Essays + Reviews

Black fugitivity beyond the trenches of genocide: a response to J’Sun Howard’s The Righteous Beauty of the Things Never Accounted For

by Aaliyah Christina

March 12, 2024

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Essays + Reviews, Exhibitions
SAMO

by Paloma

March 7, 2024

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Essays + Reviews, Poetry + Short Stories
Long-Forgotten Fairytale: Twin Flame, Double Ruin

by Annette LePique

March 6, 2024

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Essays + Reviews, Exhibitions
Reimagining South Asian Womanhood: A Review of The Paglees: Between Reason and Madness

by Mrittika Ghosh

February 23, 2024

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Essays + Reviews, Exhibitions
Fossilized Ecologies: A Review of Yoonmi Nam’s Generally Meant to be Discarded at Studios Inc.

by Yashi Davalos

February 20, 2024

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Archives, Essays + Reviews, Exhibitions
Rejecting Neutrality: Reparative Description at the Johnson Publishing Company Archive

by Jehoiada Zechariah Calvin

January 30, 2024

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Archives, Essays + Reviews, On Archives
Listening to Whales in Central Illinois: A Review of CETACEAN and Who Speaks for the Oceans?

by Jessica Hammie

January 17, 2024

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Essays + Reviews, Exhibitions, Sound, Film + Video
Weaving Melodies: A Review of Qianwen Yu’s Woven Symphony

by Yunyao Que

January 15, 2024

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Essays + Reviews, Exhibitions
An Angel With Her Wings

by Riley Yaxley

January 12, 2024

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Artists, Essays + Reviews
Pa’Lante

by Paloma

January 10, 2024

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Essays + Reviews
El Dolor Comunitario de O Death

by Sofia Sanchez Borboa

January 6, 2024

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Bilingual, Desde los archivos, Essays + Reviews, Happenings
Leaving the Dollhouse: On “The Writer,” Political Theatre, and Abandoning Institutions

by persephone van ort

January 5, 2024

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Essays + Reviews, Happenings
Communal Grieving at Santiago Quintana’s O Death

by Sofía Sanchez Borboa

December 18, 2023

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Essays + Reviews, Happenings
Shop ’til You Drop: A Review of Kokandy Productions’ “American Psycho: The Musical”

by Annette LePique

December 8, 2023

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Essays + Reviews, Happenings
Sister’s Whispers: Writing Nüshu in China, Writing Chinese in America

by Xiao Faria daCunha

November 30, 2023

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Bilingual, Essays + Reviews, Sixty Regional
Tracing Imperial Threads: Shelly Jyoti, Indigo, and Collectivity

by Mrittika Ghosh

November 20, 2023

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Essays + Reviews, Exhibitions
Con Mucho Amor, Mi Plátano

by Paloma

November 13, 2023

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Essays + Reviews
Yes, You Belong Here, Too

by Shivani Kumar

October 21, 2023

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Community, Essays + Reviews
it wants to lie down, you want it to stand up: a letter to Ruth*

by isra rene

October 11, 2023

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Art Design Chicago, Essays + Reviews
Antonius-Tín Bui: There are Many Ways to Hold Water Without Being Called a Vase

by Francine Almeda

September 21, 2023

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Archives, Essays + Reviews, Exhibitions
Broken Open: persevere, honor & create

by Mary ejdpkl Lawson

September 20, 2023

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Essays + Reviews, Exhibitions, Projects + Collaborations
A Study in Movement, Sound, and Afro-Diasporic Excavation: A Review of Ben Hall and Kaleigh Wilder at Experimental Sound Studio

by Nadya Kelly

September 14, 2023

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Artists, Essays + Reviews, Sound, Film + Video
Music that Wants You to Sleep: Ambient Lullabies at StretchMetal’s Drone Sleepover

by Livy Snyder

September 12, 2023

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Essays + Reviews, Happenings, Sound, Film + Video
The Tongue

by Riley Yaxley

September 6, 2023

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Essays + Reviews
Pyaar, Jugaad, etc : प्यार , जुगाड़, etc. : On language, multiplicity in meaning, and underground abuse through technology that goes undetected in non-English speaking countries.

by Darshita Jain

September 1, 2023

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Bilingual, Essays + Reviews
Thoughtful Tracking: A Reparative and Intersectional Guidebook to the Art Critical Landscape

by Ian Carstens

September 1, 2023

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Artists, Community, Essays + Reviews, Featured
I MADE FRIENDS AND I’M HERE: A Pal on the Inside of Elliot Schiff’s “I’m Not Here to Make Friends”

by Maggie Rothberg

August 14, 2023

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Artists, Essays + Reviews
Traveling Somewhere Warm in Our Minds: A Review of Presence in the Pause: Interiority and its Radical Immanence

by Chenoa Baker

July 31, 2023

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Artists, Essays + Reviews, Exhibitions
A Response to D-Composition: Love Is…

by Shivani Kumar

July 21, 2023

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Essays + Reviews, Exhibitions, Happenings
Aesthetics of Adaptability: Yvette Mayorga, rasquachismo, and pink

by Vic Barquin

July 18, 2023

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Artists, Essays + Reviews, Exhibitions