All posts tagged: painting

Geoffrey Todd Smith and Josh Mannis at Western Exhibitions

Western Exhibitions opened two corresponding exhibits this month– Looker, a collection of Geoffrey Todd Smith’s intricate geometric paintings, and Fashion, a hypnotic video installation by Josh Mannis. Smith painstakingly works acrylic, gouache, and ink into colorful optical candy reminiscent of spirograph drawings and beadwork. Whimsical titles like Indecent Docent and The Flirtation Station provide the abstract works with an extra layer of intrigue. Some of the works sport neutral color schemes like cream and camel flirting with repetitions of black. The more color-saturated pieces are seldom consistently bright, but instead feature unexpected accents of subdued shades. The most captivating are the compositions with meticulous gel pen linework over  elliptical patterns, like the red-and-purple-schemed Gentlemen Crawler (Detail shown above. Image courtesy of Western Exhibitions).   Josh Mannis’s Fashion inhabits the second exhibit space deeper within the gallery. The domineering work features a dancer in a tracksuit and an altered Bob Gates mask cutting loose with no holds barred to catchy, scratchy house music. His plethora of party-appropriate dance skills is multiplied and layered in bouts of …

People Don’t Like to Read Art || [and they’re missing out]

Honestly, people don’t like to read in general. Art, specifically? From Jenny Holzer’s aphorisms projected throughout New York City to Kay Rosen’s recent Go Do Good installations in Chicago’s Loop, text-based art tends to grab viewers’ attention due to its relatively brazen nature. Contemporary art that is purely image-based is often met with objections of “I don’t get it,” or “Well, maybe the artist statement will explain this.” For those in search of a quick answer, text can provide that instant gratification. The written word, however, doesn’t always make things simpler, as Western Exhibitions’ latest show illustrates. With pieces that extend beyond the short phrases pervasive in contemporary art—guests are invited to peruse full-length novels, among other items—People Don’t Like to Read Art stretches the function of the gallery space and explores ways in which one can establish a more intimate connection with art. After attending the exhibition’s opening reception on July 9, I spoke with gallery director Scott Speh about the show and asked the artists for further insight into their works. People Don’t Like to …

"Frontispiece // The Uncanny Imagination": An Interview with Becket Flannery and Grant Ray, PART I

Frontispiece and The Uncanny Imagination are projects by Becket Flannery and Grant Ray, respectively, that constitute a two-person exhibition at ACRE Projects. Part of ACRE’s year-long series of shows by 2010 summer residents, their work finds common ground not only through the photographic medium, but also through their exploration of the narrative and the dynamic between images and narratives, often social in derivation. As the artists began installing their exhibition on March 8, I spent the afternoon with them discussing, among other topics, political theorists, hoaxes, New York nostalgia, and late-night woodshop dance parties. Frontispiece and The Uncanny Imagination opened on Sunday, March 13, and will be on view through Monday, March 14, from 12-4pm. Becket Flannery: Thank you so much. Basically, I just took a week off from work and flew out here yesterday. Jenny Lam: What do you do for work? BF: I work at the Institute of Contemporary Art, which is a wonderful organization in Philadelphia outside of UPenn. It’s actually a really incredible organization. They’ve been around for forty, fifty odd …

The Logan Square Comfort Station: In the 'Art' of a Community

Last fall, as the end of sweater weather drew near, three local artists took advantage of the final surge of Logan Square outdoor market goers to breathe new life into a neighborhood landmark.  If you live or work in the area, you’ve probably passed by it a hundred times, that little Tudor-style building across from the Logan monument.  For years the building dubbed the “Comfort Station” sat empty and untouched, slowly deteriorating.  It was not forgotten, however, and this past fall the City of Chicago leased the turn-of-the-century building, newly restored, to Logan Square Preservation, the volunteer organization responsible for the National Historic District and City Landmark District designations of Logan Square and its boulevards.  This change of hands marked a new era for the Comfort Station that once served as a refuge for streetcar commuters along Milwaukee Avenue.  Within two weeks of the acquisition, Logan Square homeowner, preservation member and artist, David Keel, initiated and executed the Comfort Station’s inaugural gallery exhibition in collaboration with Chicago artists Josh Crow and Terry Swafford. “It’s something …