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Four Poems
by
Zarria Alexander
January 17, 2023
·
Sixty Lit
Collage as Worldbuilding: Hybridity in
Solo(s): Krista Franklin
by
Amanda Dee
January 14, 2023
·
Essays + Reviews
,
Exhibitions
In defense of communal catharsis, whenever required: on the Foo Fighters’ “Best of You”
by
Darshita Jain
January 12, 2023
·
Essays + Reviews
,
Sound, Film + Video
Through Time and Taproots with Erol Scott Harris
by
Tempestt Hazel
January 9, 2023
·
Artists
,
Interviews
In Her Own Words: Confessions of Womanhood and Motherhood
by
Gabrielle Lynch
January 6, 2023
·
Artists
,
Essays + Reviews
Review of
Glory Hole
at Polonium Projects
by
Annette LePique
January 3, 2023
·
Artists
,
Essays + Reviews
,
Exhibitions
Earthly Pleasures: A Review of Soumya Netrabile’s
Searching for Stars
by
Annie Dauber
December 17, 2022
·
Essays + Reviews
,
Exhibitions
The Agenda of Artifice | On Liza Jo Eilers’
The Care And Keeping of You
by
Ruby Jeune Tresch
December 16, 2022
·
Essays + Reviews
,
Exhibitions
Order Now!
Something To Look Forward To
and
Chicago Archives + Artists Project: Case Studies in Collaboration
by
Sixty Inches From Center
December 14, 2022
·
Sixty News
Smiling Behind the Sun: An Interview with Saidayah Kirk
by
Michael Fischer
December 12, 2022
·
Columns + Series
,
Community
,
Interviews
Erasing Native Chicago Through Settler Occupation
by
Fawn Pochel
December 8, 2022
·
Community
,
Essays + Reviews
Not Geography But a State of Mind: Review of
Forecast Form: Art in the Caribbean Diaspora
at the MCA
by
Elisa Shoenberger
December 5, 2022
·
Essays + Reviews
,
Exhibitions
Beauty is in the “I” of the Beholder
by
Chenoa Baker
December 2, 2022
·
Essays + Reviews
Out of Office: A Note on Sixty’s Year-End Slowdown
by
Sixty Inches From Center
December 1, 2022
·
Community
,
Sixty News
Still Here: Lessons and Reflections on Arts Nonprofits
by
Lauren Williams
November 30, 2022
·
Projects + Collaborations
How Does It Feel?: Movements, Moments, and Questions of Enduring Change in the Arts
by
Tempestt Hazel
November 30, 2022
·
Projects + Collaborations
Love Before and After
by
Onyx Montes
November 30, 2022
·
Projects + Collaborations
Writings on Life and Labor in the Arts: A MdW Atlas Collaboration
by
Sixty Inches From Center
November 30, 2022
·
Sixty News
Doing less is more: slowness as praxis
by
Kate Bowen
November 30, 2022
·
Projects + Collaborations
The Lovers
by
Riley Yaxley
November 29, 2022
·
Essays + Reviews
,
Sixty Lit
“The Wizards” are transmuting: a reflection
by
Dr. N. Tulio Bermúdez
November 28, 2022
·
Artists
,
Essays + Reviews
,
Happenings
Review of
We. The Culture
: Works by The Eighteen Art Collective at the Indianapolis Museum of Art at Newfields
by
Jen Torwudzo-Stroh
November 25, 2022
·
Essays + Reviews
,
Exhibitions
Interview with Chicago Ihanktonwan Dakota artist, David Bernie
by
Analú López
November 23, 2022
·
Artists
,
Community
,
Interviews
Touch Grass: A Review of
Liz’s Childhood Computer: 2003 – 2005
at Prairie
by
Emeline Boehringer
November 21, 2022
·
Essays + Reviews
,
Exhibitions
,
Projects + Collaborations
From Figure to Abstraction with Paul Verdell
by
Darryl DeAngelo Terrell
November 19, 2022
·
Artists
,
Interviews
,
Sixty Regional
Overlap: Anna Kavan & me
by
Sloane Murphy
November 15, 2022
·
Artists
,
Essays + Reviews
,
Sixty Lit
On Balance & Play: Tetsuya Yamada’s Shallow River
by
Meghan Clare Considine
November 13, 2022
·
Artists
,
Essays + Reviews
,
Interviews
Smiling Behind the Sun: An Interview with Brandon Wyatt
by
Michael Fischer
November 9, 2022
·
Columns + Series
,
Community
,
Interviews
Review:
Fear of Property
by
Rebecka Kann
November 8, 2022
·
Essays + Reviews
,
Exhibitions
Making Down Time: Curator Leslie Wilson on the Art of Retreat
by
Camille Bacon
November 7, 2022
·
Art Design Chicago
,
Interviews
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