All posts tagged: Columbia College

The Museum of Contemporary Photography Ponders “What Does Democracy Look Like?”

The question has been answered in many different ways this year. Protests against police violence, presidential debates, controversies over vote by mail. Democracy means many things and takes on an equal number of guises. In this election year, the Museum of Contemporary Photography (MoCP) asked seven Columbia College Chicago faculty members to use works from the collection to visually and conceptually answer this question. The guest curators represent a variety of disciplines—not just art history—and exemplify the current museum trend of including diverse voices in exhibition design. While there are essentially seven exhibitions, each with a unique curatorial premise and position, some commonalities exist. Works are primarily hung salon-style, so viewers can see hundreds of photographs in a single visit. Portraits predominate, which makes sense given the organizing framework. Black and white and color photographs both have strong representation, connoting a sense of the historic, as well as the contemporary. The exhibition opens with E Pluribus Unum, marking the 150th anniversary of the Fifteenth Amendment and the 100th anniversary of the Nineteenth, which gave African …

Featured image: Sahar Mustafah sits outdoors, smiling and looking off-camera. She wears a black winter coat, light grey scarf, and large hoop earrings. A bush with tan leaves fills most of the space behind her, with greenery and parts of a building behind that. Photo by Mark Blanchard.

Beyond the Page: Sahar Mustafah

Published by Marya Spont-Lemus

“Beyond the Page” digs into the process and practice of writers and artists who work at the intersection of literary arts and other fields. For this installment, I interviewed fiction writer and high school English teacher Sahar Mustafah about her debut novel, “The Beauty of Your Face.” We spoke in January about her process of drafting, crafting, and publishing the book; how her writing and teaching inform each other; and key experiences — and women — that have shaped her as an author. “The Beauty of Your Face” (W.W. Norton, 2020) is available for pre-order. Check out the book launch event and reading at the American Writers Museum on April 7. Find Mustafah on Twitter @saharmustafah. This interview has been edited for length and clarity, and to limit plot-related spoilers to the contents of the prologue and the book jacket. Marya Spont-Lemus: I’ve admired your work since we met through StoryStudio’s “Novel in a Year” program in 2015. I loved your short story collection, Code of the West (Willow Books, 2017), and was completely absorbed …

Intimate Justice: Jeanne Donegan

Published by S. Nicole Lane

“Intimate Justice” looks at the intersection of art and sex and how these actions intertwine to serve as a form of resistance, activism, and dialogue in the Chicago community. For this installment, we talked to Jeanne Donegan in her warm apartment over wine and chocolate about pleasure as a spectrum, the mouth as a vagina, and the importance of desire. This interview has been edited for length and clarity. S. Nicole Lane: I stumbled upon your work and it was the video piece—I think it’s called “Sink,”—when I first moved to Chicago, so a few years ago, I guess. Jeanne Donegan: Oh, cool. SNL: And then somebody emailed me—a colleague from Sixty [Greg]—and they were like, “Hey, you should look at this artist for your column?” And I freaked out when I saw that “Sink” video because I was like, “Oh my god!” I loved this person’s work and so I’m glad it’s made it full circle. JD: Yeah. That’s so cool. It’s always so cool to hear when people are talking about me behind my …

Adrienne Ciskey: Invisible Illnesses and the Power of Play

Published by Christina Nafziger

If you suffer with a chronic illness, specifically one that others cannot see, the anxiety of whether or not others take your pain seriously, on top of the endless physical battle with your own body, is very real. There is a hierarchy of illness in our culture based on assumptions of “seriousness” that is rarely acknowledged or discussed. A social judgment of validity is made about an illness, and if you are a woman suffering from an illness that is not only invisible but also widely unknown then the legitimacy of your pain dissipates quicker than the “no” you hear from the doctor when you ask if there is any known cure for your pain. Living with hypoglycemia and hyperthyroidism, I am no stranger to the slight eye rolls when I vocalize my symptoms and I often find myself suppressing my needs, emotional and otherwise, for the sake of avoiding skeptical responses from others. The question I ask myself time and time again is: How can others recognize something like an invisible illness? This question …

Snapshot: Pilsen Days by Akito Tsuda

Published by Sixty Inches From Center

Snapshot is a Sixty column that takes a quick look at art history as it happens in Chicago. We send artists and organizers six short and sweet questions to tell us about what they are doing right at this moment. We sent questions to Japanese artist Akito Tsuda, whose photo exhibit Pilsen Days showcases images of the neighborhood he took in the early 1990s while he was a student at Columbia College. Pilsen Days is currently on view at La Catrina Cafe. The non-profit Cultura in Pilsen fundraised to organize a limited edition printing of Tsuda’s photos and to cover the travel costs to bring the artist from his home in Osaka, Japan to Chicago for the first time in over 20 years. Tsuda will be in conversation with Sebastian Hidalgo at La Catrina Cafe on November 5, 2017 from 2 – 5 pm for Pilsen Days Artist Talk and Farewell Reception. Sixty Inches From Center: What got you interested in photographing Pilsen and what was the experience like? Akito Tsuda: I was attracted to the fact that in Pilsen …