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Confiar No Processo: Uma Entrevista Com Diana Motta Sobre Pintura e Espiritualidade
by
Thomas Love
May 31, 2024
·
Artists
,
Bilingual
,
Interviews
Trusting the Process: An Interview with Diana Motta
by
Thomas Love
May 31, 2024
·
Artists
,
Bilingual
,
Interviews
The Irrepressible Now — Two Days of the National Performance Network Conference
by
Jared Brown
May 31, 2024
·
Community
,
Essays + Reviews
,
Projects + Collaborations
Hawaiian Red Punch
by
Ruby Red
May 31, 2024
·
Essays + Reviews
,
Poetry + Short Stories
Relics of a Culture in Flux — a review of Kevin Demery and Andrew Mcilvaine’s
Threshold II: Migration Patterns
by
Kaitlyn B. Jones
May 28, 2024
·
Essays + Reviews
,
Exhibitions
‘Space is the Place’ and Parks Are Where It’s At: Black Creativity in Public Parks
by
Chenoa Baker
May 27, 2024
·
Community
,
Essays + Reviews
,
On Archives
New Partnership with Anchor Curatorial Residency!
by
Sixty Inches From Center
May 16, 2024
·
Columns + Series
,
News
A Mother’s Love: a “Somewhere In Chicago” Story
by
Buflo
May 15, 2024
·
Bilingual
,
Comics
,
Community
Review: A Love Supreme at Elmhurst Art Museum
by
Jen Torwudzo-Stroh
May 7, 2024
·
Artists
,
Essays + Reviews
,
Exhibitions
May Art Picks
by
Sixty Inches From Center
May 5, 2024
·
Archives
,
Art Picks
Sixty Literary: Call for Creative Non-Fiction & Poetry
by
Sixty Inches From Center
May 1, 2024
·
Bilingual
,
News
,
Poetry + Short Stories
Dark and Hot: Summoning Latin American Vernacular
by
Juliana Castro Duperly
April 26, 2024
·
Bilingual
,
Essays + Reviews
,
Sound, Film + Video
Wrong and Strong: Learning from Pope.L
by
Miles MacClure
April 19, 2024
·
Artists
,
Community
In the Echoes of Pauline Oliveros: The Practice of Deep Listening
by
Livy Snyder
April 17, 2024
·
Community
,
Essays + Reviews
,
Sound, Film + Video
Good Words and Good Works: Greg Bae,
CV
at Bill’s Auto
by
Gareth T. Kaye
April 11, 2024
·
Artists
,
Essays + Reviews
,
On Archives
April Art Picks
by
Sixty Inches From Center
April 4, 2024
·
Art Picks
Arriving At Art: Alyssa Laney
by
Tonal Simmons
April 2, 2024
·
Artists
,
Community
,
Interviews
Hidden Midwest: Detroit
by
Elizabeth Upenieks
April 1, 2024
·
Artists
,
Essays + Reviews
,
Interviews
A Miserable Party
by
Riley Yaxley
March 28, 2024
·
Essays + Reviews
,
Poetry + Short Stories
Entrevista con Hope Wang sobre LMRM, el acto de tejer comunidad, y el telar CH2 el único con acceso público en Chicago
by
Carolina Vélez Muñiz
March 26, 2024
·
Bilingual
,
Community
,
Interviews
An Interview with Hope Wang on the LMRM, the act of weaving community, and Chicago’s only public access TC2 loom
by
Carolina Vélez Muñiz
March 26, 2024
·
Bilingual
,
Community
,
Interviews
An Open Letter to Newberry Library Leadership Concerning Genocide in Gaza and Destruction of Cultural Heritage Sites
by
Anonymous
March 22, 2024
·
Community
Consider a Disappearance
by
Riley Yaxley
March 21, 2024
·
Essays + Reviews
,
Exhibitions
The Transcendent Iconography of Black Girlhood
by
Jasmine Barnes
March 20, 2024
·
Community
,
Essays + Reviews
,
Exhibitions
Show & Tell: Records and Reflections on Burlesque in Chicago
by
Erica McKeehen
March 18, 2024
·
Artists
,
Interviews
,
Photo Essay
The Atmosphere that Holds Us: an interview with Brittany Nelson on
I can’t make you love me
by
Ally Fouts
March 15, 2024
·
Artists
,
Exhibitions
,
Interviews
Deer in Headlights: A Review of
Archiving Edging
at Roots & Culture
by
Joan Roach
March 14, 2024
·
Archives
,
Bilingual
,
Essays + Reviews
,
Exhibitions
Weapons of Mass Distraction: A reflection on
Difference Machines,
an exhibition at Wrightwood 659
by
Carlos Matallana
March 13, 2024
·
Bilingual
,
Columns + Series
,
Comics
,
Exhibitions
Black fugitivity beyond the trenches of genocide: a response to J’Sun Howard’s
The Righteous Beauty of the Things Never Accounted For
by
Aaliyah Christina
March 12, 2024
·
Essays + Reviews
,
Exhibitions
“Even if we don’t know its name”: an interview with Benji Hart on
World After This One
by
Tara Aisha Willis
March 12, 2024
·
Bilingual
,
Interviews
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