All posts tagged: playwright

Beyond the Page: Tanuja Devi Jagernauth

“Beyond the Page” digs into the process and practice of writers and artists who work at the intersection of literary arts and other fields. For this installment, I interviewed Tanuja Devi Jagernauth — Indo-Caribbean playwright, dramaturg, organizer — about how her practices in theater, prison abolition, healing justice, and transformative justice interconnect; creating spaces for BIPOC theater-makers; doing mutual aid during and beyond the pandemic; and how she challenges systems of oppression and struggles for collective liberation through her work. Tanuja and I spoke in May. We recognize that in the weeks since then there has been a broadened nation-wide uprising against policing and other white supremacist systems — an uprising sparked by the murders of George Floyd, Breonna Taylor, Tony McDade, Ahmaud Arbery, and innumerable others, as well as by other forms of anti-Black violence. We recognize that these racist acts are part of a long, systematized lineage. And we recognize that there have always been organizers and artists visioning and building against, beyond, and outside of that. We have decided to publish this …

Aprils Fools and Their Universe: Kristiana Rae Colón and #LetUsBreathe Collective

Kristiana Rae Colón (she/her) is a poet, playwright, actor, educator, creator of Black Sex Matters, one half of brother-sister duo April Fools, co-director of the #LetUsBreathe Collective and hub director for Envisioning Justice at the Breathing Room. She is a wearer of many hats and force of nature in every piece of work she is a part of. I became aware of Kristiana through mutual comrades, and grew to know her work and learn from the intricacies within it all. As time went on, I had the pleasure of sharing a work space with Colón, and experienced her play “florissant & canfield,” written to shed light on the Ferguson Uprising and the murder of Mike Brown. It was an unforgettable moment. The #LetUsBreathe Collective is an alliance of artists and activists who come together, organizing through a creative lens to imagine a world without prisons and police. The Collective operates the Breathing Room, a Black-led liberation headquarters for arts, organizing, and healing on Chicago’s South Side. This article was edited for length and clarity. Miranda Goosby: What …

Body Passages: Lani T. Montreal and Maxine Patronik on Developing “Blood Memory”

This is the third article in an ongoing series about Body Passages, a partnership between Chicago Danztheatre Ensemble and The Chicago Poetry Center (the first and second are online). This series gives brief looks into a 10-month, interdisciplinary creative process between Body Passages poets and dancers, documenting and reflecting on aspects of that process as it happens. In September, I spoke with writer Lani T. Montreal and dancer/choreographer Maxine Patronik about their collaborative process; their resulting piece, “Blood Memory,” about trauma and bodily memory; and their thoughts about artists’ responsibility when presenting work with sensitive themes. This interview has been edited for length and clarity. Lani and Maxine’s final creation – along with those by other Body Passages groups – were performed at a culminating event at the Chicago Danztheatre Ensemble Auditorium on October 12 and 13. Marya Spont-Lemus: It was so cool to get to observe you today at work on “Blood Memory,” your piece-in-progress for Body Passages. So thank you! Before we get into discussing that collaborative piece and your process, I’d love …

Body Passages: Exploring Visual Art with Poets Lorraine Harrell and David Nekimken

This is the second article in an ongoing series about Body Passages, a partnership between Chicago Danztheatre Ensemble and The Chicago Poetry Center (the first is here). This series gives brief looks into a 10-month, interdisciplinary creative process between Body Passages poets and dancers, documenting and reflecting on aspects of that process as it happens. On an afternoon in early May, I showed up to watch an “open rehearsal” at the Chicago Cultural Center’s dance studio only to find myself a participant. This opportunity became even more exciting when the people I was there to see—Lorraine Harrell and David Nekimken, two delightful and effervescent poets who were in residence through Body Passages—invited me to join them as they sought inspiration and inputs in the galleries. We spent an hour together exploring the Cultural Center’s first-floor exhibitions, as the pair shared their observations and perspectives about visual artworks, made connections to their own lives and practices, and generated ideas for a joint creative project—an interdisciplinary, in progress work, prompted by their participation in Body Passages. A …