All posts tagged: Jenny Lam

Weekly Picks March 17-23

While a new Sixty Inches from Center is in the making, please enjoy our weekly calendar, a list of visual art related events happening in Chicago. Events are chosen based on the information that is put in front of us. If you would like to take advantage of having your event listed on our website please send a press release to reuben.westmaas@sixtyinchesfromcenter.org   MONDAY || March 17 Acquiescings + Hauntings at Poonie’s Cabaret 7:30pm – 9:00pm Links Hall 3111 N Western Ave Chicago, IL 60618 $5 A coalition of dancers, musicians, and visual artists join Poonie’s Cabaret for a thoughtful exploration of loss and mourning. Loss isn’t just an absence–it’s a burden, something those left behind carry with them. And it it doesn’t have to be the loss of a person. When something deeply cherished disappears, it creates a negative space to be navigated. It’s that negative space that inspires this performance, which stars such performers as Mister Junior, a fixture of the city’s boylesque scene, and hip hop artist Terri “Lyric” Green, who won the 2013 Unsigned Only …

EXPO CHICAGO // An Interview with Tony Karman

This week, the art world’s glitterati will descend upon Chicago for a new contemporary art fair: Expo Chicago, The International Exposition of Contemporary/Modern Art & Design. Occupying Navy Pier’s colossal Festival Hall, the fair showcases a selection of top tier galleries—capped at 100—from around the globe. Also included are EXPOSURE, a section comprising younger galleries; IN/SITU, a presentation of large-scale installations and site-specific and performative works; the conclusion of /Dialogues, a series of panel discussions and conversations; and a VIP Program. Designed by the architecture studio of luminary Jeanne Gang, the fair’s floor plan mimics Chicago’s grid system, boasting gallery-lined streets that allow visitors to view everything in sequence without losing their way, as well as a diagonal avenue on which visitors can view select exhibits and installations. Hanging from the hall’s high ceilings are mammoth mirrored cones. While many may be curious as to whether Chicago can live up to the challenge of hosting such an event, some involved in the lively local art scene have a separate concern: Can the fair get out-of-town …

People Don’t Like to Read Art || [and they’re missing out]

Honestly, people don’t like to read in general. Art, specifically? From Jenny Holzer’s aphorisms projected throughout New York City to Kay Rosen’s recent Go Do Good installations in Chicago’s Loop, text-based art tends to grab viewers’ attention due to its relatively brazen nature. Contemporary art that is purely image-based is often met with objections of “I don’t get it,” or “Well, maybe the artist statement will explain this.” For those in search of a quick answer, text can provide that instant gratification. The written word, however, doesn’t always make things simpler, as Western Exhibitions’ latest show illustrates. With pieces that extend beyond the short phrases pervasive in contemporary art—guests are invited to peruse full-length novels, among other items—People Don’t Like to Read Art stretches the function of the gallery space and explores ways in which one can establish a more intimate connection with art. After attending the exhibition’s opening reception on July 9, I spoke with gallery director Scott Speh about the show and asked the artists for further insight into their works. People Don’t Like to …

All for Art: An Interview with Robin Rios, PART II

Balancing the integrity of an artist with the acumen of a businessperson, distinguishing between Pilsen and Bridgeport, and telling misguided young artists that their work is mediocre at best… no topic is off limits for the owner of 4Art Inc. Gallery. What follows is the second part of my conversation with Robin Rios in anticipation of her gallery opening on Friday, March 18, from 7-10pm. Read PART I here. Jenny Lam: As an artist and a gallery owner, you’re able to see both ends of a spectrum. How do you strike a balance between being a businessperson and an artist? Robin Rios: It’s hard. It’s hard not just because of the business aspect of it. It’s hard because I feel like a lot of artists just aren’t as excited as I am about what we do, creating art. Sometimes artists are way too hard on themselves. They’re not enjoying art anymore; in fact, they’re tortured by it. Art is an emotional thing, and I think when people meet me, their first instinct is that I’m …

"Frontispiece // The Uncanny Imagination": An Interview with Becket Flannery and Grant Ray, PART II

After wandering through Pilsen, Becket Flannery and I returned to ACRE Projects, where Grant Ray had finished hanging his work for The Uncanny Imagination. As Becket installed his collages for Frontispiece, Grant explained to me his interest in using the photographic medium as a means of documentation, of using scientific processes to present seemingly mundane information and consequently create a social, cultural dialogue. The following conversation proceeds from that explanation and is the second part of my interview with the two artists as they prepared for their exhibition opening. Read PART I here. Jenny Lam: How and when did you first become interested in this kind of documentation? Grant Ray: About a year after my undergraduate studies at the School of Visual Arts in New York, I was really influenced by Gregory Crewdson and Jeff Wall. I came from a street photography background in which I took photographs of things as they existed, and I got not bored with it, but interested in how I could use photography to tell a story that didn’t necessarily …

"Frontispiece // The Uncanny Imagination": An Interview with Becket Flannery and Grant Ray, PART I

Frontispiece and The Uncanny Imagination are projects by Becket Flannery and Grant Ray, respectively, that constitute a two-person exhibition at ACRE Projects. Part of ACRE’s year-long series of shows by 2010 summer residents, their work finds common ground not only through the photographic medium, but also through their exploration of the narrative and the dynamic between images and narratives, often social in derivation. As the artists began installing their exhibition on March 8, I spent the afternoon with them discussing, among other topics, political theorists, hoaxes, New York nostalgia, and late-night woodshop dance parties. Frontispiece and The Uncanny Imagination opened on Sunday, March 13, and will be on view through Monday, March 14, from 12-4pm. Becket Flannery: Thank you so much. Basically, I just took a week off from work and flew out here yesterday. Jenny Lam: What do you do for work? BF: I work at the Institute of Contemporary Art, which is a wonderful organization in Philadelphia outside of UPenn. It’s actually a really incredible organization. They’ve been around for forty, fifty odd …