Month: July 2019

Beyond the Page: Miss Spoken’s Jasmine Davila and Rosamund Lannin

“Beyond the Page” digs into the process and practice of writers and artists who work at the intersection of literary arts and other fields. For this installment, I interviewed Jasmine Davila and Rosamund Lannin, co-producers and co-hosts of Miss Spoken — a live storytelling show and podcast featuring work by the female-identified, exploring a new theme each month. I spoke with Jasmine and Rosamund in late April about the show’s origins (and amazing themes), their own influences, and why creating spaces for women’s experiences is so important. Check out Miss Spoken at the Gallery Cabaret, the last Wednesday of every month at 7pm. Find @MissSpokenChicago on Facebook and @MissSpokenChi on Twitter. This interview has been edited for length and clarity. Marya Spont-Lemus: To begin, what is Miss Spoken and how did it come to be? Rosamund Lannin: Miss Spoken is lady live lit. It’s personal essays by the female-identified, which means cis-women, trans-women — anyone who identifies as a woman is eligible to participate. We have also had gender non-conforming people participate as well. “Lady live …

A view of the Archive of Touch exhibition at Goldfinch Gallery from the entrance of the room. Photo by Daniel Hojnacki.

Review: Processing An Archive of Touch at Goldfinch Gallery

“To persist at an encounter with the poor little world is the work of the artist. A test, and I think we do it for each other. To enact a critical metaphysics out of love, to ask and play and choke and fail, to posit small actions as consequential, emphatic, necessary, to insist on painting as an archive of touch, is hopeful, is hungry. My community exceeds me, the gift somehow never leaves my hands.” – Dana DeGiulio The creative act for the artist lends gravity to small actions, as motions and brush strokes become big decisions. In the group exhibition “An Archive of Touch,” each artist reconsidered their decisions through the lens of the titular concept, creating as a process of archiving touch. The output: documents of acrylics, carved clays, oils, stoneware, yarn; histories of relationships with objects, others, and themselves. Residing in East Garfield Park at Goldfinch Gallery through August 3, “An Archive of Touch” is comprised of works by Yesenia Bello, Dana DeGiulio, Andreas Fischer, Alejandro Jiménez-Flores, Joyce Lung, SaraNoa Mark, and …

In Conversation with Cheryl Pope

I first encountered Chicago-based artist Cheryl Pope through her recent installation at Monique Meloche Gallery. I was immediately drawn to the intimacy in her work, combined with the texture of the wool that allowed a softness to the vulnerability of her interracial figures. Pope’s work encompasses many mediums including sculpture and performance. The underlying subjects in her work of identity with respect to race and gender stuck a chord in me. While our perception of ourselves is ever changing, there are certain characteristics that influence our identity. Pope excels at provoking the viewer to question their sense of identity.  Caira: How would you describe your practice? What are the key themes you are exploring in your work? Cheryl: [The] key themes in my work are elevating vulnerability, challenging positions and uses of power, and celebrating equality.  Caira: Your latest show at Monique Meloche explores the bodies of an interracial couple, along with that you present these forms in a sensual depiction. How does this body of work speak you your practice of identity and race. …

Black Monument Ensemble: Looking Back From Now

“Please join me in welcoming the Black Monument Ensemble.” The crowd roars with claps, whistles, loud whoops, and yelps. Applause melts behind wind chimes and bells as the band, singers, and dancers make their way to the stage. The audience quiets in anticipation. The voice of Damon Locks resounds in the room before his body appears. “Knowing what we know now, the mind searches for reconciliation…”  Stationed behind the singers, dancers, and drummers, he stands near his keyboard speaking into a telephone receiver attached to a soundboard. His voice reverberates throughout the space, bouncing against the drum sounds and vibrations as he recites his “Statement of Intent.” The drum intensifies and reaches a crescendo. “Some things never change–Black monuments!”, Locks yells. Angel Bat Dawid begins playing her clarinet. The choir begins.  I become transfixed by the electric synergy that emits from the band to the dancers, from the dancers to the singers, from the collective to the audience. The voices of Ruby Dee, Angela Davis, and Lena Horne coil around and reverberate within our ears. Suddenly …

Smiling Behind the Sun: An Interview with Joseph Dole

Libyans sometimes refer to being arrested and taken away without warning as being “taken behind the sun.” This interview series celebrates—through conversations with currently and formerly incarcerated artists—the ways in which an artistic, creative life can transmute the impact and redefine the legacy of an experience within the Prison Industrial Complex. Joseph Dole is an artist, writer, journalist, jailhouse lawyer, and government watchdog. Incarcerated since 1998, he spent nearly a decade of his life in complete isolation at the notorious Tamms Supermax Prison, before intense pressure led to its closure in 2012. Joe is currently serving life without parole and continues to fight his conviction pro se. He has recently uncovered evidence suppressed by the State. Joe has written numerous articles, essays, poems, and research papers. Two of his policy proposals were catalysts for Illinois legislation. He has won four PEN America Writing Awards for Prisoners, was selected by Eula Biss as the winner of the 2016 Columbia Journal Winter Contest, and has published two books. His artwork has been exhibited throughout the country and …

Image: Kahlil Robert Irving, MOBILE STRUCTURE; RELIEF & Memorial: (Monument Prototype for a Mass); 2019. Sculptural Installation. Photo by Shabez Jamal.

From Punk Clubs to Panaderías: Counterpublic, An Embedded Triennial

In an era hypersaturated with recurring exhibitions – from Shanghai to Sharjah, Havana to Venice – a new St. Louis triennial urges artgoers to forgo the touristic water taxis for their own two feet. Organized by The Luminary, a St. Louis-based nonprofit platform for art and activism, Counterpublic reinvigorates global precedents with a model that approaches the city on the scale of a neighborhood. Its inaugural iteration takes place in the 12-block radius of Cherokee Street, a neighborhood of family-operated businesses and art spaces that serves as the Latinx center of St. Louis. Any of the 30+ site-responsive installations and performances greet equal parts neighbors carrying grocery bags and cognoscenti clutching the newspapers that serve as maps to make the pilgrimage. Artworks are ingrained in punk clubs and panaderías, indicated subtly by small yellow signs. The exhibition evolves at various levels of sunlight and sobriety – it features a John Riepenhoff-created beer at Earthworks brewery –as Counterpublic’s hours are set by the shops themselves. On the street, none of the artwork is particularly protected; this …

July Art Picks

Our Art Picks are created in collaboration with The Visualist, Chicago’s leading visual arts calendar, and cross-promoted through Windy City Times, one of the longest locally-published LGBTQ weeklies with a national reach. Click here to get our Art Picks and latest articles delivered to your inbox monthly. Save the date for The Visualist’s fundraiser, Bake Sale, on Saturday, July 27th, 7-11pm at Read/Write Library Chicago (914 N California Ave). This is a growing list, so check back often for new additions. July Art Picks Fri, June 28, 7-11pm Alternate Space: A Simulated Art Fair Heaven Gallery: 1550 N. Milwaukee Av Free Mon, July 1, 6-8pm Fibers Night and the Wandering Uterus Project Workshop PO Box Collective: 6900 N Glenwood Ave Free Mon, July 1, 6:30-9pm Chicago Design Milestones 1920–2019 150 Media Stream: 150 N Riverside Plaza Free Fri, July 5, 6-9pm B.LEN: CONDUIT 2: A Ribbon in the Sky Blanc Gallery: 4445 S King Dr Free Fri, July 5, 6-9pm Isaac Rafael Galvan: DREAM WORK Humboldt Park Boathouse Gallery: 1301 N Sacramento Blvd Free Fri, July 5, 6-10pm Ricardo Xavier Serment: …