Essays + Reviews

Penetrate Me

by Riley Yaxley

August 23, 2022

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Essays + Reviews, Poetry + Short Stories
Between the Strange and Sublime: A Review of Heft at Patron Gallery

by Pia Singh

August 22, 2022

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Artists, Essays + Reviews, Exhibitions
clouds again.again.again.again.again

by persephone van ort

August 16, 2022

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Essays + Reviews
E. Saffronia Downing’s Geology of Fissures

by Alexandra Méndez

August 11, 2022

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Essays + Reviews, Exhibitions
Stepping In and Seeing Through with Artist Kelly Clare

by Rachel L. Hausmann Schall

August 3, 2022

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Essays + Reviews, Exhibitions, Sixty Regional
Review: Beautiful Snail at the Logan Center for the Arts

by Christina Nafziger

July 25, 2022

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Essays + Reviews, Exhibitions
A Horizon of Being in Red: Kristoffer Ala-Ketola’s Dreams & Delusions

by Livy Snyder

July 8, 2022

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Essays + Reviews, Exhibitions
Rae Stern: Flourishing Despite Disruption

by Chenoa Baker

July 7, 2022

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Essays + Reviews, Exhibitions, Sixty Regional
when the sun fills your throat: split my sides at The Luminary

by Annette LePique

July 6, 2022

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Essays + Reviews, Exhibitions, Sixty Regional
Review: I don’t know you like that: The Bodywork of Hospitality

by Christina Nafziger

June 30, 2022

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Essays + Reviews, Exhibitions, Sixty Regional
Review: D O W N S H I F T at Roman Susan

by Ally Fouts

June 27, 2022

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Essays + Reviews, Exhibitions
A Tribute to the Sustenance of Friendship: Dawoud Bey & Carrie Mae Weems at the Grand Rapids Art Museum

by Kristie Kahns

June 20, 2022

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Essays + Reviews, Exhibitions, Sixty Regional
Our Wild Zones Make Us Real

by Molly M. Pearson

June 2, 2022

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Essays + Reviews, Exhibitions
The Wound

by Riley Yaxley

June 1, 2022

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Essays + Reviews, Featured, Poetry + Short Stories
Review of A Vibe Called Death: The Black Afterlife at Cleaner Gallery + Projects

by Lauren Iacoponi

May 25, 2022

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Essays + Reviews, Exhibitions
Review: FEMME at FLXST Contemporary

by Jen Torwudzo-Stroh

May 17, 2022

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Essays + Reviews, Exhibitions
Review: Space to Say at Heaven Gallery

by S. Nicole Lane

May 12, 2022

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Essays + Reviews, Exhibitions
Changing the Angle of My Face to Become Different Faces

by Adriana Yochelson

April 26, 2022

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Essays + Reviews
What’s There to be Proud of in Indiana?

by Haley Glickman

April 20, 2022

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Community, Essays + Reviews, Interviews
Review of This House Is Mine by Bob Thompson

by Elizabeth Upenieks

April 15, 2022

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Essays + Reviews, Exhibitions, Featured
Opal Pools of Milk and the Luzhin Defence: Review of This Too Shall Pass

by Annette LePique

April 14, 2022

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Archives, Artists, Essays + Reviews, Exhibitions, Featured
Notes on Designing Cultural Change

by Noëlle Pouzar

April 13, 2022

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Art Design Chicago, Community, Essays + Reviews, Featured, Interviews
Looking Forward by Looking Back: Dawn to Dusk by Azadeh Gholizadeh

by Livy Snyder

April 12, 2022

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Essays + Reviews, Exhibitions, Featured
In My Mother’s House There Is Still God: A Response to the Film ‘to render the infinite’

by Riley Yaxley

April 5, 2022

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Archives, Art Design Chicago, Essays + Reviews, Featured
The Object as a Lightning Rod For Meaning: A Review of General Objects

by Ally Fouts

March 30, 2022

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Essays + Reviews, Exhibitions, Featured
Review: Crip* at Gallery 400

by Ashley Ariel

March 29, 2022

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Essays + Reviews, Exhibitions, Featured, Resources
Our Message in a Bottle, Notes from VEGA: A.J. McClenon

by isra rene

March 25, 2022

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Artists, Essays + Reviews, Exhibitions, Featured
Review: Two Exhibitions at Dragon Crab Turtle

by Del O’Brien

February 19, 2022

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Essays + Reviews, Exhibitions, Featured, Sixty Regional
Makeup, Mortification, and Memory: A Review of “Evidence” by Bimbola Akinbola

by Benji Hart

February 17, 2022

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Essays + Reviews, Exhibitions, Featured
Review of UTENSIL: Annas’ Exhibition at Comfort Station

by Ally Fouts

February 7, 2022

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Artists, Essays + Reviews, Exhibitions, Featured