All posts tagged: France

Image: Video still from Hương Ngô's, In the Shadow of the Future, 2014-19. Still shows someone dressed up in a cosmonaut outfit standing in the foreground next to a large white geometric structure. In the background is a building with plants dangling out the windows, with architecture in a similar triangular style as the white structure as well as Hương's central installation. It is a sunny day out in the photo. Image courtesy of the artist.

In the Shadow of the Future: Interview with Hương Ngô

The colorful folded paper triangle takeaways prepared by Hương Ngô’s for her current exhibition “In the Shadow of the Future” open up to describe a narrative about Vietnamese fighter pilot Phạm Tuân heading to space under a Soviet program in 1979, the same year that thousands of people fled persecution in Vietnam to resettle in a suburb of Paris. Hương brings these two migration stories together under the same roof, connecting their journeys after 40 years of separation. In the center of the room at 4th Ward Project Space, is a bright architectural installation made of collided triangular forms. Some have windows, and others are closed off in their own corners and have gardens of greenery. Two video screens protrude from the top of the piece, tilted up to the sky, and another is ingrained into the building itself, posited inches from the ground. On the wall of the gallery is a newspaper article cast in concrete from the New York Times regarding Phạm’s mission with the text slightly deteriorated. The environment construed by Hương …

This is a photograph of three copies of the book “Brea,” against a light background. Two lie flat in the left side of the frame, front cover and spine visible, and the third is upright, with only the front cover showing. The front cover image is an ink illustration of a young boy in close-up, straight-on, showing his face, chest, and parts of his arms. He wears a long-sleeved shirt and his hands are flipped upside-down over his eyes to form goggles, of sorts, with each thumb and forefinger. Courtesy of the artist.

Beyond the Page: Carlos Matallana

“Beyond the Page” digs into the process and practice of writers and artists who work at the intersection of literary arts and other fields. In March, I was honored to interview artist and educator Carlos Matallana about the development of his ongoing Manual of Violence project, the process of creating its fictional comic installment “Brea,” and how games, childhood, dreams, and more shape his work. Follow @tropipunk on Instagram and check out his presentation about “Brea” at the Hyde Park Art Center on Saturday, May 26, 2-4pm. This interview has been edited for length and clarity, and includes some spoilers about the book “Brea.” Marya Spont-Lemus: I guess I’d love to start by just hearing how long you’ve been making work in Chicago and what brought you here. Carlos Matallana: Well, I ended up in Chicago because I have old friends here in the city. But initially I moved from Bogotá to New York. I spent a couple of months, not even four months, in New York. I spent all my savings, and I tried …