Show & Tell: Records and Reflections on Burlesque in Chicago by Erica McKeehen March 18, 2024 · Artists, Interviews, Photo Essay
Black fugitivity beyond the trenches of genocide: a response to J’Sun Howard’s The Righteous Beauty of the Things Never Accounted For by Aaliyah Christina March 12, 2024 · Essays + Reviews, Exhibitions
“Even if we don’t know its name”: an interview with Benji Hart on World After This One by Tara Aisha Willis March 12, 2024 · Bilingual, Interviews
“Aunque no sepan su nombre”: una entrevista con Benji Hart sobre World After This One by Tara Aisha Willis March 11, 2024 · Bilingual, Interviews
Empowering Dancers with Accessible Information: An Interview with Mariah Eastman on the Chicago Dancer Pay Transparency Project by Xiao Faria daCunha February 16, 2024 · Artists, Community, Interviews
Storm Interference, Lightning, Sound: an interview with Dorothy Carlos by Nadia John January 18, 2024 · Artists, Exhibitions, Interviews
Listening to Whales in Central Illinois: A Review of CETACEAN and Who Speaks for the Oceans? by Jessica Hammie January 17, 2024 · Essays + Reviews, Exhibitions, Sound, Film + Video
El Dolor Comunitario de O Death by Sofia Sanchez Borboa January 6, 2024 · Bilingual, Desde los archivos, Essays + Reviews, Happenings
Leaving the Dollhouse: On “The Writer,” Political Theatre, and Abandoning Institutions by persephone van ort January 5, 2024 · Essays + Reviews, Happenings
Communal Grieving at Santiago Quintana’s O Death by Sofía Sanchez Borboa December 18, 2023 · Essays + Reviews, Happenings
Shop ’til You Drop: A Review of Kokandy Productions’ “American Psycho: The Musical” by Annette LePique December 8, 2023 · Essays + Reviews, Happenings
We Never Die: Thoughts on Stagecraft, Disobedience, and the Role of Illusion in Black Performance by isra rene December 4, 2023 · Interviews
Un Viaje x El Tiempo y Espacio Colectivo: An Interview with Projection Designer Eme Ospina-López of Tambo and Bones by Sidoni Gonzalez November 8, 2023 · Bilingual, Interviews, Sound, Film + Video
Magic’s in the Air: The Actors Gymnasium by Elisa Shoenberger November 7, 2023 · Columns + Series, Interviews
Native Futures: An Artist-Led Gallery Reclaiming Indigeneity by Tonal Simmons October 18, 2023 · Art Design Chicago, Community, Exhibitions, Interviews
THE WRITER’S ROOM: A Town Hall on Dance + Performance Writing by Sixty Inches From Center October 10, 2023 · Community, News, Projects + Collaborations
Between the Absurd and the Profound: An Interview with Benjamin Larose by Vasia Rigou September 25, 2023 · Interviews
A Study in Movement, Sound, and Afro-Diasporic Excavation: A Review of Ben Hall and Kaleigh Wilder at Experimental Sound Studio by Nadya Kelly September 14, 2023 · Artists, Essays + Reviews, Sound, Film + Video
Music that Wants You to Sleep: Ambient Lullabies at StretchMetal’s Drone Sleepover by Livy Snyder September 12, 2023 · Essays + Reviews, Happenings, Sound, Film + Video
CANJE in Peoria: Reflections from a 2-day event by Sixty Inches From Center September 7, 2023 · Artists, News, Sixty Regional
I MADE FRIENDS AND I’M HERE: A Pal on the Inside of Elliot Schiff’s “I’m Not Here to Make Friends” by Maggie Rothberg August 14, 2023 · Artists, Essays + Reviews
Queer Dance Freakout: An Interview with Company Leads A’Keisha Lee and Dawn Heilung by Lauren Beard August 8, 2023 · Artists, Interviews
A Response to D-Composition: Love Is… by Shivani Kumar July 21, 2023 · Essays + Reviews, Exhibitions, Happenings
Reflections and Thoughts on Black Visibility in Will Rawls’s [siccer] by Adanya Gilmore July 10, 2023 · Artists, Essays + Reviews, Exhibitions
Elbow Grease: Play and Being Played: Survival Tactics of an Artist by Nayeon Yang May 30, 2023 · Columns + Series, Essays + Reviews