All posts tagged: featured

Talking Culture and Taking Chances with Urooj Shakeel

Like many people who move to Chicago, Urooj Shakeel made the decision to relocate from a suburb of Detroit after realizing that if she wanted to try her hand at a career in the arts, now was the time. She doubled down and left long careers in healthcare and marketing to study arts administration and policy at the School of the Art Institute of Chicago. Prior to her move, she took a moment to reflect on her love of Detroit and the ways in which it seeded her love for art. Urooj wrote on her website, “I could go on forever talking about Detroit and all the artworks I’ve come across, interacted with and studied. How each one of them inspired me in my own art projects and where my ideas originated from. I can never be thankful enough for my colossal beginnings in Detroit. Everything I’ve learned from this city will inspire me in everything I plan to do in Chicago.” Her words foreshadow how she would shape her practice after landing in Chicago …

Intimate Justice: Clitora Leigh

“Intimate Justice” looks at the intersection of art and sex and how these actions intertwine to serve as a form of resistance, activism, and dialogue in the Chicago community. For this installment, we met with Clitora Leigh in Andersonville to talk about strip clubs in Chicago, coming out as a sex worker, and being a sexy clown.  S. Nicole: I saw you perform at Reunion and was like—oh my gosh—I have to talk to this person! It was amazing. Are you from Chicago? If you’re not, what brought you here? Did you go to school?  Clitora Leigh: I’m originally from the Cleveland area. I’ve lived in Chicago for six years. I studied theater performance at Ohio University. I got my BFA, and then immediately after I graduated, I was like – okay, I have six hundred dollars in medical bills, how will I ever pay this off?! I couldn’t even fathom having six hundred dollars in my life. I was working in a daycare. Around that time, I started stripping. So, I’ve been stripping for, …

Three Poems by Sharanya Sharma

content warning: descriptions of violence nandi relays a message after an endless swallowing    of years a little girl, limbs molded from mother’s darkest saffron stole   to my soot-stoned side hewn from sweat      and love.  hungrily she cupped a hand        to my frozen ear.      the cold pelt          singed        in her exhale   as  with earth-stained lips she scratched words           into being   the way eyes were once carved            into my face.    she said               lord       give me a mouth           that is too full            of teeth to hold a prayer still              in my blood.  and skittered away      before a guard     could tell her not to touch me             as if the whorls            of her ancestors’ fingers            were not imprinted     in my skin.  unblinking i gaze into a land of concrete      and glass. even here,    in a view of metal ants and water         i cannot cross, i see              your feet  blue thighs poised      melding into              sea and sky                  toes jeweled            in a blanket                of white.  they call it snow. the falling of silk slivers that disappear into hair               and flesh.  lord, tell me.        will they     know the …

Featured image: Sharanya Sharma. Sharma sits with hands folded on a white table, with copies of “Set Fire to This Crooked House” and multi-colored notebooks in the foreground. Sharma wears a marigold cardigan open over a black and white striped shirt and smiles at the camera. Behind Sharma are several pastel throw pillows and a large plant, and natural light comes through the windows. Photo by Kristie Kahns Photography.

Beyond the Page: Sharanya Sharma

“Beyond the Page” digs into the process and practice of writers and artists who work at the intersection of literary arts and other fields. For this installment, I interviewed writer Sharanya Sharma about her MFA thesis project, “Set Fire to This Crooked House,” a poetry collection that she is in the process of developing into a book. We spoke this summer about how her poems re-envision Hindu mythology and critique histories of colonization, especially in relation to museum culture; how acts of retelling can help keep stories alive; and the broader impacts she hopes her work has. Three poems from “Set Fire to This Crooked House” are published on Sixty here. Find Sharma on Twitter @sharanyawrites. This interview has been edited for length and clarity. Marya Spont-Lemus: I loved the poems you shared at the MFA reading and am so excited to learn more about the collection and your plans for it. Is that program what brought you to Chicago originally? SS: It is. I was a teacher full-time for six years and didn’t have much …

Nadia Stiegman: FARM 1350

Nadia Stiegman is an artist living and working in Thawville, Illinois. Her photography explores rural queer identity, but in a light not often seen. Tired of the same narratives of rural queerness, such as packing up and moving to the big city to escape the rural environment, Nadia instead paints a picture of the rural queer identity through a positive lens. Her work is deeply connected to farmlife, an environment where she grew up, yet at the same time it’s futuristic, queer, and so much more. Nadia refers to herself as “a  rural, trans, cyborg who grew up on my family’s grain farm in Central Illinois.” The farm Nadia is referring to is all open spaces surrounded either by corn or bean fields. Her farm sits on a dead end, which is a mile away from her town of Thawville, with a population of only 150 people. She tells Midwesterners who don’t know where that is, “it’s about 45 minutes north of Champaign and 45 south of Kankakee.”   Nadia is a recent graduate from Illinois …

Why I Die In Winter

After taking the longest, hottest shower, the cold air beyond the curtain grabbed at my skin like frigid hands ripping me from the arms of a warm lover. That was the morning that Jeremy died. It felt like the end was near the night before. He asked me to put his rocking chair on the enclosed front porch even though it was the dead of winter, and freezing. A snowstorm had blanketed the lawns, trees, hedges, and rooftops, creating a picturesque scene that covered the bloodstained streets, grass depraved lawns, dying trees, and crooked hedges the summer left behind in our South Side neighborhood. The storm drowned out the sounds of every block.  We sat in silence for a moment, wrapped in layers of African mud cloth and every blanket we could find, taking in deep breaths of crisp, cold air, relieving our lungs of the sickroom smell we inhaled daily.  “Remember when?” Jeremy said as he lit up a joint.  I immediately began to laugh because he was so funny.  “Remember when we first …

Recipes for a post-colonial kitchen: maize / Recetas para una cocina poscolonial: el maíz

I remember the days before smartphones when my parents would load me and my brothers up into our white, blue velvet interior, 1985 Oldsmobile Toronado to make the 2-day trip down south to visit our grandparents. It was always a hot summer, a 24 hour drive to the border, 12 hours to Durango, and a few extra hours here and there so my dad could sleep. This was usually somewhere just outside of Tulsa, and after getting through Border Patrol in Nuevo Laredo. I knew the path in my heart. No matter how far away we were, I felt the magnetic pull that snapped us from our house in Aurora, Illinois to the fig trees growing in the yard behind my grandmother’s kitchen in Durango. Mexico was my summer camp. As the in-car map reader, it was my job to make sure we took I-55 South through St. Louis so we could drive over that spectacular bridge that crossed the Mississippi River. My father, a former truck driver who is very familiar with this route, …

Installation view of Men of Change. The installation made of metal poles is in the middle of the room. Light boxes of various sizes featuring photos and text are hung on the metal poles. A large display box in front of the installation features a poster that reads STORYTELLERS. Along the walls of the room are paintings and other artworks, most of which are obscured by the metal pole installation in the middle of the room. A woman stands in front of the light box installation, looking at the installation. Photo by Phil Armstrong. Photo courtesy of the Smithsonian Institution Traveling Exhibition Service.

Have you seen them? “Men of Change” at the National Underground Railroad Freedom Center

“Have you seen them? You see them. Bold. Powerful.         Tragic. Beautiful.                 And true. They are icons with warrior roots. They are trees of knowledge. Legends of the past, inspiration for the future, the fierce energy of now.” The introductory text to “Men of Change: Power. Triumph. Truth.” paints a picture of what you can expect within the two rooms containing the ambitious exhibition. “Men of Change” highlights the accomplishments and legacies of black American men through text, photography, and artwork from twenty-five American artists. The changemakers — some long gone, many still alive — were paired with artists who made artwork related to, about, or honoring them.     The exhibition is organized by the Smithsonian Institute Traveling Exhibitions Services (SITES), and will travel to ten locations over the next three years. It debuted at the National Underground Railroad Freedom Center in Cincinnati, Ohio, and is on view until December 1, after which it will head to the Washington State History Museum in Tacoma, Washington. WeShouldDoItAll (WSDIA), a Brooklyn-based design studio responsible for the “Making A …

In House: Pilsen Community Books with Mary Gibbons

This is the first interview of “In House,” an oral history series entering the places that house books across Chicago. Sections of this interview have been edited for length and clarity.   I first heard the rumor from a fellow reader who in turn heard it from another reader (word travels fast amongst readers): Pilsen Community Books was for sale. On July 19, the owners of the three-year-old bookstore broke the news to devotees, explaining their decision to focus on their other bookstore, The Dial, and also announcing prospects of a buyer. The future, however, was uncertain.   When Mary Gibbons and Aaron Lippelt opened Pilsen Community Books (PCB) in February 2016 at 1102 W. 18th St., they filled a need on the Lower West Side not only for a bookstore but for a place to host literary events and local publications, a place to connect. In a “triple-secret unofficial” email correspondence from PCB employee Manuel Morales y Méndez, Méndez celebrated one such connection between a young writer and artist whose meeting at PCB led …

The Southwest Nest / El Nido Suroeste: An Interview with Alina Estrada (English & Español)

Brighton Park, Back of the Yards, and McKinley Park are neighborhoods on the Southwest Side of Chicago that are bundled together so often that they are given a similar reputation and narrative by the media. It isn’t always a good one. Today these neighborhoods still face violence, poverty, and more recently, gentrification. I would like to challenge the idea that violence is the only thing these neighborhoods have to offer by shining a light on the creative minds that enrich them. In this series, “The Southwest Nest,” I hope to celebrate and recognize these artists and share with you their perspectives of the neighborhoods they either work in or call home. Crafting has always been part of the fabric of the Southwest Side. Even as Crafts by Claudia, a neighborhood store that has been running for almost 40 years in Back of the Yards, prepares to close its doors, artist Alina Estrada is working on expanding her own crafty business, Party Mama Crafts. This Latina-owned business hosts painting and piñata-crafting workshops and classes. I had the …

The Last Cruze: LaToya Ruby Frazier at the Renaissance Society

Mary Barra, the CEO of General Motors, stated at the October 2018 CityLab Detroit Leaders Conference that she hoped to shift public perception of GM from that of an automobile manufacturer to a technology company before her retirement. Barra’s comment hinted at a desire to not only change the driving ethos of GM production but to also transform the configuration of GM’s workforce: imagine a future akin to Tesla’s automated assembly line, their factories quiet save for the AI programmed to build their “tech.” The wish to associate GM with an encroaching technocratic future reflects how labor, capital, and the management of these two components of late capitalism have shifted within the neoliberal paradigm. The dialogue of labor is rapidly changing. Rather than centering the conversation on workers, the question is now how production is managed, diffused and parceled out: human lives become human capital. This message casts a long shadow over the recent United Autoworkers Union deal with GM, ratified on Nov 4th, 2019. UAW members were on strike for six weeks, the longest …

Image: Image: The cover for T. Fleischmann's book Time is the thing a body moves through, designed by Stevie Hanley.

“Time Is The Thing A Body Moves Through”: A Review

The book begins in transit. Literally moving from the get-go, a bus trip. “I leave Buffalo when the moon is still out, and on the long bus ride south I find myself unable to read.” By coincidence, I crack open my book on a bus ride, too, albeit a shorter commute, and I, unlike T. “Clutch” Fleischmann, am able to read on transit.  This is to say: the book begins in transit because the body is in transit; in conversation with itself and itinerant others.  The title holds all of these moving parts: Time Is The Thing A Body Moves Through. This is one of those gorgeous book titles that gets me all worked up knowing I didn’t come up with the line myself. So beautiful it sounds immediately true and resonant, even if I can’t put my finger on exactly what it means. It resonates with a moment in Clutch’s last book, Syzygy, Beauty, which proposed, “Choreography is one way to articulate time, your body moving forward.” But the new phrasing is less linear, …

Beyond the Page: Regina Martinez & Threewalls’ In-Session

“Beyond the Page” digs into the process and practice of writers and artists who work at the intersection of literary arts and other fields. For this installment, I interviewed Regina Martinez, Threewalls’ Artist and Artistic Engagement Manager, about the In-Session program — a critical interdisciplinary salon that incorporates reading, conversation, and performance together, now entering its third season. I spoke with Martinez in late July about the ideas and values behind In-Session, the theme she chose for its coming season, sensitivities of working between artists and institutions, and Martinez’s own path to and through this work. Check out In-Session’s third season, themed “The Art of Memory.” Find Threewalls @threewalls on Twitter and @three-walls on Instagram. This interview has been edited for length and clarity. Marya Spont-Lemus: Thank you for taking the time to speak with me about In-Session! I’m so glad I went to Udita Upadhyaya’s In-Session event in March, because I think this program has such a great premise and I’m excited to hear how other artists engage with it. Especially for readers who may …

Image: Installation view of "Dark Matter: Celestial Objects as Messengers of Love in These Troubled Times" by Folayemi Wilson. Catwalk with rotating NASA videos of the sun and moon. Photo by Michael Sullivan.

Space is a Place: Folayemi Wilson at the Hyde Park Art Center

There’s this thing that happens sometimes when I close my eyes and focus on nothing. It’s not like the after-image that you often get when looking at an object for a long time, but something else entirely. I see daubs of light, tiny flecks of indiscernible colors that move and dance in the darkness. And frequently, there is an actual place, a room that has no apparent walls, but feels like I’m somewhere else than where I really am–an astral projection of a space for safety and reflection. This place, I believe, was made manifest when I entered the main gallery this summer at the Hyde Park Art Center (HPAC) to view Folayemi Wilson’s latest work Dark Matter: Celestial Objects as Messengers of Love in These Troubled Times. I met Fo late last year during my stint in the Teaching Artist’s studio of HPAC. I had worked there since September 2016, and was encouraged to apply to be a resident. A couple months later, I was sharing the space with another teaching artist. Now, mind …

Image: Ida Cuttler, wearing a red blazer over pink pajamas, sits with her hands on her knees center. On the ground around her, are red and blue balloons and red-white-and-blue beachballs. The beachballs have stars on the blue stripes. Photo courtesy of Brave Lux, Inc.

A Story – “Comfortable Shoes” at The Neo-Futurist Theater

Here: a story. When I was younger, as a chronic fidgeter, holes and gaps would creep into my clothes, always looking like a moth had found a cozy meal. Because of this, I became familiar with the fraying yarn, a piece of a piece of clothing that could not be separated, nor could it be its own item. I tugged at these threads, always wondering whether or not I could find the scarf’s spine or its guts or its nerve endings. We do, after all, understand where my skeleton is and where your skeleton is and if we had been inside the meat, then surely science must have been inside the sweater and understood those blueprints. Though, I never got too far: I stopped, knowing that I would have wound up shirtless midway through the day. Here: another. Ida Cuttler contributed to the infamous (and not at all that famous) Hot Blog Dogs, one of my favorite mid-2010s artifacts. I found the website inspiring; as a misanthropic, anxious bibliophile who wanted to be fun and …

Inga: Spacemaking Through and Around Books

Bookshops have often functioned as meeting points for peer discussion, an opportunity to find added resources, and a place to showcase newly discovered titles and remarkable projects in print and publishing. They frequently rely on the collective strength of their supporters, near and far. In August, the new bookshop Inga joined the Pilsen storefront space of the popular cine-club filmfront, already well-known for building community around its film screenings and events. Co-founders Malia Haines-Stewart and Alan Medina — along with their long-time friend and Chicago-based graphic designer Jacob Lindgren — opened Inga to expand upon their ongoing collaborations as an imprint and distribute self-published and independent titles. Throughout their years directing and programming events and screenings for filmfront, Haines-Stewart and Medina have developed an active and reciprocal connection across art and film communities in Chicago, building a reputation that has required a sincere effort in time and dedication. With the new addition of Inga and having Lindgren as a founding member, there is great momentum to broaden an already active community of supporters and enthusiasts …

Jenn Freeman, Po’Chop, and The People’s Church of the G.H.E.T.T.O

In 2017, I followed  burlesque dancer and performing artist Jenn Freeman, also known as Po’Chop, on Instagram while researching Jeezy’s Juke Joint, a renowned Black and Brown burlesque show. I was researching it with the hopes of being a performer, not an audience member. As a queer-married intersectional feminist, I saw burlesque as an outlet to express my sensuality and expand my art practice. However, in my research I didn’t find classes for Black women. Fast forward to August 2019. I received a direct message from Po’Chop on Instagram requesting to commission some of my portrait drawings for an exhibition about the empowering divine Black energies of Audre Lorde, Jackie Ormes, Elder Lucy Smith, and Beauty Turner. Po’Chop receiving a referral from a gallery I previously worked with aligned me to the motherload of manifested interactions. During our conversation about the commissions, we talked about the hurdles of Black feminist scholarship and the joys of performing it through our artistry.  The first time I saw Po’Chop perform was the first day of our phone call. …

November Art Picks

Our Art Picks are created in collaboration with The Visualist, Chicago’s leading visual arts calendar, and cross-promoted through Windy City Times, one of the longest locally-published LGBTQ weeklies with a national reach. Click here to get our Art Picks and latest articles delivered to your inbox monthly. This is a growing list, so check back often for new additions. Through November 17Terrain Biennial 2019Various Locations + CitiesFree Through December 15Down Time: On The Art of RetreatSmart Museum of Art: 5550 S. Greenwood AvFree Fri, Nov 1, 5-7pm Sin Cinta Previa: Latin(a)x & Queer Archive Video Series 6018NORTH: 6018 N Kenmore Ave $0-40 Fri, Nov 1, 6-9pm Shawn Rowe: V Filter Photo: 1821 W Hubbard St Free Fri, Nov 1, 6-10pm Carlos Barberena: Graphic Resistance Pilsen Outpost: 1637 W 18th St Free Thurs, Oct 31 – Sun, Nov 3SOFA Chicago600 E Grand Ave$20-$35, Get Tickets Fri, Nov 1, 6:30-8pm RaD Lab Fellowship Info Session Threewalls: 2738 W North Ave Free Fri, Nov 1, 7-9pm Lakshmi Ramgopal: Lykanthea Comfort Station Logan Square: 2579 N Milwaukee Ave Free Fri, Nov 1, 7pm …

Founders and the CTA: Interview with Floating Museum’s Faheem Majeed & Jeremiah Hulsebos-Spofford

Floating Museum does not look like your typical arts collective. Their public installations and artworks incorporate the ways people navigate the city’s infrastructure. Since 2016, Floating Museum’s practice has evolved from increasingly regular installations in the city’s parks to the widely celebrated River Assembly, in which artworks from collaborators across the city were floated on a barge on the Chicago River — not an easy feat. This summer, Floating Museum took on a new infrastructure challenge: the Chicago Transit Authority, or CTA.  Their latest project, Cultural Transit Assembly, partners with the CTA and the Chicago Park District to focus on the CTA Green Line, utilizing train cars as gallery and performance space. They simultaneously made use of community sites adjacent to the train line as locations for their weekly pop-up installation of a 25-foot-tall inflatable sculpture, Founders, which blends Chicago history with their desire to connect local institutions such as The Field Museum and the DuSable Museum of African American History.  I sat down with Faheem Majeed and Jeremiah Hulsebos-Spofford, two of the founders and …

Featured image: Chelsea Fiddyment performing at Unreal at Schubas. Chelsea stands at the front of the room, notebook in hand, speaking into a microphone while looking out at the audience. Behind Chelsea is a copper-colored wall, made of a grid of low-relief tiles; above that are several decorative beer cans on a ledge and a dark green section of wall. Chelsea wears a black cropped tee and red and gold sequined shorts. The backs of some audience members’ heads are fuzzy in the foreground. Photo by Joshua Clay Johnson.

Beyond the Page: Chelsea Fiddyment & Unreal

“Beyond the Page” digs into the process and practice of writers and artists who work at the intersection of literary arts and other fields. For this installment, I interviewed Chelsea Fiddyment, the creator and emcee of Unreal — a fiction-focused, experimental open mic, now in its fourth year. In late June, I spoke with Chelsea about their reasons for starting Unreal, their own practice as a writer and performer, and the importance of creating welcoming spaces for experimentation. Check out Unreal on the third Tuesday of every month, in the upstairs space at Schubas (note: this space is accessible by elevator through the attached restaurant, Tied House; ask a Schubas manager for navigation support). Find Unreal @UnrealChi on Twitter and @UnrealChicago on Facebook, and Chelsea @whatthefidd on Twitter. This interview has been edited for length and clarity. Marya Spont-Lemus: Congratulations on a lovely third-anniversary show! Chelsea Fiddyment: Thank you so much! MSL: How are you feeling about that and how it went? What are you bringing out of it with you? CF: I’m absolutely ecstatic …

Intimate Justice: John R. Harness

Intimate Justice looks at the intersection of art and sex and how these actions intertwine to serve as a form of resistance, activism, and dialogue in the Chicago community. Hyde Park resident John R. Harness wears many hats: he’s a creator of table-rop role-playing games that are aggressively gay, a blow-job extraordinaire, and an expert Klingon speaker (helping coin the first term for the LGBTQ community). I met John at his apartment over the summer where we sat between his two cats in his living room and discussed gay bathhouses, fascists, and what heteronormative spaces can gain from gay spaces.  This interview was edited for length and clarity.  S. Nicole Lane: So I don’t know really anything about games… John R. Harness: My work is in the realm of table-top role playing games. I learned about Dungeons and Dragons when I was a young kid—I was like 6 or 8. A friendship of mine deteriorated because my friend’s father had been into D&D and introduced me to it and suddenly that was all I wanted …

Image: Damian Duffy sits at a table in a brewery and works at a laptop computer. In front of his computer are paperback copies of Octavia Butler’s “Parable of the Talents”, an advanced reader copy of his graphic novel adaptation of Butler’s “Parable of the Sower”, and an open notebook with sketches. An empty beer glass is set to the side. Photo by Jessica Hammie.

Writing Comics We Want to Read: An Interview with Damian Duffy

If you’ve been paying any attention to pop culture lately, you’ve noticed that we’ve become enamored of comics and graphic novels. Like most media, the authors and subjects have been predominantly white, and it’s hard to remember that there are other stories being told. As comics become more mainstream, there’s an opportunity to expand the genre to feature different voices through authorship, artistry, and subjecthood. The inherent collaborative nature of comics—artist working with author, most simply—makes it ripe for bringing like-minded individuals together to manifest a story not yet pictured. This summer, I had a beer with comics author and artist Damian Duffy. Duffy is an Eisner-award winner (that’s the prestigious award handed out by Comic Con International in San Diego), and a New York Times bestselling author. With artist John Jennings, Duffy is the co-author of “Black Comix” and “Black Comix Returns” and the adapter and author of “Kindred: A Graphic Novel Adaptation,” the first visualization of celebrated author Octavia Butler’s work. He’s also the adapter and author of the forthcoming graphic novel adaptations …

7 Reflections & Suggested Sounds: ALL WE WANT IS TO SEE OURSELVES at FLXST Contemporary

The following are reflections and suggested sounds for pieces by seven artists that were included in the exhibition ALL WE WANT IS TO SEE OURSELVES at FLXST Contemporary. The exhibition ran from August 3 – September 1, 2019 and was curated by Jan Christian Bernabe Paolo Arao, Greater Than (Diptych), 2018 Greater Than (Diptych) splits into two canvases hung like diamonds, each one broken down by the same primary colors: blue, red, yellow, and beige cotton. On the left canvas, the corners each have a perfect triangle of either blue, red, or yellow while in the center lies a perfect beige square. On the right, the same color pattern is inverted: four beige corners and a square divided into four slices of elementary colors. Once you know the title, it all falls into place and the geometry, the hidden mathematics of artifice, begin to open themselves up. An elementary school teacher taught me that the greater-than sign could be remembered because the alligator (> or <) eats the bigger number (the better number?) and here, …

You Are Here: Mark Joshua Epstein

Allison Lacher and Jeff Robinson work collaboratively as artist-curators and organizers in Springfield, Illinois. For over seven years, they have developed contemporary arts programming at the University of Illinois Springfield Visual Arts Gallery, DEMO Project, and the Terrain Biennial at Enos Park. Lacher and Robinson reached out to seven creative and cultural purveyors whom they have worked with over their tenure in the capital city to reflect on their experience there — that is to say, “here.” The resulting texts together form “You are Here,” a new venture from the collaborative duo in partnership with Sixty Regional and made possible with support from Illinois Humanities. As is typical of their curatorial approach, Lacher and Robinson have extended freedom and latitude to each contributor, resulting in texts that take a variety of forms and offer wide-ranging glimpses into what it is like to work here in the flyover region of the United States, in the perceived rural Midwest, in Central Illinois, and, at the heart, here in Springfield. by Mark Joshua Epstein I usually live on …

You Are Here: Nick Wylie / Elmer Ellsworth

Allison Lacher and Jeff Robinson work collaboratively as artist-curators and organizers in Springfield, Illinois. For over seven years, they have developed contemporary arts programming at the University of Illinois Springfield Visual Arts Gallery, DEMO Project, and the Terrain Biennial at Enos Park. Lacher and Robinson reached out to seven creative and cultural purveyors whom they have worked with over their tenure in the capital city to reflect on their experience there — that is to say, “here.” The resulting texts together form “You are Here,” a new venture from the collaborative duo in partnership with Sixty Regional and made possible with support from Illinois Humanities. As is typical of their curatorial approach, Lacher and Robinson have extended freedom and latitude to each contributor, resulting in texts that take a variety of forms and offer wide-ranging glimpses into what it is like to work here in the flyover region of the United States, in the perceived rural Midwest, in Central Illinois, and, at the heart, here in Springfield. Summer Love in Springfield by Nick Wylie / …

The Art of DJing: Miss Twink USA

DJing is a curious art form and rarely discussed as one. It is rarely discussed at all, except by other DJs in industry publications; what is there to say that can’t be expressed more vigorously on the dancefloor? If you’re talking, you’re not dancing, and you’re probably standing in the way of people trying to dance. Is it art? It’s entertainment, it’s a trade, it’s a party. I hear André Leon Talley in the documentary Catwalk, wrinkling his nose at a parallel question about that other commercial art form: “No, no, no. Is fashion art? No! Fashion is hard work, gritty; it’s not glamorous”—the questions is an embarrassment to both art and fashion. Or DJing. To consider the question at all means that the answer is at least “sometimes.” DJing is work in the realm of aesthetic experience; it is a discipline with a touch of wonder and mystery and creative talent. DJs hear what others don’t, they surprise us with a blend, they tell a story, they improvise, they observe the energy of a …

The Art of DJing: Morenxxx

DJing is a curious art form and rarely discussed as one. It is rarely discussed at all, except by other DJs in industry publications––what is there to say that can’t be expressed more vigorously on the dancefloor? If you’re talking, you’re not dancing, and you’re probably standing in the way of people trying to dance. Is it art? It’s entertainment, it’s a trade, it’s a party. I hear André Leon Talley in the documentary Catwalk, wrinkling his nose at a parallel question about that other commercial art form: “No, no, no. Is fashion art? No! Fashion is hard work, gritty; it’s not glamorous”—the question is an embarrassment to both art and fashion. Or DJing. To consider the question at all means that the answer is at least “sometimes.” DJing is work in the realm of aesthetic experience; it is a discipline with a touch of wonder and mystery and creative talent. DJs hear what others don’t, they surprise us with a blend, they tell a story, they improvise, they observe the energy of a room …

The Art of DJing: Ariel Zetina

DJing is a curious art form and rarely discussed as one. It is rarely discussed at all, except by other DJs in industry publications; what is there to say that can’t be expressed more vigorously on the dancefloor? If you’re talking, you’re not dancing, and you’re probably standing in the way of people trying to dance. Is it art? It’s entertainment, it’s a trade, it’s a party. I hear André Leon Talley in the documentary Catwalk, wrinkling his nose at a parallel question about that other commercial art form: “No, no, no. Is fashion art? No! Fashion is hard work, gritty; it’s not glamorous”—the questions is an embarrassment to both art and fashion (or DJing). To consider the question at all means that the answer is at least “sometimes.” DJing is work in the realm of aesthetic experience; it is a discipline with a touch of wonder and mystery and creative talent. DJs hear what others don’t, they surprise us with a blend, they tell a story, they improvise, they observe the energy of a …

You Are Here: Stephanie Graham

Allison Lacher and Jeff Robinson work collaboratively as artist-curators and organizers in Springfield, Illinois. For over seven years, they have developed contemporary arts programming at the University of Illinois Springfield Visual Arts Gallery, DEMO Project, and the Terrain Biennial at Enos Park. Lacher and Robinson reached out to seven creative and cultural purveyors whom they have worked with over their tenure in the capital city to reflect on their experience there — that is to say, “here.” The resulting texts together form “You are Here,” a new venture from the collaborative duo in partnership with Sixty Regional and made possible with support from Illinois Humanities. As is typical of their curatorial approach, Lacher and Robinson have extended freedom and latitude to each contributor, resulting in texts that take a variety of forms and offer wide-ranging glimpses into what it is like to work here in the flyover region of the United States, in the perceived rural Midwest, in Central Illinois, and, at the heart, here in Springfield. by Stephanie Graham Hello. My name is Stephanie …