Short Stories