Exhibitions

Root of Two: On Darkness

by Jared Brown

January 23, 2023

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Essays + Reviews, Exhibitions, Sixty Regional
Figures in the Landscape: Pao Houa Her’s Paj qaum ntuj / Flowers of the Sky

by Ruby Jeune Tresch

January 20, 2023

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Essays + Reviews, Exhibitions
Collage as Worldbuilding: Hybridity in Solo(s): Krista Franklin

by Amanda Dee

January 14, 2023

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Essays + Reviews, Exhibitions
Review of Glory Hole at Polonium Projects

by Annette LePique

January 3, 2023

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Artists, Essays + Reviews, Exhibitions
Earthly Pleasures: A Review of Soumya Netrabile’s Searching for Stars

by Annie Dauber

December 17, 2022

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Essays + Reviews, Exhibitions
The Agenda of Artifice | On Liza Jo Eilers’ The Care And Keeping of You

by Ruby Jeune Tresch

December 16, 2022

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Essays + Reviews, Exhibitions
Not Geography But a State of Mind: Review of Forecast Form: Art in the Caribbean Diaspora at the MCA

by Elisa Shoenberger

December 5, 2022

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Essays + Reviews, Exhibitions
Review of We. The Culture: Works by The Eighteen Art Collective at the Indianapolis Museum of Art at Newfields

by Jen Torwudzo-Stroh

November 25, 2022

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Essays + Reviews, Exhibitions
Touch Grass: A Review of Liz’s Childhood Computer: 2003 – 2005 at Prairie

by Emeline Boehringer

November 21, 2022

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Essays + Reviews, Exhibitions, Projects + Collaborations
Review: Fear of Property

by Rebecka Kann

November 8, 2022

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Essays + Reviews, Exhibitions
Review: MDW Art Fair at Mana Contemporary

by Joan Roach

October 8, 2022

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Essays + Reviews, Exhibitions
Thoughts on Remaking the Exceptional: Tea, Torture, and Reparations at the DePaul Art Museum

by Isra Rahman

September 22, 2022

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Artists, Essays + Reviews, Exhibitions
Nubes Art Fair at Heaven Gallery Promotes Both Equity and Sales

by Susan Musich

September 20, 2022

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Essays + Reviews, Exhibitions, Happenings
Review: Arghavan Khosravi’s The Witness at Kavi Gupta Gallery

by Elizabeth Upenieks

September 17, 2022

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Essays + Reviews, Exhibitions
A Review of Artist Run Spaces at the Contemporary Art Center, Cincinnati

by Megan Bickel

September 15, 2022

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Essays + Reviews, Exhibitions, Sixty Regional
Between the Strange and Sublime: A Review of Heft at Patron Gallery

by Pia Singh

August 22, 2022

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Artists, Essays + Reviews, Exhibitions
E. Saffronia Downing’s Geology of Fissures

by Alexandra Méndez

August 11, 2022

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Essays + Reviews, Exhibitions
Stepping In and Seeing Through with Artist Kelly Clare

by Rachel L. Hausmann Schall

August 3, 2022

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Essays + Reviews, Exhibitions, Sixty Regional
Review: Beautiful Snail at the Logan Center for the Arts

by Christina Nafziger

July 25, 2022

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Essays + Reviews, Exhibitions
Place and Timelessness: An Interview with Jin Lee

by Pia Singh

July 14, 2022

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Artists, Exhibitions, Interviews
A Horizon of Being in Red: Kristoffer Ala-Ketola’s Dreams & Delusions

by Livy Snyder

July 8, 2022

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Essays + Reviews, Exhibitions
Rae Stern: Flourishing Despite Disruption

by Chenoa Baker

July 7, 2022

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Essays + Reviews, Exhibitions, Sixty Regional
when the sun fills your throat: split my sides at The Luminary

by Annette LePique

July 6, 2022

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Essays + Reviews, Exhibitions, Sixty Regional
Approaches and Strategies within Hospitality: An Interview with Curator Sylvie Fortin

by Christina Nafziger

June 30, 2022

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Exhibitions, Interviews
Review: I don’t know you like that: The Bodywork of Hospitality

by Christina Nafziger

June 30, 2022

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Essays + Reviews, Exhibitions, Sixty Regional
Review: D O W N S H I F T at Roman Susan

by Ally Fouts

June 27, 2022

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Essays + Reviews, Exhibitions
A Tribute to the Sustenance of Friendship: Dawoud Bey & Carrie Mae Weems at the Grand Rapids Art Museum

by Kristie Kahns

June 20, 2022

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Essays + Reviews, Exhibitions, Sixty Regional
June Art Picks

by Sixty Inches From Center

June 6, 2022

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Art Picks, Exhibitions, Happenings
Our Wild Zones Make Us Real

by Molly M. Pearson

June 2, 2022

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Essays + Reviews, Exhibitions
Review of A Vibe Called Death: The Black Afterlife at Cleaner Gallery + Projects

by Lauren Iacoponi

May 25, 2022

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Essays + Reviews, Exhibitions