All posts tagged: Snapshot

Image: Felix Gonzalez-Torres,“Untitled” (Death by Gun), 1990. Print on paper, endless copies. Courtesy of the Collection of The Museum of Modern Art New York, purchased in part with funds from Arthur Fleischer, Jr. and Linda Barth Goldstein. Visitors are welcome to take a piece of paper from the stack that displays images of the 460 victims of death by firearm in the U.S. during one week in May 1989.

Snapshot: American Epidemic: Guns in the United States at MoCP

Featured image: Felix Gonzalez-Torres,“Untitled” (Death by Gun), 1990. Print on paper, endless copies. Visitors are welcome to take a piece of paper from the stack that displays images of the 460 victims of death by firearm in the U.S. during one week in May 1989. Courtesy of the Collection of The Museum of Modern Art New York, purchased in part with funds from Arthur Fleischer, Jr. and Linda Barth Goldstein. Snapshot is a Sixty column that takes a quick look at art history as it happens in Chicago. We send artists and organizers six short and sweet questions to tell us about what they are doing right at this moment. For this feature, we sent a few questions to Karen Irvine, chief curator and deputy director at the Museum of Contemporary Photography (MoCP). American Epidemic: Guns in the United States features the work of ten artists who look at the legacy of guns in our country from a variety of perspectives. Irvine explains some of these artistic approaches in the interview below. Sixty Inches From …

Snapshot: Sculpture Milwaukee

We hope this exhibition serves as a reminder of the resilience of art in a social context. Over the last year and a half, through the conditions of a global shutdown and time marked by a renewed social justice movement and chapters of political turmoil, sculpture remained in the streets. Public art has the unique pleasure of being available to everyone, all of the time.

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Snapshot: Tianna Bracey

Snapshot is a Sixty column that takes a quick look at art history as it happens in Chicago. We send artists and organizers a list of short and sweet questions to tell us about what they are doing right at this moment. For the newest installment, we sent our questions to painter, Tianna Bracey, whose work can be seen at the Zhou B Art Center as part of the exhibition, Black Love Matters, through November 9th. Sixty Inches From Center: How would you describe your work? Tianna Bracey: My work explores the subtleties of the painterly and figurative form. It is intended as recognizable snapshots of the female experience, ranging from the pleasurable to the mundane. I employ body language, gesture, movement and expression as narrative tools. Through every piece I aim to celebrate the power and vulnerability of women through portraiture. SIFC: What do you find most challenging about working as an artist? TB: Knowing the difference between when to let go and when to push through is by far my biggest challenge. I have no problem painting over …

“Leaf by Leaf” at the Chicago Artist Coalition

How does our environment affect our cultural memory and identity? What relationship does geography have with power and how does it affect diasporic communities? HATCH Project exhibition “Leaf by Leaf” at the Chicago Artist Coalition investigates these urgent questions that are embedded within the plants, the land, and the organic elements that surround us. Featured artists include India Martin, Whit Forrester, and Yasmin Spiro, who all create works that unveil a beautiful yet complicated ecology that is cultural, political, and spiritual. My experience with the exhibition grew from a sense of awe within the breathtaking photographs of India Martin’s birthplace of Hawaii, to the spiritual and sublime within Whit Forrester’s plant-turned-holy icons, landing at a textural encounter of materials found in the earth that comprise the sculptural work of Yasmin Spiro. To investigate these themes deeper in the artists’ work, I asked each of the artists three questions about one specific piece that was featured in “Leaf by Leaf.” Sabrina Greig, curator of the exhibition and HATCH project curator-in-residence, introduces us to a unifying theme …

Snapshot: Gather Series at Comfort Station

Snapshot is a Sixty column that takes a quick look at art history as it happens in Chicago. We send artists and organizers short and sweet questions to tell us about what they are doing right at this moment. We sent questions to Allen Moore, Nick Meryhew, and Rebecca Himelstein, the curatorial team behind the Gather series at Comfort Station. Gather is an experimental music series bringing musicians and performers from different scenes, backgrounds, practices, disciplines, and communities together for connection and artistic exchange. For information on their upcoming events, as well as past performances, visit them here.  Sixty Inches From Center: To start broadly, what were you envisioning when you started Gather? Can you give us some context for the title? GATHER: We wanted to represent Chicago’s highly active experimental music and performance community by creating a series that highlighted some different approaches to the artists’ chosen medium. For each bill we attempt to bring together artists who might not otherwise be presented side-by-side. We see this as a way of facilitating new audience and artist interactions …

Snapshot: Devil in the Details by Jennifer Cronin

Snapshot is a Sixty column that takes a quick look at art history as it happens in Chicago. We send artists and organizers short and sweet questions to tell us about what they are doing right at this moment. We sent questions to artist Jennifer Cronin, whose exhibit Devil in the Details: A Portrait of Chicago pays heed to the unnoticed, mundane, and yet beautiful facets of Chicago’s urban landscape. The exhibition opens February 7th, 2018 at The Cliff Dwellers with a public reception from 4:30 to 8:30 pm, and is on view through March 30th, 2018 by appointment. Sixty Inches From Center: What was the inspiration for this show? What is your perspective on the city of Chicago that you’d like to share with viewers? Jennifer Cronin: Chicago is my home. When I was a student, I had the opportunity to travel abroad and I had an amazing experience visiting breathtakingly beautiful European cities for the first time in my life. But I also had a very meaningful realization when I returned to Chicago and I saw it with a completely …

Snapshot: Them/Here by Lukey Walden

Snapshot is a Sixty column that takes a quick look at art history as it happens in Chicago. We send artists and organizers six short and sweet questions to tell us about what they are doing right at this moment. For our inaugural column, we sent our questions to Lukey Walden, whose show Them/Here: Variations on Trans Visibility at Sustain closes this week. To mark the end of Walden’s first solo exhibition, they will give a talk at Sustain on their work, the themes informing their practice, visibility, emotional labor, public spectacle and the function of images of trans people. The talk will take place October 24th, 2017 from 5:50 to 6:30 pm at Sustain Gallery.  Sixty Inches From Center: What was your inspiration for this show? Lukey Walden: The show began as an investigation into shared experience with other trans people. I had been out publicly for less than a year when I started these paintings, and I didn’t have many close friends who were trans, so it came from a desire to spend time …