Workin’ 9 to 5: For Those Who Toil at Purple Window Gallery by Annette LePique March 16, 2023 · Artists, Essays + Reviews, Exhibitions
Chicago Archives + Artists Project: Interview with Ben Blount by Elizabeth Upenieks March 3, 2023 · Archives, Chicago Archives + Artists Project, Interviews
Extraordinary Encounters: An Ethical Guide To Studio Visits by Chenoa Baker February 7, 2023 · Artists, Interviews
QTVC Live! and the Roots of Hustle Culture by Gabriel Chalfin-Piney January 28, 2023 · Artists, Community
Review of Still Together at Saint Kate Arts Hotel by Annie Raab January 27, 2023 · Artists, Essays + Reviews, Exhibitions
Root of Two: On Darkness by Jared Brown January 23, 2023 · Essays + Reviews, Exhibitions, Sixty Regional
Figures in the Landscape: Pao Houa Her’s Paj qaum ntuj / Flowers of the Sky by Ruby Jeune Tresch January 20, 2023 · Essays + Reviews, Exhibitions
Collage as Worldbuilding: Hybridity in Solo(s): Krista Franklin by Amanda Dee January 14, 2023 · Essays + Reviews, Exhibitions
Through Time and Taproots with Erol Scott Harris by Tempestt Hazel January 9, 2023 · Artists, Interviews
In Her Own Words: Confessions of Womanhood and Motherhood by Gabrielle Lynch January 6, 2023 · Artists, Essays + Reviews
Review of Glory Hole at Polonium Projects by Annette LePique January 3, 2023 · Artists, Essays + Reviews, Exhibitions
Earthly Pleasures: A Review of Soumya Netrabile’s Searching for Stars by Annie Dauber December 17, 2022 · Essays + Reviews, Exhibitions
The Agenda of Artifice | On Liza Jo Eilers’ The Care And Keeping of You by Ruby Jeune Tresch December 16, 2022 · Essays + Reviews, Exhibitions
Smiling Behind the Sun: An Interview with Saidayah Kirk by Michael Fischer December 12, 2022 · Columns + Series, Community, Interviews
Not Geography But a State of Mind: Review of Forecast Form: Art in the Caribbean Diaspora at the MCA by Elisa Shoenberger December 5, 2022 · Essays + Reviews, Exhibitions
Review of We. The Culture: Works by The Eighteen Art Collective at the Indianapolis Museum of Art at Newfields by Jen Torwudzo-Stroh November 25, 2022 · Essays + Reviews, Exhibitions
Interview with Chicago Ihanktonwan Dakota artist, David Bernie by Analú López November 23, 2022 · Artists, Community, Interviews
Touch Grass: A Review of Liz’s Childhood Computer: 2003 – 2005 at Prairie by Emeline Boehringer November 21, 2022 · Essays + Reviews, Exhibitions, Projects + Collaborations
From Figure to Abstraction with Paul Verdell by Darryl DeAngelo Terrell November 19, 2022 · Artists, Interviews, Sixty Regional
On Balance & Play: Tetsuya Yamada’s Shallow River by Meghan Clare Considine November 13, 2022 · Artists, Essays + Reviews, Interviews
CANJE: A note on what we gained and learned about cultural criticism by Sixty Inches From Center November 1, 2022 · News
Snapshot: An Interview with Kiki Lechuga-Dupont by Sixty Inches From Center October 19, 2022 · Artists, Interviews
Chicago Archives + Artists Project 2022 by Sixty Inches From Center September 30, 2022 · Chicago Archives + Artists Project, News, On Archives
Smiling Behind the Sun: An Interview with Matt Sopron by Michael Fischer September 26, 2022 · Columns + Series, Interviews
Washington Park Camera Club Celebrates Olmsted 200: South Park Then & Now by Jen Torwudzo-Stroh September 23, 2022 · Art Design Chicago, Interviews
Thoughts on Remaking the Exceptional: Tea, Torture, and Reparations at the DePaul Art Museum by Isra Rahman September 22, 2022 · Artists, Essays + Reviews, Exhibitions
Review: Arghavan Khosravi’s The Witness at Kavi Gupta Gallery by Elizabeth Upenieks September 17, 2022 · Essays + Reviews, Exhibitions
A Review of Artist Run Spaces at the Contemporary Art Center, Cincinnati by Megan Bickel September 15, 2022 · Essays + Reviews, Exhibitions, Sixty Regional
