Exhibitions

Preface…/yet Flavorful

by Tianjiao Wang

February 20, 2025

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Bilingual, Essays + Reviews, Exhibitions
The Vitality of What Has Always Been: Interview with Sa’dia Rehman

by Megha Ralapati

February 19, 2025

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Exhibitions, Interviews, Sixty Regional
Visage of Time: Poetic Response

by Joan Roach

February 14, 2025

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Exhibitions, Sixty Lit
webs of interdependencies: an interview on Vampire Bats and more-than-human worlds with Ruth Burke and D Rosen

by Ruth Burke

February 13, 2025

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Exhibitions, Interviews
The Queer Metamorphosis in Chinatown

by Mian Chen

January 30, 2025

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Essays + Reviews, Exhibitions
Radical Craft: Firebird Community Arts and Red Line Service pick up the threads of Hull-House

by Amanda Dee

January 24, 2025

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Art Design Chicago, Essays + Reviews, Exhibitions
Anchor Editorial: diversión is for everyone

by Cristobal Alday

January 21, 2025

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Bilingual, Columns + Series, Community, Exhibitions
Anchor Editorial: diversión es para todos

by Cristobal Alday

January 21, 2025

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Bilingual, Columns + Series, Community, Exhibitions
Vests Power into Power: Chess as Anti-Colonial Warfare

by Chenoa Baker

January 10, 2025

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Essays + Reviews, Exhibitions
Listening to a continuous multi-species polyphony: An Interview with the Curators of urban+nature sonic pavilion

by Livy Snyder

December 2, 2024

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Exhibitions, Interviews, Sound, Film + Video
Yashira Davalos Goes for Gold with “Allegories of Inertia”

by Nasir Anthony Montalvo

November 25, 2024

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Essays + Reviews, Exhibitions
Thank You for This Question

by Mary ejdpkl Lawson

November 20, 2024

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Art Design Chicago, Exhibitions, Interviews
STATIC ELECTRICITY: “JUST BELOW THE SURFACE” at Chicago Art Department

by Samuel Schwindt

November 17, 2024

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Archives, Exhibitions
Prayers Through the Ruins: A Review of Sayeda Misa Sourour’s “Al-Atlal”

by Gordon Fung

November 16, 2024

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Essays + Reviews, Exhibitions
Traversing Time: A Review of Tizita

by Caiden Cawthorn

November 14, 2024

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Essays + Reviews, Exhibitions
A Sonic Geography of Voice: A Review of EXP/VOX

by Livy Snyder

October 12, 2024

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Artists, Exhibitions, Performance, Sound, Film + Video
Limitless Potentialities: A Review of the 2024 Great Rivers Biennial

by Kaitlyn B. Jones

October 8, 2024

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Essays + Reviews, Exhibitions, Sixty Regional
“As if the material did not allow for linearity”: Kaveri Raina’s Paintings on Burlap

by Cecilia González Godino

October 7, 2024

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Essays + Reviews, Exhibitions
Defiant Bodies: a review of “Flags of Our Mothers” at Bemis Center for Contemporary Arts

by River Ian Kerstetter

September 13, 2024

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Artists, Exhibitions, Sixty Regional
Difficult Generosity: A Review of Qiuchen Wu’s Three American Painters

by Yeti Kang

September 8, 2024

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Artists, Essays + Reviews, Exhibitions
Tripartite Lenses: a History of Them, Him, and Us

by Xiao Faria daCunha

September 4, 2024

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Art Design Chicago, Bilingual, Exhibitions
Lentes Tripartitos: Una historia de ellos, de él, y de nosotros

by Xiao Faria daCunha

September 4, 2024

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Art Design Chicago, Bilingual, Exhibitions
Beyond the Four Walls: Reflections on “piecemeal (earthen works in progress)”

by Jasmine Barnes

September 3, 2024

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Essays + Reviews, Exhibitions, Sound, Film + Video
On Acknowledgements / Lines of Handling at State VIII Project (2024-2027)

by Luigi Alamanni

August 15, 2024

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Bilingual, Essays + Reviews, Exhibitions
“鸣谢/理线”于八棱角空间”（2024-2027）

by 路易吉·阿拉曼尼

August 15, 2024

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Bilingual, Essays + Reviews, Exhibitions
Curating and Cultivating Care: Actions for the Earth at the Block Museum

by Julia Arredondo

July 31, 2024

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Essays + Reviews, Exhibitions
Come In, Get Comfortable: Stepping Into Chicago’s Queer History with the South Asia Institute

by Mrittika Ghosh

July 22, 2024

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Archives, Essays + Reviews, Exhibitions
Tracing the Ecologies of Memory: A Review of Captured Earth at the Museum of Contemporary Photography

by Kristie Kahns

July 18, 2024

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Essays + Reviews, Exhibitions
Glimmering Among the Shadows — a review of What is Seen and Unseen: Mapping South Asian American Art in Chicago

by Saadia Pervaiz

July 9, 2024

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Essays + Reviews, Exhibitions
Imaginary terrains and a considered sense of play: certain places at Comfort Station

by Josepha Natzke

July 8, 2024

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Essays + Reviews, Exhibitions