We Never Die: Thoughts on Stagecraft, Disobedience, and the Role of Illusion in Black Performance by isra rene December 4, 2023 · Interviews
Un Viaje x El Tiempo y Espacio Colectivo: An Interview with Projection Designer Eme Ospina-López of Tambo and Bones by Sidoni Gonzalez November 8, 2023 · Bilingual, Interviews, Sound, Film + Video
Magic’s in the Air: The Actors Gymnasium by Elisa Shoenberger November 7, 2023 · Columns + Series, Interviews
Native Futures: An Artist-Led Gallery Reclaiming Indigeneity by Tonal Simmons October 18, 2023 · Art Design Chicago, Community, Exhibitions, Interviews
THE WRITER’S ROOM: A Town Hall on Dance + Performance Writing by Sixty Inches From Center October 10, 2023 · Community, News, Projects + Collaborations
Between the Absurd and the Profound: An Interview with Benjamin Larose by Vasia Rigou September 25, 2023 · Interviews
A Study in Movement, Sound, and Afro-Diasporic Excavation: A Review of Ben Hall and Kaleigh Wilder at Experimental Sound Studio by Nadya Kelly September 14, 2023 · Artists, Essays + Reviews, Sound, Film + Video
Music that Wants You to Sleep: Ambient Lullabies at StretchMetal’s Drone Sleepover by Livy Snyder September 12, 2023 · Essays + Reviews, Happenings, Sound, Film + Video
CANJE in Peoria: Reflections from a 2-day event by Sixty Inches From Center September 7, 2023 · Artists, News, Sixty Regional
I MADE FRIENDS AND I’M HERE: A Pal on the Inside of Elliot Schiff’s “I’m Not Here to Make Friends” by Maggie Rothberg August 14, 2023 · Artists, Essays + Reviews
Queer Dance Freakout: An Interview with Company Leads A’Keisha Lee and Dawn Heilung by Lauren Beard August 8, 2023 · Artists, Interviews
A Response to D-Composition: Love Is… by Shivani Kumar July 21, 2023 · Essays + Reviews, Exhibitions, Happenings
Reflections and Thoughts on Black Visibility in Will Rawls’s [siccer] by Adanya Gilmore July 10, 2023 · Artists, Essays + Reviews, Exhibitions
Elbow Grease: Play and Being Played: Survival Tactics of an Artist by Nayeon Yang May 30, 2023 · Columns + Series, Essays + Reviews
BIPOC Circus Alliance Midwest Makes Circus Advocacy Epic by Elisa Shoenberger March 9, 2023 · Artists, Community, Interviews
A Sound Deemed Unwanted: A Review of Soft Noise at The Plan by Livy Snyder February 21, 2023 · Artists, Essays + Reviews, Exhibitions
“The Wizards” are transmuting: a reflection by Dr. N. Tulio Bermúdez November 28, 2022 · Artists, Essays + Reviews, Happenings
Kurt Can Act: an essay on theatre and what it does by Kurt Chiang October 17, 2022 · Essays + Reviews, Featured, Happenings
Feeling Safe While Taking Up Space: The Forefront of Luya Poetry’s Open Mics by Jessica Nalupta October 1, 2022 · Community, Poetry + Short Stories
On BOUND and Religious Experiences at Dive Bars by Yoana Tosheva September 16, 2022 · Essays + Reviews, Happenings
Just Gotta Keep Chasing: reflections on “Wildcats” at the Neofuturists by persephone van ort September 14, 2022 · Essays + Reviews
BSA Gold on Crafting A Creative Path in Mysterious Times by Rachel Dukes August 8, 2022 · Interviews, Projects + Collaborations, Sound, Film + Video
Rooting Deeper with Nicole Anderson-Cobb and Latrelle Bright by Jessica Hammie August 1, 2022 · Artists, Interviews, Sixty Regional
Review: I don’t know you like that: The Bodywork of Hospitality by Christina Nafziger June 30, 2022 · Essays + Reviews, Exhibitions, Sixty Regional
![Image: Performers from [siccer] stand arm and arm facing the camera. Performers pictured from left to right: Holland Andrews, jess pretty, Katrina Reid, keyon gaskin, Jeremy Toussaint-Baptiste. The picture was taken at Experimental Media and Performing Arts Center by Will Rawls. Courtesy of Will Rawls and the Museum of Contemporary Art Chicago.](https://sixtyinchesfromcenter.org/wp-content/uploads/2023/06/DSC01540-copy-300x169.jpg)
