Featured

Snapshot: An Interview with Teshika Silver

by Sixty Inches From Center

February 15, 2022

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Artists, Featured, Interviews
February Art Picks

by Sixty Inches From Center

February 14, 2022

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Art Picks, Exhibitions, Featured, Happenings
The Evolution of a Thought: Interview with Marcus Pruitt

by Kyra Horton

February 10, 2022

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Columns + Series, Featured, Interviews, Poetry + Short Stories
Review of UTENSIL: Annas’ Exhibition at Comfort Station

by Ally Fouts

February 7, 2022

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Artists, Essays + Reviews, Exhibitions, Featured
A Mean, Feline Person

by Riley Yaxley

February 2, 2022

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Featured, Poetry + Short Stories
Smashing the space between us

by Noa Micaela Fields

February 1, 2022

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Essays + Reviews, Exhibitions, Featured
Review: 12 Kalpas from Terrestrial to Celestial and Everywhere in Between

by Ally Fouts

January 26, 2022

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Essays + Reviews, Exhibitions, Featured
Review: between all saints day and halloween at Roman Susan

by Reed Everette

January 25, 2022

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Archives, Essays + Reviews, Featured
Protect Your Magic: A Cautionary Tale of Witchcraft, Anti-racism, Activism, and Commodification

by Kevin Whiteneir Jr.

January 24, 2022

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Archives, Artists, Community, Essays + Reviews, Featured
Devising as Possibility in Links Hall’s Links Lab Project

by Gervais Marsh

January 24, 2022

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Archives, Essays + Reviews, Featured
alt_ Offering: A Guide to Principles

by Jon Veal

January 20, 2022

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Archives, Artists, Community, Featured
Vanita Green: ‘Occupying a Space on Her Own Terms’

by Chenoa Baker

January 20, 2022

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Community, Essays + Reviews, Featured
Darlene Blackburn, Dancer of Time

by Wills Glasspiegel

January 19, 2022

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Archives, Artists, Featured
Mourning Racial Categories: Why White?

by Ariel Yisrael

January 19, 2022

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Columns + Series, Essays + Reviews, Featured, Sixty Regional, Sound, Film + Video
Sixty Years of Filling Homes: A Conversation with Crate & Barrel Co-Founder, Gordon Segal

by Ally Fouts

January 19, 2022

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Art Design Chicago, Essays + Reviews, Featured
Untitling Pleasures: A conversation with Hannah Levy on tension & sensation

by Hindley Wang

January 15, 2022

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Artists, Essays + Reviews, Featured, Interviews
In the Pages of Fleeting Monuments for the Wall of Respect

by Tempestt Hazel

January 11, 2022

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Archives, Art Design Chicago, Essays + Reviews, Featured
Mourning Racial Categories: I’m White Like You, Right Mom?

by Ariel Yisrael

January 10, 2022

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Archives, Columns + Series, Essays + Reviews, Featured, Sound, Film + Video
January Art Picks

by Sixty Inches From Center

January 6, 2022

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Art Picks, Featured
To Speak For Yourself: On the Many Lives of Dorothy Burge

by Tempestt Hazel

January 6, 2022

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Archives, Featured, Interviews
Review of Hal Fischer Photographs: Seriality, Sexuality, Semiotics at the Krannert Art Museum

by Jake Foster

January 5, 2022

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Archives, Essays + Reviews, Featured
The Evolution of a Thought: Interview with Abena Motaboli

by Kyra Horton

January 3, 2022

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Columns + Series, Featured, Interviews, Poetry + Short Stories
Desde los archivos: Si sabes, sabes

by Rise

January 3, 2022

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Archives, Bilingual, Desde los archivos, Featured, Poetry + Short Stories
Irresistible Forces at the Tarble Arts Center

by Jessica Hammie

December 30, 2021

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Essays + Reviews, Exhibitions, Featured, Sixty Regional
The Power of Black Joy, an interview with artist Ariel Dannielle

by Jen Torwudzo-Stroh

December 28, 2021

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Artists, Exhibitions, Featured, Interviews
Desde los archivos: Why DEMO Matters

by Patrick Collier

December 20, 2021

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Archives, Bilingual, Columns + Series, Community, Desde los archivos, Essays + Reviews, Exhibitions, Featured, Sixty Regional
For the Land and Love of Freedom Fighters: Erin Sharkey, Zoe Hollomon, and The Fields at Rootsprings

by Tempestt Hazel

December 19, 2021

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Archives, Artists, Featured, Interviews, Sixty Regional
biskaabiiyang: An Interview with Juleana Enright

by Ian Hanesworth

December 18, 2021

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Archives, Exhibitions, Featured, Interviews, Sixty Regional
Time, Tending, and Porosity: Elsa Muñoz and Chenoa Baker in Conversation

by Chenoa Baker

December 17, 2021

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Artists, Featured, Interviews
It is Gone, but it’s Not Over: A Bathhouse Underground

by Livy Snyder

December 16, 2021

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Essays + Reviews, Exhibitions, Featured, Sound, Film + Video