All posts tagged: performance

An abstract composition of blue, pink, yellow, and black shapes. Illustration by Ryan Edmund Thiel.

November Art Picks

Featured image: An abstract composition of blue, pink, yellow, and black shapes. Illustration by Ryan Edmund Thiel. If you’ve followed us for a while, you know that our Art Picks offer a wide scope of events that are relevant to our audiences because we and the artists, cultural workers, curators, spaces, and projects we support live full lives that know no boundaries. We maintain expansive practices and work toward justice for BIPOC, LGBTQIA+, and disability communities in Chicago and the Midwest.   Created in collaboration with The Visualist, Chicago’s leading visual arts calendar. Click here to get our Art Picks and latest articles delivered to your inbox monthly. This is a growing list, so check back often with new additions. This Fall, the first Chicago Arts Census will be initiated. The Chicago Arts Census is the first comprehensive, cross-discipline data collection effort in the city created by and with the art workers of Chicago. The Census is a collaboration between ACRE and Annas in partnership with Sixty Inches From Center, DataMade, and C.A.M.P. The Census is built to amplify our voices as art workers in …

Jeffrey Michael Austin in their home studio performing A Place You Can Go. They are playing a keyboard and seated in front of three windows which are illuminating the room with natural light. The space around Jeffrey is filled with different types of houseplants.

A Place You Can Go, an at-home performance by Jeffrey Michael Austin

Featured image: Jeffrey Michael Austin in their home studio performing A Place You Can Go. They are playing a keyboard and seated in front of three windows, which are illuminating the room with natural light. The space around Jeffrey is filled with different types of houseplants. Jeffrey Michael Austin is an artist, musician, and maker living in Pilsen, Chicago. As a musician, they compose, perform, and produce for Growing Concerns Poetry Collective (in collaboration with McKenzie Chinn and Mykele Deville), Daisy Days (in collaboration with EJ Hill), and under the solo moniker Young Elder. Their at-home performance, A Place You Can Go, was performed and recorded during the summer of 2021. Alongside this featured performance, we asked Jeffrey a few questions about its creation. Jeffrey Michael AustinCancer Sun / Cancer Moon / Leo AscendantResidence: Pilsen, Chicago Sixty Inches From Center: Is there a story, path, or journey that you were thinking about while creating your at-home performance, A Place You Can Go? Jeffrey Michael Austin: Much of the process of producing this video felt like …

Lion Cages and Lilac Fields: From Chicago Stages to Basements, Art, Work, and Other Pandemic Songs

Featured Image: Jyreika Guest (left) performing in a music video for the livestreamed theater production grelley. Guest stands on a crate and gestures toward the video camera, surrounded by lighting equipment and a basic set design. At right are crew members (L-R) Eon Mora, Kevin Veselka, and Glamhag. In the background another actor checks their outfit in a mirror. Filmed in Chicago, May 2021. Photo by Sarah Elizabeth Larson. This is the first in a series of articles made in collaboration with the Chicago Arts Census to explore the living, labor, and material realities of art workers in the city of Chicago. To learn more about the Census, how to get involved, or how to take the survey, please visit: https://chicagoartscensus.com/ To get to the Internal Call Center you have to enter the museum’s loading dock, head down endless hallways of windowed offices—the home of Curatorial, Education, the Director, the President (a.k.a. the people who neither know nor want to know you exist)—hop down two or three flights of stairs, and weave through the maze …

A graphic that gives information about the Screens iteration of the We Series. Created by Lindsay Zae Summers.

We Series: Screens

When does a net become a screen? “Television” derives from the Greek root telos meaning “end”, or “goal of completion”; and from the Latin root, videre, “to see”. This same word in German is “Bildschirm”. Bild, as in picture, shirm, as in an umbrella. In Old High German skirm, skerm means “protection”, and the root sker means “to cut”. A literal translation for Bildschirm would be “image screen”, or perhaps an “image cutout”. We can even imagine it to mean an image cutout from reality, thus a simulation to be witnessed. Together these etymologies bridge two realms: “television” embraces perhaps more the psychological side, whereas “Bildschirm” relates more to the physical one. This makes us wonder about the possible relationships between different types of screens, more generally: phones, monitors, televisions, silk screens, window screens, smoke screens, fishing nets, scrim, mosquito nets, hosiery, filters, and projections.  When talking about a screen, we feel like there is a vector involved. For a vector, there must be two sides or two poles, parts that are situated directional from …

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Beyond the Page: Quenna Lené Barrett

“Beyond the Page” digs into the process and practice of writers and artists who work at the intersection of literary arts and other fields. For this installment, I interviewed Quenna Lené Barrett — actor, educator, writer, director, activist, scholar, and lifelong Chicagoan. We spoke in late November about her ongoing project, “Re-Writing the Declaration,” and its recent production; how her many forms of work inform each other; and using applied theater as a tool for civic participation and Black liberation.  Follow Barrett @quennalene (Twitter, Instagram) and @quenna.lene (Facebook). This interview has been edited for length and clarity. Marya Spont-Lemus: After getting to experience aspects of Re-Writing the Declaration as a project over the last few years, it was extra exciting to see the production of it earlier this month. Now that a few weeks have passed, how are you feeling about it? Quenna Lené Barrett: Still feeling really good! I was directing two shows at once — Re-Writing the Declaration and another one, in this virtual format — and then had other projects come up. …

We Series: Sleep

// Kurt, Waking Adam and I go about a small ritual where we interrupt our sleep on a few nights during the week. We’ll interrupt our sleep, and write down some experiences, some feelings, and some outcomes. Those records will be made available to the public, offered up here. This rite against sleep points at its relationship to presence. When we sleep, we sacrifice something small of our presence for the chance at sleep. Now, Adam and I will sacrifice our sleep for some exceptional and previously unknown aspects of our waking life. Similar to certain books about drugs. Like, if you want to read about drugs but have a limited desire to try the drugs yourself. I have read those books too, I know. Don’t know why. I’m hunting, I suppose. I’m curious and I hunt for what the drugs do. And then I know what the drugs do, and now I don’t need to do them. Our friend Andrew is going to help. He has read some books and he is into it. …

We the Audience: Performance under lockdown at Links Hall

“We the people!” The phrase is shouted towards the beginning of the first performance, strident. It’s unclear whether I’m to be included in this first-person plural. And accordingly, there are multiple bodies onstage, unmasked, within striking distance of a cough or a sneeze. This is the first thing I notice now, not just during Zoom performances, but in pretty much everything I watch. Ordinary corporeal proximity now feels at once dangerous and exciting. Similarly, these words, “we the people,” feel lifted out of the near meaningless ubiquity in which they float in Kierah King’s performance Viewership Intended for Re(Creational) Use Only. The piece is one of three in-progress performances hosted by Links Hall in conjunction with their artist residency program Co-MISSION. Live streamed on YouTube, each performance was created by a participant of the 2020-2021 residency program, including Kierah King, Cherrie Yu, and Taimy Ramos Velázquez. King’s performance opens with several Black femmes milling about onstage, fuming. “Who is this ‘we’?” “Sure doesn’t sound like me.” Their ruminations and objections are occasionally punctuated by a …

The Flying Trapeze: Strongman Tulga

Circus has been making a comeback across the country for the past few decades. Chicago has seen the rise of circus schools, companies, and shows all across the city. Performers train and present their work to audiences while amateurs can learn new circus skills for health and self-expression. Any given month, you can see at least two homegrown shows, not including shows by smaller companies and the occasional visiting circus. The Flying Trapeze is a column that will bring you the best and brightest of Chicago’s vibrant circus scene. “Tulga, you are a remarkable show of what a human can do.” These were just a few things the judges of Australia’s Got Talent told Strongman Tulga in 2019. He had just spun a telephone pole with two people sitting in swings attached at either end. Before that, he swung a different telephone pole that was on fire on both ends. The pole is 16 feet and weighs 100 pounds, not including the weight of other people. In other acts, he’s juggled 12 lb. bowling balls or tires …

Open Sheds Used for What?: An interview with Cecilia & Marina Resende Santos

Open Sheds Used for What? conjures more questions than answers, which is precisely where its magic comes from—that, and its devotion in spirit and design to collaboration, community, and experimentation. The brainchild of collaborators and twin sisters Cecilia and Marina Resende Santos, Open Sheds is a nomadic project that is itinerant and ephemeral, springing forth from an octagonal metal frame originally built by Jesús Hilario Reyes and Leah Solomon for their performance at the opening of “Shut Up Stone Mountain,” at Co-Prosperity on June 7, 2019. This deceptively simple frame is more than a ‘blank canvas,’ larger and more expansive than a substrate that can be built upon. It is a seed, it is potential, it is what extends from it and out of it, with or without it.  In its simplest terms, Open Sheds is a structure that has been built and deconstructed in three different locations around Chicago, with various artists altering, adding to, and transforming its form through intervention, performance, and other means. At least 15 artists have been involved with the …

Image: More Than a Melody by Kiki DuPont

November Art Picks

If you’ve followed us for a while, you know that our Art Picks offer a wide scope of events that are relevant to our audiences because we and the artists, cultural workers, curators, spaces, and projects we support live full lives that know no boundaries. We maintain expansive practices and work toward justice for BIPOC, LGBTQIA+, and disability communities in Chicago and the Midwest.  If this is your first time coming across this list, welcome. We’re glad you’re here and we hope this list sparks discovery, curiosity, and a demand for justice if you weren’t openly demanding that already. Created in collaboration with The Visualist and adapted for social-distancing due to COVID-19, this list offers online exhibitions, streaming events, a list of online collections from Black and LGBTQIA+ archives, and other ways to spend time in the virtual space. Also, in support of our friends, our communities, ourselves, and abolition/liberation efforts, we’re prioritizing events that uplift and fight for Black Lives and celebrate Black Queer Lives because the fight for Black Lives is the fight for Black artists, our …

A black and white photograph titled Stop White People From Killing Us - St. Louis, MO, c. 1966-1967 by Darryl Cowherd

October Art Picks

If you’ve followed us for a while, you know that our Art Picks offer a wide scope of events that are relevant to our audiences because we and the artists, cultural workers, curators, spaces, and projects we support live full lives that know no boundaries. We maintain expansive practices and work toward justice for BIPOC, LGBTQIA+, and disability communities in Chicago and the Midwest.  If this is your first time coming across this list, welcome. We’re glad you’re here and we hope this list sparks discovery, curiosity, and a demand for justice if you weren’t openly demanding that already. Created in collaboration with The Visualist and adapted for social-distancing due to COVID-19, this list offers online exhibitions, streaming events, a list of online collections from Black and LGBTQIA+ archives, and other ways to spend time in the virtual space. Also, in support of our friends, our communities, ourselves, and abolition/liberation efforts, we’re prioritizing events that uplift and fight for Black Lives and celebrate Black Queer Lives because the fight for Black Lives is the fight for Black artists, our …

Image: Artists Run Chicago 2.0 installation view of artwork by Thomas Kong curated by 062 Gallery. Photography courtesy of S.Y. Lim

September Art Picks

If you’ve followed us for a while, you know that our Art Picks offer a wide scope of events that are relevant to our audiences because we and the artists, cultural workers, curators, spaces, and projects we support live full lives that know no boundaries. We maintain expansive practices and work toward justice for BIPOC, LGBTQIA+, and disability communities in Chicago and the Midwest.  If this is your first time coming across this list, welcome. We’re glad you’re here and we hope this list sparks discovery, curiosity, and a demand for justice if you weren’t openly demanding that already. Created in collaboration with The Visualist and adapted for social-distancing due to COVID-19, this list offers online exhibitions, streaming events, a list of online collections from Black and LGBTQIA+ archives, and other ways to spend time in the virtual space. Also, in support of our friends, our communities, ourselves, and abolition/liberation efforts, we’re prioritizing events that uplift and fight for Black Lives and celebrate Black Queer Lives because the fight for Black Lives is the fight for Black artists, our …

The Flying Trapeze: Camille Swift, the Monstress Madame Mantis

Circus has been making a comeback across the country for the past few decades. Chicago has seen the rise of circus schools, companies, and shows all across the city. Performers train and present their work to audiences while amateurs can learn new circus skills for health and self-expression. Any given month, you can see at least two homegrown shows, not including shows by smaller companies and the occasional visiting circus. The Flying Trapeze is a column that will bring you the best and brightest of Chicago’s vibrant circus scene. Circus artist Camille Swift came to the world of circus through an unexpected avenue: Meishi-ha Mugai Ryu Iaihyodo or a form of Japanese sword fighting. In her mid-20s, Swift had gotten into anime and decided to buy herself a sword. But when she realized it was “lame not to know how to use it,” she started taking sword fighting lessons. Swift took classes but stumbled upon the circus when her sensei told her about an underground circus show, known as Circo Cheapo (since moving into Aloft’s permanent location …

Featured image: Selva Aparicio, Entre Nosotros (Among Us) Detail, 2020. Concrete tiles cast from human cadavers. The images show a close up of the piece, showing details of a grid of square, concrete blocks. Each block has different folds, and one shows a nipple, all cast from human parts. Photo by Robert Chase Heishman. Image courtesy of the artist.

Works Cited: Selva Aparicio on Life, Death, and Breaking Taboo

It goes without saying that so much of the labor in an artist’s practice goes unseen, ranging from the countless hours of trial and error experimenting with a medium before getting it right, to the often mind-numbing planning and prep work when starting a new piece. However, there is yet another layer below the surface of this complex production that is inherent to the creative process: research. There is a collection of information, images, and archives that happens even before any pen is put to paper, feeding and informing an artist’s body of work. Works Cited asks artists to uncover this part of their practice with us, sharing research materials such as essays, playlists, online archives, and tips on how to navigate them. In the spirit of open access, this column also serves as a resource in and of itself, as each interview includes access to these materials in the form of either reading lists or sharable links. In this edition, I spoke with Selva Aparicio, whose interdisciplinary work examines life, death, and mourning through the use …

Flying Trapeze: Yes, Ma’am Circus

Circus has been making a comeback across the country for the past few decades. Chicago has seen the rise of circus schools, companies, and shows all across the city. Performers train and present their work to audiences while amateurs can learn new circus skills for health and self-expression. Any given month, you can see at least two homegrown shows, not including shows by smaller companies and the occasional visiting circus. The Flying Trapeze is a column that will bring you the best and brightest of Chicago’s vibrant circus scene. Ever think to combine John Milton’s epic poem Paradise Lost with acrobatics and aerial arts? Or the dulcet phrases of William Shakespeare’s Twelfth Night with trapeze and juggling? Yes, Ma’am Circus has successfully brought these works to the circus world in the past few years. Executive Director Amancay Kugler didn’t expect to be running a small theater company but through her dual dance and psychology degree, she was exposed to the circus craft. She had taken a required class on dance composition which resulted in her developing an …

Out of Site: Public Performance goes Virtual

Since its inception, Out of Site (OoS) has sought to create wonder through “unexpected encounters in public space.” Performances took place in unusual places, such as alleyways, parking lots, underneath the El tracks, as well as during the middle of Wicker Park Fest. However like many performance art groups and initiatives during the coronavirus shutdown, Out of Site pivoted to present innovative performance art through live streaming tools. Started by Carron Little and Whitney Tassie in 2011, this public performance art series has brought artists from all around the world and on to the streets of Wicker Park, Noble Square, and other parts of the city. Performances varied in tone whether it was two women, Elena & Erin, pushing a cabinet down Milwaukee avenue or Austin-based artists performing an underwater puppet show with a truck-sized whale in Ballenarca.  Taking performance art into the digital realm seemed like a natural step. Out of Site teamed up with Experimental Sound Studio’s (ESS) The Quarantine Concert series on May 26th to present Out of Site Virtual Performance. Donations …

The Flying Trapeze: Raks Geek

Circus has been making a comeback across the country for the past few decades. Chicago has seen the rise of circus schools, companies, and shows all across the city. Performers train and present their work to audiences while amateurs can learn new circus skills for health and self-expression. Any given month, you can see at least two homegrown shows, not including shows by smaller companies and the occasional visiting circus. The Flying Trapeze is a column that will bring you the best and brightest of Chicago’s vibrant circus scene. Raks Geek is a cabaret of belly dancing, fire spinning, and other arts celebrating geekdom. Think Chewbacca dancing or Thor fire dancing.  Dawn Xiana Moon, Raks Geek’s founder and director, hadn’t originally planned to start the group. It had come out of her own interests as a self-professed geek who wondered if anyone had combined belly dancing and geekery. After searching on YouTube, Moon saw some geeky belly dancing but felt that it wasn’t high enough quality. As a professional belly dancer and singer-songwriter, Moon explains …

Works Cited: Assotto’s Child at the Altar

It goes without saying that so much of the labor in an artist’s practice goes unseen, ranging from the countless hours of trial and error experimenting with a medium before getting it right, to the often mind-numbing planning and prep work when starting a new piece. However, there is yet another layer below the surface of this complex production that is inherent to the creative process: research. There is collection of information, images, and archives that happens even before any pen is put to paper, feeding and informing an artist’s body of work. Works Cited asks artists to uncover this part of their practice with us, sharing research materials such as essays, playlists, online archives, and tips on how to navigate them. In the spirit of open access, this column also serves as a resource in and of itself, as each interview includes access to these materials in the form of either reading lists or sharable links. In this edition, I spoke with Mario LaMothe about his collaborative project Assotto’s Child at the Altar, which …