All posts tagged: performance artists

A Scene of Her Own: The Inimitable Vaginal Davis

Her blond hair perfectly flipped, a smile breaking across her warm and open face, Vaginal Davis takes the mic, satin blue nighty shimmying. Amidst a stage of fierce femmes of all shapes and sizes rocking back and forth in slumber party attire, Davis holds the center of our attention. Performing tonight as Graciela Grejalva—lead singer of Cholita!—she sings, she shouts, sweating, spitting rapid-fire lyrics, a pink swatch of fabric clutched in one hand. Her other hand gesticulates wildly, mirrored by the lingerie-clad woman to her left who cajoles in pantomime, pointing at, sometimes flipping off the audience, implicating and drawing them in. Black and brown women, including Alice Bag of Sad Girl and The Bags, play backup to our Blatino (half Black, half Mexican), intersexed, queer drag superstar, churning out a low-fi frenzied garage punk beat. “CHINGA TU, CHINGA TU, CHINGA TU MADRE!” they collectively sing in urgent, joyful unison. Go fuck yourself. Literally, go fuck your mother. Vaginal Davis, who named herself after Black radical Angela Davis with a queer, humorous twist, is not …

In the Realm of Senses and the Pleasure of Eating with Music

Before Jeff Yang takes the stage, someone behind me says to a friend, “What you’re about to experience is like nothing else … it’s remarkable.” I don’t really know what I’m about to expect. I came to the event alone, my partner had to work, and I have an irrational fear of interactive events. I’m going into the night without many expectations. I received an email about a week or so in advance inviting me to In The Realm of Senses: Pictures at an Exhibition Fundraiser, and of course, I read the pamphlet — food, drinks, sense, scent, taste, music, sound — but I wasn’t sure how it would be exhibited, how the audience would be involved, and how I would react. All of the senses are familiar as simple words but existing together, and depending on one another, was something I had not experienced. I was nervous. Behind Yang hangs the work of Maja Bosen, an installation artist, whose pieces hang delicately from the ceiling on the back and left hand side of the stage. Yang …

Intimate Justice: Amanda Joy Calobrisi

“Intimate Justice” looks at the intersection of art and sex and how these actions intertwine to serve as a form of resistance, activism, and dialogue in the Chicago community. For this installment, we talked to Amanda Joy Calobrisi about the confrontation of a body, ending war by lifting skirts, and Boudoir photographs in Amanda’s Pilsen apartment over donuts.  This interview has been edited for length and clarity. S. Nicole Lane: What brought you to Chicago? Amanda Joy Calobrisi: I went to SAIC for graduate school. So Charlie and I moved out here for that. It was a big move. It’s scary, to move states. It’s really intense, there’s something of course exciting about it but it’s also kind of scary. And my mom—I grew up with a single parent—so it also felt like I was abandoning my family. That was kind of huge. But once we got here, we were pretty excited to be out of Boston. I don’t think we realized how settled we were there, not because we wanted to be but because it was comfortable. SNL: Yeah, and the …

Performing Revolutionary: Art, Action, Activism by Nicole Garneau

Artist and activist Nicole Garneau’s new book Performing Revolutionary: Art, Action, Activism takes you on an intimate journey through her project UPRISING, a series of performances that took place once a month for five years. Defining her UPRISINGs as “public demonstration of revolutionary practices,” these performances, protests, celebrations envelop around efforts of connection, community, and care in a way that is reflected in the writings in this book (Garneau, 2). The artist lovingly holds your hand while she walks you through how this project began, and then onwards into each of the 60 performances taking place in eight states and other international locations, beginning in 2008. Each of the sixty performances explored within this book is two-fold: one part being ‘IN ACTION’ which describes the performance and event; the other being ‘Revolutionary Practice,’ which offers a prompt, an exercise the reader can do themselves, putting the action into practice. Garneau describes this book as, “The result of many years of exploration into how performance can be used to create public demonstrations of the possibilities for a more loving, …

Intimate Justice: Liz McCarthy

“Intimate Justice” looks at the intersection of art and sex and how these actions intertwine to serve as a form of resistance, activism, and dialogue in the Chicago community. For this installment, we talked to Liz McCarthy about shifting from photography to sculpture, the performance of making objects, and pleasure as resistance.  S. Nicole Lane: When did you start creating art in general? What’s your educational background, how did you end up in Chicago? Liz McCarthy: Sure. I went to the University of North Carolina at Asheville. And when I was there I was doing photography with mixed media. I was super into photography and the dialogue of gaze and kind of taking/capturing the moment and these documents of experience. I also dabbled in clay a little bit, because there was such a big clay community. Then I moved to Chicago in 2009 and started Roxaboxen Exhibitions, which was an art space in Pilsen. I ran that for three years. I’ve also worked with Acre for a long time—Acre is a residency. I’d say my work has shifted a lot—was …

Intimate Justice: Lauren Steinberg

“Intimate Justice” looks at the intersection of art and sex and how these actions intertwine to serve as a form of resistance, activism, and dialogue in the Chicago community. For this installment, we talked to Lauren Steinberg in the grass of Lincoln Park about a queer future, pop culture, and rolling around online.  S. Nicole Lane: We can begin with your background. You’re from New York City.  Lauren Steinberg: Yeah. I grew up in New York City. Manhattan. My dad, he’s 75, he’s an older dad. He grew up there too, and he never left. He refuses to leave. He kind of tried to instill that in me. It worked for a while, I ended up going to undergrad at Pratt in Brooklyn. I think I wanted to punish myself a little bit for being an artist. Not that I didn’t love Pratt, Pratt was amazing, but it was definitely the most rigid school that I got into at the time. I was like, “If I’m really going to do this and suffer, because everyone tells …