Exhibitions

Stepping In and Seeing Through with Artist Kelly Clare

by Rachel L. Hausmann Schall

August 3, 2022

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Essays + Reviews, Exhibitions, Sixty Regional
Review: Beautiful Snail at the Logan Center for the Arts

by Christina Nafziger

July 25, 2022

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Essays + Reviews, Exhibitions
Place and Timelessness: An Interview with Jin Lee

by Pia Singh

July 14, 2022

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Artists, Exhibitions, Interviews
A Horizon of Being in Red: Kristoffer Ala-Ketola’s Dreams & Delusions

by Livy Snyder

July 8, 2022

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Essays + Reviews, Exhibitions
Rae Stern: Flourishing Despite Disruption

by Chenoa Baker

July 7, 2022

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Essays + Reviews, Exhibitions, Sixty Regional
when the sun fills your throat: split my sides at The Luminary

by Annette LePique

July 6, 2022

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Essays + Reviews, Exhibitions, Sixty Regional
Approaches and Strategies within Hospitality: An Interview with Curator Sylvie Fortin

by Christina Nafziger

June 30, 2022

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Exhibitions, Interviews
Review: I don’t know you like that: The Bodywork of Hospitality

by Christina Nafziger

June 30, 2022

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Essays + Reviews, Exhibitions, Sixty Regional
Review: D O W N S H I F T at Roman Susan

by Ally Fouts

June 27, 2022

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Essays + Reviews, Exhibitions
A Tribute to the Sustenance of Friendship: Dawoud Bey & Carrie Mae Weems at the Grand Rapids Art Museum

by Kristie Kahns

June 20, 2022

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Essays + Reviews, Exhibitions, Sixty Regional
June Art Picks

by Sixty Inches From Center

June 6, 2022

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Art Picks, Exhibitions, Happenings
Our Wild Zones Make Us Real

by Molly M. Pearson

June 2, 2022

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Essays + Reviews, Exhibitions
Review of A Vibe Called Death: The Black Afterlife at Cleaner Gallery + Projects

by Lauren Iacoponi

May 25, 2022

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Essays + Reviews, Exhibitions
Sutures: An Interview with Michael Khuth

by Ian Hanesworth

May 17, 2022

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Exhibitions, Interviews, Sixty Regional
Review: FEMME at FLXST Contemporary

by Jen Torwudzo-Stroh

May 17, 2022

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Essays + Reviews, Exhibitions
Review: Space to Say at Heaven Gallery

by S. Nicole Lane

May 12, 2022

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Essays + Reviews, Exhibitions
(Re)Materializing Dread: An Interview with Mayumi Lake and Stacia Yeapanis

by Annie Raab

April 20, 2022

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Artists, Exhibitions, Interviews
Review of This House Is Mine by Bob Thompson

by Elizabeth Upenieks

April 15, 2022

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Essays + Reviews, Exhibitions, Featured
Opal Pools of Milk and the Luzhin Defence: Review of This Too Shall Pass

by Annette LePique

April 14, 2022

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Archives, Artists, Essays + Reviews, Exhibitions, Featured
Looking Forward by Looking Back: Dawn to Dusk by Azadeh Gholizadeh

by Livy Snyder

April 12, 2022

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Essays + Reviews, Exhibitions, Featured
The Object as a Lightning Rod For Meaning: A Review of General Objects

by Ally Fouts

March 30, 2022

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Essays + Reviews, Exhibitions, Featured
Review: Crip* at Gallery 400

by Ashley Ariel

March 29, 2022

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Essays + Reviews, Exhibitions, Featured, Resources
Our Message in a Bottle, Notes from VEGA: A.J. McClenon

by isra rene

March 25, 2022

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Artists, Essays + Reviews, Exhibitions, Featured
Review: Two Exhibitions at Dragon Crab Turtle

by Del O’Brien

February 19, 2022

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Essays + Reviews, Exhibitions, Featured, Sixty Regional
Makeup, Mortification, and Memory: A Review of “Evidence” by Bimbola Akinbola

by Benji Hart

February 17, 2022

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Essays + Reviews, Exhibitions, Featured
February Art Picks

by Sixty Inches From Center

February 14, 2022

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Art Picks, Exhibitions, Featured, Happenings
Review of UTENSIL: Annas’ Exhibition at Comfort Station

by Ally Fouts

February 7, 2022

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Artists, Essays + Reviews, Exhibitions, Featured
Smashing the space between us

by Noa Micaela Fields

February 1, 2022

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Essays + Reviews, Exhibitions, Featured
Review: 12 Kalpas from Terrestrial to Celestial and Everywhere in Between

by Ally Fouts

January 26, 2022

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Essays + Reviews, Exhibitions, Featured
Irresistible Forces at the Tarble Arts Center

by Jessica Hammie

December 30, 2021

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Essays + Reviews, Exhibitions, Featured, Sixty Regional