Just Gotta Keep Chasing: reflections on “Wildcats” at the Neofuturists by persephone van ort September 14, 2022 · Essays + Reviews
Between the Strange and Sublime: A Review of Heft at Patron Gallery by Pia Singh August 22, 2022 · Artists, Essays + Reviews, Exhibitions
E. Saffronia Downing’s Geology of Fissures by Alexandra Méndez August 11, 2022 · Essays + Reviews, Exhibitions
Stepping In and Seeing Through with Artist Kelly Clare by Rachel L. Hausmann Schall August 3, 2022 · Essays + Reviews, Exhibitions, Sixty Regional
Review: Beautiful Snail at the Logan Center for the Arts by Christina Nafziger July 25, 2022 · Essays + Reviews, Exhibitions
A Horizon of Being in Red: Kristoffer Ala-Ketola’s Dreams & Delusions by Livy Snyder July 8, 2022 · Essays + Reviews, Exhibitions
Rae Stern: Flourishing Despite Disruption by Chenoa Baker July 7, 2022 · Essays + Reviews, Exhibitions, Sixty Regional
when the sun fills your throat: split my sides at The Luminary by Annette LePique July 6, 2022 · Essays + Reviews, Exhibitions, Sixty Regional
Review: I don’t know you like that: The Bodywork of Hospitality by Christina Nafziger June 30, 2022 · Essays + Reviews, Exhibitions, Sixty Regional
A Tribute to the Sustenance of Friendship: Dawoud Bey & Carrie Mae Weems at the Grand Rapids Art Museum by Kristie Kahns June 20, 2022 · Essays + Reviews, Exhibitions, Sixty Regional
Review of A Vibe Called Death: The Black Afterlife at Cleaner Gallery + Projects by Lauren Iacoponi May 25, 2022 · Essays + Reviews, Exhibitions
Review: FEMME at FLXST Contemporary by Jen Torwudzo-Stroh May 17, 2022 · Essays + Reviews, Exhibitions
Review: Space to Say at Heaven Gallery by S. Nicole Lane May 12, 2022 · Essays + Reviews, Exhibitions
Changing the Angle of My Face to Become Different Faces by Adriana Yochelson April 26, 2022 · Essays + Reviews
What’s There to be Proud of in Indiana? by Haley Glickman April 20, 2022 · Community, Essays + Reviews, Interviews
Review of This House Is Mine by Bob Thompson by Elizabeth Upenieks April 15, 2022 · Essays + Reviews, Exhibitions, Featured
Opal Pools of Milk and the Luzhin Defence: Review of This Too Shall Pass by Annette LePique April 14, 2022 · Archives, Artists, Essays + Reviews, Exhibitions, Featured
Notes on Designing Cultural Change by Noëlle Pouzar April 13, 2022 · Art Design Chicago, Community, Essays + Reviews, Featured, Interviews
Looking Forward by Looking Back: Dawn to Dusk by Azadeh Gholizadeh by Livy Snyder April 12, 2022 · Essays + Reviews, Exhibitions, Featured
In My Mother’s House There Is Still God: A Response to the Film ‘to render the infinite’ by Riley Yaxley April 5, 2022 · Archives, Art Design Chicago, Essays + Reviews, Featured
The Object as a Lightning Rod For Meaning: A Review of General Objects by Ally Fouts March 30, 2022 · Essays + Reviews, Exhibitions, Featured
Review: Crip* at Gallery 400 by Ashley Ariel March 29, 2022 · Essays + Reviews, Exhibitions, Featured, Resources
Our Message in a Bottle, Notes from VEGA: A.J. McClenon by isra rene March 25, 2022 · Artists, Essays + Reviews, Exhibitions, Featured
Review: Two Exhibitions at Dragon Crab Turtle by Del O'Brien February 19, 2022 · Essays + Reviews, Exhibitions, Featured, Sixty Regional
Makeup, Mortification, and Memory: A Review of “Evidence” by Bimbola Akinbola by Benji Hart February 17, 2022 · Essays + Reviews, Exhibitions, Featured
