Workin’ 9 to 5: For Those Who Toil at Purple Window Gallery by Annette LePique March 16, 2023 · Artists, Essays + Reviews, Exhibitions
A Sound Deemed Unwanted: A Review of Soft Noise at The Plan by Livy Snyder February 21, 2023 · Artists, Essays + Reviews, Exhibitions
Review of Still Together at Saint Kate Arts Hotel by Annie Raab January 27, 2023 · Artists, Essays + Reviews, Exhibitions
Root of Two: On Darkness by Jared Brown January 23, 2023 · Essays + Reviews, Exhibitions, Sixty Regional
Figures in the Landscape: Pao Houa Her’s Paj qaum ntuj / Flowers of the Sky by Ruby Jeune Tresch January 20, 2023 · Essays + Reviews, Exhibitions
Collage as Worldbuilding: Hybridity in Solo(s): Krista Franklin by Amanda Dee January 14, 2023 · Essays + Reviews, Exhibitions
Review of Glory Hole at Polonium Projects by Annette LePique January 3, 2023 · Artists, Essays + Reviews, Exhibitions
Earthly Pleasures: A Review of Soumya Netrabile’s Searching for Stars by Annie Dauber December 17, 2022 · Essays + Reviews, Exhibitions
The Agenda of Artifice | On Liza Jo Eilers’ The Care And Keeping of You by Ruby Jeune Tresch December 16, 2022 · Essays + Reviews, Exhibitions
Not Geography But a State of Mind: Review of Forecast Form: Art in the Caribbean Diaspora at the MCA by Elisa Shoenberger December 5, 2022 · Essays + Reviews, Exhibitions
Touch Grass: A Review of Liz’s Childhood Computer: 2003 – 2005 at Prairie by Emeline Boehringer November 21, 2022 · Essays + Reviews, Exhibitions, Projects + Collaborations
On Balance & Play: Tetsuya Yamada’s Shallow River by Meghan Clare Considine November 13, 2022 · Artists, Essays + Reviews, Interviews
Nubes Art Fair at Heaven Gallery Promotes Both Equity and Sales by Susan Musich September 20, 2022 · Essays + Reviews, Exhibitions, Happenings
Review: Arghavan Khosravi’s The Witness at Kavi Gupta Gallery by Elizabeth Upenieks September 17, 2022 · Essays + Reviews, Exhibitions
A Review of Artist Run Spaces at the Contemporary Art Center, Cincinnati by Megan Bickel September 15, 2022 · Essays + Reviews, Exhibitions, Sixty Regional
Just Gotta Keep Chasing: reflections on “Wildcats” at the Neofuturists by persephone van ort September 14, 2022 · Essays + Reviews
Between the Strange and Sublime: A Review of Heft at Patron Gallery by Pia Singh August 22, 2022 · Artists, Essays + Reviews, Exhibitions
E. Saffronia Downing’s Geology of Fissures by Alexandra Méndez August 11, 2022 · Essays + Reviews, Exhibitions
Stepping In and Seeing Through with Artist Kelly Clare by Rachel L. Hausmann Schall August 3, 2022 · Essays + Reviews, Exhibitions, Sixty Regional
Review: Beautiful Snail at the Logan Center for the Arts by Christina Nafziger July 25, 2022 · Essays + Reviews, Exhibitions
A Horizon of Being in Red: Kristoffer Ala-Ketola’s Dreams & Delusions by Livy Snyder July 8, 2022 · Essays + Reviews, Exhibitions
Rae Stern: Flourishing Despite Disruption by Chenoa Baker July 7, 2022 · Essays + Reviews, Exhibitions, Sixty Regional
when the sun fills your throat: split my sides at The Luminary by Annette LePique July 6, 2022 · Essays + Reviews, Exhibitions, Sixty Regional
A Tribute to the Sustenance of Friendship: Dawoud Bey & Carrie Mae Weems at the Grand Rapids Art Museum by Kristie Kahns June 20, 2022 · Essays + Reviews, Exhibitions, Sixty Regional
Review of A Vibe Called Death: The Black Afterlife at Cleaner Gallery + Projects by Lauren Iacoponi May 25, 2022 · Essays + Reviews, Exhibitions
Review: FEMME at FLXST Contemporary by Jen Torwudzo-Stroh May 17, 2022 · Essays + Reviews, Exhibitions
Review: Space to Say at Heaven Gallery by S. Nicole Lane May 12, 2022 · Essays + Reviews, Exhibitions
(Re)Materializing Dread: An Interview with Mayumi Lake and Stacia Yeapanis by Annie Raab April 20, 2022 · Artists, Exhibitions, Interviews
