A Sound Deemed Unwanted: A Review of Soft Noise at The Plan by Livy Snyder February 21, 2023 · Artists, Essays + Reviews, Exhibitions
Toys Are Us: Deborah Simon’s Embroidered Morphologies at the International Museum of Surgical Science by Annette LePique February 3, 2023 · Artists, Essays + Reviews, Exhibitions
Review of Still Together at Saint Kate Arts Hotel by Annie Raab January 27, 2023 · Artists, Essays + Reviews, Exhibitions
Root of Two: On Darkness by Jared Brown January 23, 2023 · Essays + Reviews, Exhibitions, Sixty Regional
Figures in the Landscape: Pao Houa Her’s Paj qaum ntuj / Flowers of the Sky by Ruby Jeune Tresch January 20, 2023 · Essays + Reviews, Exhibitions
Collage as Worldbuilding: Hybridity in Solo(s): Krista Franklin by Amanda Dee January 14, 2023 · Essays + Reviews, Exhibitions
In defense of communal catharsis, whenever required: on the Foo Fighters’ “Best of You” by Darshita Jain January 12, 2023 · Essays + Reviews, Sound, Film + Video
In Her Own Words: Confessions of Womanhood and Motherhood by Gabrielle Lynch January 6, 2023 · Artists, Essays + Reviews
Review of Glory Hole at Polonium Projects by Annette LePique January 3, 2023 · Artists, Essays + Reviews, Exhibitions
Earthly Pleasures: A Review of Soumya Netrabile’s Searching for Stars by Annie Dauber December 17, 2022 · Essays + Reviews, Exhibitions
The Agenda of Artifice | On Liza Jo Eilers’ The Care And Keeping of You by Ruby Jeune Tresch December 16, 2022 · Essays + Reviews, Exhibitions
Erasing Native Chicago Through Settler Occupation by Fawn Pochel December 8, 2022 · Community, Essays + Reviews
Not Geography But a State of Mind: Review of Forecast Form: Art in the Caribbean Diaspora at the MCA by Elisa Shoenberger December 5, 2022 · Essays + Reviews, Exhibitions
“The Wizards” are transmuting: a reflection by Dr. N. Tulio Bermúdez November 28, 2022 · Artists, Essays + Reviews, Happenings
Review of We. The Culture: Works by The Eighteen Art Collective at the Indianapolis Museum of Art at Newfields by Jen Torwudzo-Stroh November 25, 2022 · Essays + Reviews, Exhibitions
Touch Grass: A Review of Liz’s Childhood Computer: 2003 – 2005 at Prairie by Emeline Boehringer November 21, 2022 · Essays + Reviews, Exhibitions, Projects + Collaborations
Overlap: Anna Kavan & me by Sloane Murphy November 15, 2022 · Artists, Essays + Reviews, Poetry + Short Stories
On Balance & Play: Tetsuya Yamada’s Shallow River by Meghan Clare Considine November 13, 2022 · Artists, Essays + Reviews, Interviews
Kurt Can Act: an essay on theatre and what it does by Kurt Chiang October 17, 2022 · Essays + Reviews, Featured, Happenings
Review: MDW Art Fair at Mana Contemporary by Joan Roach October 8, 2022 · Essays + Reviews, Exhibitions
Thoughts on Remaking the Exceptional: Tea, Torture, and Reparations at the DePaul Art Museum by Isra Rahman September 22, 2022 · Artists, Essays + Reviews, Exhibitions
Nubes Art Fair at Heaven Gallery Promotes Both Equity and Sales by Susan Musich September 20, 2022 · Essays + Reviews, Exhibitions, Happenings
Review: Arghavan Khosravi’s The Witness at Kavi Gupta Gallery by Elizabeth Upenieks September 17, 2022 · Essays + Reviews, Exhibitions
On BOUND and Religious Experiences at Dive Bars by Yoana Tosheva September 16, 2022 · Essays + Reviews, Happenings
A Review of Artist Run Spaces at the Contemporary Art Center, Cincinnati by Megan Bickel September 15, 2022 · Essays + Reviews, Exhibitions, Sixty Regional
Just Gotta Keep Chasing: reflections on “Wildcats” at the Neofuturists by persephone van ort September 14, 2022 · Essays + Reviews
