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The Wound
by
Riley Yaxley
June 1, 2022
·
Essays + Reviews
,
Featured
,
Poetry + Short Stories
Snapshot: Interview with Photographer Sarah Joyce
by
Sixty Inches From Center
May 31, 2022
·
Artists
,
Columns + Series
,
Interviews
On Black Presidential Portraits, Punchlines, and Power with Ross Stanton Jordan
by
Tempestt Hazel
May 26, 2022
·
Archives
,
Art Design Chicago
,
Featured
,
Interviews
Review of
A Vibe Called Death: The Black Afterlife
at Cleaner Gallery + Projects
by
Lauren Iacoponi
May 25, 2022
·
Essays + Reviews
,
Exhibitions
Everything And More: On the Makings of Bunny McKensie Mack
by
Tempestt Hazel
May 18, 2022
·
Community
,
Interviews
Sutures: An Interview with Michael Khuth
by
Ian Hanesworth
May 17, 2022
·
Exhibitions
,
Interviews
,
Sixty Regional
Review:
FEMME
at FLXST Contemporary
by
Jen Torwudzo-Stroh
May 17, 2022
·
Essays + Reviews
,
Exhibitions
Review:
Space to Say
at Heaven Gallery
by
S. Nicole Lane
May 12, 2022
·
Essays + Reviews
,
Exhibitions
May Art Picks
by
Sixty Inches From Center
May 1, 2022
·
Art Picks
,
Happenings
Navigating Systems of Support: The Double-Edged Sword of Success as a Disabled Artist
by
Courtney Graham
April 28, 2022
·
Artists
,
Chicago Arts Census
,
Interviews
Open Letter to the Chicago Party Scene
by
Anonymous
April 26, 2022
·
Community
,
Resources
Changing the Angle of My Face to Become Different Faces
by
Adriana Yochelson
April 26, 2022
·
Essays + Reviews
Egg
by
Morgan Green
April 22, 2022
·
Archives
,
Poetry + Short Stories
What’s There to be Proud of in Indiana?
by
Haley Glickman
April 20, 2022
·
Community
,
Essays + Reviews
,
Interviews
(Re)Materializing Dread: An Interview with Mayumi Lake and Stacia Yeapanis
by
Annie Raab
April 20, 2022
·
Artists
,
Exhibitions
,
Interviews
Confounding ‘Finding’
by
jina valentine
April 18, 2022
·
Artists
,
Chicago Arts Census
,
Community
Time and Time Again: An Interview with Farah Salem
by
Tempestt Hazel
April 15, 2022
·
Artists
,
Interviews
,
Sound, Film + Video
Review of This House Is Mine by Bob Thompson
by
Elizabeth Upenieks
April 15, 2022
·
Essays + Reviews
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Exhibitions
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Featured
Fluorescence
by
Ariel Yisrael
April 14, 2022
·
Featured
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Poetry + Short Stories
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Sound, Film + Video
Opal Pools of Milk and the Luzhin Defence: Review of This Too Shall Pass
by
Annette LePique
April 14, 2022
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Archives
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Featured
Notes on Designing Cultural Change
by
Noëlle Pouzar
April 13, 2022
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Art Design Chicago
,
Community
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Essays + Reviews
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Looking Forward by Looking Back: Dawn to Dusk by Azadeh Gholizadeh
by
Livy Snyder
April 12, 2022
·
Essays + Reviews
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Exhibitions
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Featured
Disabled Sanctuary: Interview with Sangi Ravichandran
by
carrie sarah kaufman
April 11, 2022
·
Artists
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Columns + Series
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April Art Picks
by
Sixty Inches From Center
April 9, 2022
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Archives
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Art Picks
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In My Mother’s House There Is Still God: A Response to the Film ‘to render the infinite’
by
Riley Yaxley
April 5, 2022
·
Archives
,
Art Design Chicago
,
Essays + Reviews
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Featured
Going Back to the Future: A Visual Collage In Response to the Film ‘to render the infinite’
by
Ireashia Bennett
April 5, 2022
·
Archives
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Art Design Chicago
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Featured
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Sound, Film + Video
Memoir, Mythos, and the Maximalist Practice of Cecilia Beaven
by
Tempestt Hazel
April 4, 2022
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Archives
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Memorias, mitos y la práctica maximalista de Cecilia Beaven
by
Tempestt Hazel
April 4, 2022
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Artists
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Bilingual
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Interviews
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Sound, Film + Video
Muña: A New Art Writing Program with Chuquimarca + Sixty
by
Sixty Inches From Center
April 1, 2022
·
Community
,
News
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Projects + Collaborations
God is a Black Woman
: a Selection of Poems by Chaz Shermil Hodges
by
Chaz Shermil Hodges
March 31, 2022
·
Featured
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Poetry + Short Stories
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Sixty Regional
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