More in Common, a review of The Sindhu Project: Enigma of Roots
Who could have imagined that a casual conversation in Chicago in 2016 between Mahwish Chisty, an American-based artist from Pakistan, and Gunjan Kumar, an American-based artist from India, would result in the compelling exhibition currently on view at South Asia Institute? During their chat, the artists discovered that their family homes were only four hours apart. But, in an interview with the artist Chisty notes, “Due to the tense political relations between India and Pakistan, we could not have met if we lived in our respective countries, even though we share the culture, traditions, and Punjabi language.” Their conversation and the realization that despite the political situation, they had more things in common than divided them became the genesis for The Sindhu Project: Enigma of Roots. The project focuses on the archaeological sites and artifacts in the Sindhu (Indus) watershed, a region stretching across northwest India and much of Pakistan. This underpinning in specific place ties into the processes both artists use—digging, rubbing, engraving—which mimics archeological ones. All the pieces were created specifically for the …
