Exhibitions

ebere agwuncha’s cenobitic praise songs

by Camille Bacon

June 13, 2025

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Artists, Essays + Reviews, Exhibitions
Apparitions and Unraveled Ecosystems: A Review of A Tale of Today: Materialities at the Driehaus Museum

by Kristie Kahns

April 17, 2025

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Art Design Chicago, Essays + Reviews, Exhibitions
Speculative Figuration: A Review of SK Reed’s The Unreal

by Brandan Griffin

March 20, 2025

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Artists, Essays + Reviews, Exhibitions
See It All the Way Out: Questions of Value and Labor with Samantha Box

by Ian Carstens

March 1, 2025

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Artists, Exhibitions, Interviews
I am whispering to you

by Riley Yaxley

February 28, 2025

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Essays + Reviews, Exhibitions
A Review of Freedom in Form: Richard Hunt at the Abraham Lincoln Presidential Library and Museum

by Troy Sherman

February 27, 2025

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Essays + Reviews, Exhibitions
The United Colors of Robert Earl Paige: A Reflection on Community, Glamour, and Style

by Jared Brown

February 27, 2025

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Art Design Chicago, Essays + Reviews, Exhibitions
What We Talk About When We Talk About Censorship: Curators Under Censorship and School as a Function of Empire

by Claude Peignot

February 26, 2025

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Archives, Exhibitions
Typographical Scavenger Hunt: Using “Letters Beyond Form: Chicago Types” as a Framework

by Ally Fouts

February 24, 2025

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Essays + Reviews, Exhibitions, Photo Essay
Grounding, Advocating, and Experimenting with Craft: What I Learned From “AGENCY: Craft in Chicago from the 1970s–80s and Beyond”

by Xiao Faria daCunha

February 21, 2025

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Essays + Reviews, Exhibitions
序…/亦多滋多味的

by Tianjiao Wang

February 20, 2025

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Bilingual, Essays + Reviews, Exhibitions
Preface…/yet Flavorful

by Tianjiao Wang

February 20, 2025

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Bilingual, Essays + Reviews, Exhibitions
The Vitality of What Has Always Been: Interview with Sa’dia Rehman

by Megha Ralapati

February 19, 2025

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Exhibitions, Interviews, Sixty Regional
Visage of Time: Poetic Response

by Joan Roach

February 14, 2025

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Exhibitions, Poetry + Short Stories
webs of interdependencies: an interview on Vampire Bats and more-than-human worlds with Ruth Burke and D Rosen

by Ruth Burke

February 13, 2025

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Exhibitions, Interviews
The Queer Metamorphosis in Chinatown

by Mian Chen

January 30, 2025

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Essays + Reviews, Exhibitions
Radical Craft: Firebird Community Arts and Red Line Service pick up the threads of Hull-House

by Amanda Dee

January 24, 2025

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Art Design Chicago, Essays + Reviews, Exhibitions
Anchor Editorial: diversión is for everyone

by Cristobal Alday

January 21, 2025

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Bilingual, Columns + Series, Community, Exhibitions
Anchor Editorial: diversión es para todos

by Cristobal Alday

January 21, 2025

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Bilingual, Columns + Series, Community, Exhibitions
Vests Power into Power: Chess as Anti-Colonial Warfare

by Chenoa Baker

January 10, 2025

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Essays + Reviews, Exhibitions
Listening to a continuous multi-species polyphony: An Interview with the Curators of urban+nature sonic pavilion

by Livy Synder

December 2, 2024

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Exhibitions, Interviews, Sound, Film + Video
Yashira Davalos Goes for Gold with “Allegories of Inertia”

by Nasir Anthony Montalvo

November 25, 2024

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Essays + Reviews, Exhibitions
Thank You for This Question

by Mary Lawson

November 20, 2024

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Art Design Chicago, Exhibitions, Interviews
STATIC ELECTRICITY: “JUST BELOW THE SURFACE” at Chicago Art Department

by Samuel Schwindt

November 17, 2024

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Archives, Exhibitions
Prayers Through the Ruins: A Review of Sayeda Misa Sourour’s “Al-Atlal”

by Gordon Fung

November 16, 2024

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Essays + Reviews, Exhibitions
Traversing Time: A Review of Tizita

by Caiden Cawthorn

November 14, 2024

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Essays + Reviews, Exhibitions
A Sonic Geography of Voice: A Review of EXP/VOX

by Livy Snyder

October 12, 2024

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Artists, Exhibitions, Performance, Sound, Film + Video
Limitless Potentialities: A Review of the 2024 Great Rivers Biennial

by Kaitlyn B. Jones

October 8, 2024

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Essays + Reviews, Exhibitions, Sixty Regional
“As if the material did not allow for linearity”: Kaveri Raina’s Paintings on Burlap

by Cecilia González Godino

October 7, 2024

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Essays + Reviews, Exhibitions
Defiant Bodies: a review of “Flags of Our Mothers” at Bemis Center for Contemporary Arts

by River Ian Kerstetter

September 13, 2024

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Artists, Exhibitions, Sixty Regional