Artists

A Sense of Touch: Nanxi Jin at Xiao Space Gallery

by Cristobal Alday

June 29, 2023

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Artists, Interviews
Review: Mika Horibuchi’s Showcase at Patron Gallery

by Thomas Huston

June 23, 2023

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Artists, Essays + Reviews, Exhibitions
On Collaborative Recomposition and Shabez Jamal As Archive

by Tempestt Hazel

June 21, 2023

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Archives, Artists, Interviews, On Archives
Small Art, Big Energy: A review of Barely Fair

by Christina Nafziger

May 23, 2023

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Artists, Essays + Reviews, Exhibitions
Review: Voices from the Margins, Volume II: Present within the Stream of Life

by Livy Snyder

May 6, 2023

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Art Design Chicago, Artists, Featured
Too Much Sentimentality

by Riley Yaxley

May 1, 2023

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Artists, Essays + Reviews
Collaborating with Non-Human Species: an interview with artist Laleh Motlagh

by Livy Snyder

April 28, 2023

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Artists, Exhibitions, Interviews
Artistic Meditation: Bryana Bibbs Explores Personal Narrative Through the Intersection of Weaving and Painting

by Jen Torwudzo-Stroh

April 11, 2023

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Artists, Essays + Reviews, Exhibitions
Yae Jee Min’s Gift of Wings

by Christina Nafziger

April 5, 2023

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Artists, Essays + Reviews, Exhibitions
Chicago Archives + Artists Project: Interview with Natasha Mijares

by Lauren Iacoponi

March 23, 2023

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Artists, Chicago Archives + Artists Project, Interviews
Workin’ 9 to 5: For Those Who Toil at Purple Window Gallery

by Annette LePique

March 16, 2023

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Artists, Essays + Reviews, Exhibitions
BIPOC Circus Alliance Midwest Makes Circus Advocacy Epic

by Elisa Shoenberger

March 9, 2023

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Artists, Community, Interviews
A Sound Deemed Unwanted: A Review of Soft Noise at The Plan

by Livy Snyder

February 21, 2023

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Artists, Essays + Reviews, Exhibitions
Extraordinary Encounters: An Ethical Guide To Studio Visits

by Chenoa Baker

February 7, 2023

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Artists, Interviews
Toys Are Us: Deborah Simon’s Embroidered Morphologies at the International Museum of Surgical Science

by Annette LePique

February 3, 2023

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Artists, Essays + Reviews, Exhibitions
QTVC Live! and the Roots of Hustle Culture

by Gabriel Chalfin-Piney

January 28, 2023

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Artists, Community
Review of Still Together at Saint Kate Arts Hotel

by Annie Raab

January 27, 2023

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Artists, Essays + Reviews, Exhibitions
Through Time and Taproots with Erol Scott Harris

by Tempestt Hazel

January 9, 2023

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Artists, Interviews
In Her Own Words: Confessions of Womanhood and Motherhood

by Gabrielle Lynch

January 6, 2023

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Artists, Essays + Reviews
Review of Glory Hole at Polonium Projects

by Annette LePique

January 3, 2023

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Artists, Essays + Reviews, Exhibitions
“The Wizards” are transmuting: a reflection

by Dr. N. Tulio Bermúdez

November 28, 2022

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Artists, Essays + Reviews, Happenings
Interview with Chicago Ihanktonwan Dakota artist, David Bernie

by Analú López

November 23, 2022

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Artists, Community, Interviews
From Figure to Abstraction with Paul Verdell

by Darryl DeAngelo Terrell

November 19, 2022

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Artists, Interviews, Sixty Regional
Overlap: Anna Kavan & me

by Sloane Murphy

November 15, 2022

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Artists, Essays + Reviews, Poetry + Short Stories
On Balance & Play: Tetsuya Yamada’s Shallow River

by Meghan Clare Considine

November 13, 2022

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Artists, Essays + Reviews, Interviews
Stronger Together: Building a More Resilient Art Community

by Kerry Cardoza

October 28, 2022

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Archives, Artists, Chicago Arts Census, Columns + Series, Community
Snapshot: An Interview with Kiki Lechuga-Dupont

by Sixty Inches From Center

October 19, 2022

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Artists, Interviews
Two Poems: “The Motif” and “Twitches”

by Imani Joseph

October 7, 2022

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Artists, Poetry + Short Stories
They just use your mind, and you never get the credit/It’s enough to drive you crazy, if you let it: A Brief History of Organizing Art Institute of Chicago Workers United (AICWU), or, Training an AI to karaoke a Dolly Parton banger, as set to the machinations of history

by Kristi McGuire

September 29, 2022

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Artists, Chicago Arts Census, Columns + Series
Thoughts on Remaking the Exceptional: Tea, Torture, and Reparations at the DePaul Art Museum

by Isra Rahman

September 22, 2022

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Artists, Essays + Reviews, Exhibitions