Exhibitions

Listening to a continuous multi-species polyphony: An Interview with the Curators of urban+nature sonic pavilion

by Livy Synder

December 2, 2024

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Exhibitions, Interviews, Sound, Film + Video
Yashira Davalos Goes for Gold with “Allegories of Inertia”

by Nasir Anthony Montalvo

November 25, 2024

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Essays + Reviews, Exhibitions
Thank You for This Question

by Mary Lawson

November 20, 2024

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Art Design Chicago, Exhibitions, Interviews
STATIC ELECTRICITY: “JUST BELOW THE SURFACE” at Chicago Art Department

by Samuel Schwindt

November 17, 2024

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Archives, Exhibitions
Prayers Through the Ruins: A Review of Sayeda Misa Sourour’s “Al-Atlal”

by Gordon Fung

November 16, 2024

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Essays + Reviews, Exhibitions
Traversing Time: A Review of Tizita

by Caiden Cawthorn

November 14, 2024

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Essays + Reviews, Exhibitions
A Sonic Geography of Voice: A Review of EXP/VOX

by Livy Snyder

October 12, 2024

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Artists, Exhibitions, Performance
Limitless Potentialities: A Review of the 2024 Great Rivers Biennial

by Kaitlyn B. Jones

October 8, 2024

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Essays + Reviews, Exhibitions, Sixty Regional
“As if the material did not allow for linearity”: Kaveri Raina’s Paintings on Burlap

by Cecilia González Godino

October 7, 2024

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Essays + Reviews, Exhibitions
Defiant Bodies: a review of “Flags of Our Mothers” at Bemis Center for Contemporary Arts

by River Ian Kerstetter

September 13, 2024

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Artists, Exhibitions, Sixty Regional
Difficult Generosity: A Review of Qiuchen Wu’s Three American Painters

by Yeti Kang

September 8, 2024

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Artists, Essays + Reviews, Exhibitions
Tripartite Lenses: a History of Them, Him, and Us

by Xiao Faria daCunha

September 4, 2024

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Art Design Chicago, Bilingual, Exhibitions
Lentes Tripartitos: Una historia de ellos, de él, y de nosotros

by Xiao Faria daCunha

September 4, 2024

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Art Design Chicago, Bilingual, Exhibitions
Beyond the Four Walls: Reflections on “piecemeal (earthen works in progress)”

by Jasmine Barnes

September 3, 2024

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Essays + Reviews, Exhibitions, Sound, Film + Video
On Acknowledgements / Lines of Handling at State VIII Project (2024-2027)

by Luigi Alamanni

August 15, 2024

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Bilingual, Essays + Reviews, Exhibitions
“鸣谢/理线”于八棱角空间”（2024-2027）

by 路易吉·阿拉曼尼

August 15, 2024

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Bilingual, Essays + Reviews, Exhibitions
Herejías Queer: Desatando al Sujeto

by Leigh Fleshman

August 12, 2024

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Artists, Bilingual, Essays + Reviews, Exhibitions
Queer Heresies: Unbinding the Subject

by Leigh Fleshman

August 12, 2024

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Artists, Bilingual, Essays + Reviews, Exhibitions
Curating and Cultivating Care: Actions for the Earth at the Block Museum

by Julia Arredondo

July 31, 2024

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Essays + Reviews, Exhibitions
Come In, Get Comfortable: Stepping Into Chicago’s Queer History with the South Asia Institute

by Mrittika Ghosh

July 22, 2024

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Archives, Essays + Reviews, Exhibitions
Tracing the Ecologies of Memory: A Review of Captured Earth at the Museum of Contemporary Photography

by Kristie Kahns

July 18, 2024

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Essays + Reviews, Exhibitions
Glimmering Among the Shadows — a review of What is Seen and Unseen: Mapping South Asian American Art in Chicago

by Saadia Pervaiz

July 9, 2024

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Essays + Reviews, Exhibitions
Imaginary terrains and a considered sense of play: certain places at Comfort Station

by Josepha Natzke

July 8, 2024

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Essays + Reviews, Exhibitions
“None of my business”: Power, Abuse, and Mourning in the Work of Selva Aparicio

by Kay Ana

June 7, 2024

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Essays + Reviews, Exhibitions
Relics of a Culture in Flux — a review of Kevin Demery and Andrew Mcilvaine’s Threshold II: Migration Patterns

by Kaitlyn B. Jones

May 28, 2024

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Essays + Reviews, Exhibitions
Review: A Love Supreme at Elmhurst Art Museum

by Jen Torwudzo-Stroh

May 7, 2024

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Artists, Essays + Reviews, Exhibitions
Consider a Disappearance

by Riley Yaxley

March 21, 2024

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Essays + Reviews, Exhibitions
The Transcendent Iconography of Black Girlhood

by Jasmine Barnes

March 20, 2024

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Community, Essays + Reviews, Exhibitions
The Atmosphere that Holds Us: an interview with Brittany Nelson on I can’t make you love me

by Ally Fouts

March 15, 2024

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Artists, Exhibitions, Interviews
Deer in Headlights: A Review of Archiving Edging at Roots & Culture

by Joan Roach

March 14, 2024

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Archives, Bilingual, Essays + Reviews, Exhibitions