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Articles by
Annette LePique
Inside the Genocide House
by
Annette LePique
October 15, 2024
·
Book
,
Essays + Reviews
Long-Forgotten Fairytale: Twin Flame, Double Ruin
by
Annette LePique
March 6, 2024
·
Essays + Reviews
,
Exhibitions
Shop ’til You Drop: A Review of Kokandy Productions’ “American Psycho: The Musical”
by
Annette LePique
December 8, 2023
·
Essays + Reviews
,
Happenings
What’s Inside a Girl?
A Response to Shana Hoehn’s
Basket Toss
by
Annette LePique
May 8, 2023
·
Essays + Reviews
,
Exhibitions
Workin’ 9 to 5:
For Those Who Toil
at Purple Window Gallery
by
Annette LePique
March 16, 2023
·
Artists
,
Essays + Reviews
,
Exhibitions
Toys Are Us: Deborah Simon’s Embroidered Morphologies at the International Museum of Surgical Science
by
Annette LePique
February 3, 2023
·
Artists
,
Essays + Reviews
,
Exhibitions
Review of
Glory Hole
at Polonium Projects
by
Annette LePique
January 3, 2023
·
Artists
,
Essays + Reviews
,
Exhibitions
Fight For Your Right: Stories on Arts Labor From SAIC // Maggie Wong
by
Annette LePique
November 2, 2022
·
Archives
,
Columns + Series
,
Interviews
Fight For Your Right: Stories on Arts Labor from SAIC // Elena Ailes
by
Annette LePique
October 26, 2022
·
Columns + Series
,
Community
,
Interviews
when the sun fills your throat: split my sides at The Luminary
by
Annette LePique
July 6, 2022
·
Essays + Reviews
,
Exhibitions
,
Sixty Regional
Opal Pools of Milk and the Luzhin Defence: Review of This Too Shall Pass
by
Annette LePique
April 14, 2022
·
Archives
,
Artists
,
Essays + Reviews
,
Exhibitions
,
Featured
How to View a Solar Eclipse:
Both And
at Tiger Strikes Asteroid
by
Annette LePique
December 10, 2021
·
Archives
,
Art Design Chicago
,
Exhibitions
,
Featured
,
Sixty Regional
“We were not invented yesterday”, in c/o: practice at The Luminary
by
Annette LePique
November 3, 2021
·
Archives
,
Exhibitions
,
Featured
,
Sixty Regional
Saint Vitus Dance: Holy Things Dripping Sweat in Lauren Wy’s AUTODESIRE VOL. 1
by
Annette LePique
October 4, 2021
·
Archives
,
Essays + Reviews
,
Exhibitions
,
Featured
Lion Cages and Lilac Fields: From Chicago Stages to Basements, Art, Work, and Other Pandemic Songs
by
Annette LePique
September 8, 2021
·
Archives
,
Artists
,
Chicago Arts Census
,
Community
,
Essays + Reviews
,
Featured
The House You Built: Memory, Touch, and Performance in Repository and Repertoire
by
Annette LePique
March 3, 2021
·
Artists
,
Essays + Reviews
,
Exhibitions
,
Featured
Loving the Cannibal: Lia Kohl and Nick Meryhew’s Measures of Distance
by
Annette LePique
December 1, 2020
·
Artists
,
Essays + Reviews
,
Exhibitions
,
Featured
Questions in Time: Looking Back and Ahead, Together
by
Annette LePique
October 17, 2020
·
Archives
,
Community
,
Featured
,
Interviews
The Last Cruze: LaToya Ruby Frazier at the Renaissance Society
by
Annette LePique
November 21, 2019
·
Archives
,
Essays + Reviews
,
Exhibitions
,
Featured
The Tokyo Show: Black & Brown Are Beautiful – A Conversation with Curator Asha Iman Veal
by
Annette LePique
September 13, 2019
·
Archives
,
Community
,
Featured
Nation Time: An Interview with Jeffreen Hayes
by
Annette LePique
June 14, 2019
·
Archives
,
Exhibitions
,
Featured
,
Interviews
Jose Santiago Perez: The Sites and Sounds of Memory and Belonging
by
Annette LePique
May 22, 2019
·
Archives
,
Artists
,
Essays + Reviews
,
Featured
El Sol Sale Para Todxs: A Conversation with Galia Basail
by
Annette LePique
November 22, 2017
·
Artists
,
Community
,
Exhibitions
,
Featured
,
Interviews
Communal Space and Place: An Interview with Hume Founder Fontaine Capel
by
Annette LePique
April 11, 2017
·
Artists
,
Community
,
Featured
,
Interviews
Welcome to the End
by
Annette LePique
February 4, 2017
·
Archives
,
Essays + Reviews
,
Exhibitions
,
Featured
,
Sound, Film + Video
Softness as Subversion
by
Annette LePique
November 8, 2016
·
Archives
,
Artists
,
Essays + Reviews
,
Exhibitions
,
Featured
