Essays + Reviews

Elbow Grease: Bringing People Together Under Desi Starlight

by Saadia Pervaiz

June 7, 2023

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Columns + Series, Community, Essays + Reviews
Elbow Grease: Play and Being Played: Survival Tactics of an Artist

by Nayeon Yang

May 30, 2023

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Columns + Series, Essays + Reviews
Small Art, Big Energy: A review of Barely Fair

by Christina Nafziger

May 23, 2023

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Artists, Essays + Reviews, Exhibitions
Days Later, Down River: The Path to Follow

by Francine Almeda

May 22, 2023

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Essays + Reviews, Exhibitions, Featured
Entangling the Times: Review of not all realisms: photography, Africa, and the long 1960s

by Elizabeth Upenieks

May 16, 2023

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Essays + Reviews, Exhibitions
Leading the Way: Women Indigenizing Institutions

by Luz Magdaleno Flores

May 12, 2023

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Art Design Chicago, Essays + Reviews
What’s Inside a Girl? A Response to Shana Hoehn’s Basket Toss

by Annette LePique

May 8, 2023

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Essays + Reviews, Exhibitions
Too Much Sentimentality

by Riley Yaxley

May 1, 2023

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Artists, Essays + Reviews
Interweave: Morgan Green’s Text Fields

by persephone van ort

April 30, 2023

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Essays + Reviews, Exhibitions
Artistic Meditation: Bryana Bibbs Explores Personal Narrative Through the Intersection of Weaving and Painting

by Jen Torwudzo-Stroh

April 11, 2023

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Artists, Essays + Reviews, Exhibitions
Yae Jee Min’s Gift of Wings

by Christina Nafziger

April 5, 2023

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Artists, Essays + Reviews, Exhibitions
Workin’ 9 to 5: For Those Who Toil at Purple Window Gallery

by Annette LePique

March 16, 2023

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Artists, Essays + Reviews, Exhibitions
The Willing Selective Hindsight of Islamicate History

by Saadia Yasmin Pervaiz

February 27, 2023

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Community, Essays + Reviews
A Sound Deemed Unwanted: A Review of Soft Noise at The Plan

by Livy Snyder

February 21, 2023

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Artists, Essays + Reviews, Exhibitions
Toys Are Us: Deborah Simon’s Embroidered Morphologies at the International Museum of Surgical Science

by Annette LePique

February 3, 2023

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Artists, Essays + Reviews, Exhibitions
Review of Still Together at Saint Kate Arts Hotel

by Annie Raab

January 27, 2023

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Artists, Essays + Reviews, Exhibitions
Root of Two: On Darkness

by Jared Brown

January 23, 2023

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Essays + Reviews, Exhibitions, Sixty Regional
Figures in the Landscape: Pao Houa Her’s Paj qaum ntuj / Flowers of the Sky

by Ruby Jeune Tresch

January 20, 2023

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Essays + Reviews, Exhibitions
Collage as Worldbuilding: Hybridity in Solo(s): Krista Franklin

by Amanda Dee

January 14, 2023

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Essays + Reviews, Exhibitions
In defense of communal catharsis, whenever required: on the Foo Fighters’ “Best of You”

by Darshita Jain

January 12, 2023

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Essays + Reviews, Sound, Film + Video
In Her Own Words: Confessions of Womanhood and Motherhood

by Gabrielle Lynch

January 6, 2023

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Artists, Essays + Reviews
Review of Glory Hole at Polonium Projects

by Annette LePique

January 3, 2023

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Artists, Essays + Reviews, Exhibitions
Earthly Pleasures: A Review of Soumya Netrabile’s Searching for Stars

by Annie Dauber

December 17, 2022

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Essays + Reviews, Exhibitions
The Agenda of Artifice | On Liza Jo Eilers’ The Care And Keeping of You

by Ruby Jeune Tresch

December 16, 2022

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Essays + Reviews, Exhibitions
Erasing Native Chicago Through Settler Occupation

by Fawn Pochel

December 8, 2022

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Community, Essays + Reviews
Not Geography But a State of Mind: Review of Forecast Form: Art in the Caribbean Diaspora at the MCA

by Elisa Shoenberger

December 5, 2022

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Essays + Reviews, Exhibitions
Beauty is in the “I” of the Beholder

by Chenoa Baker

December 2, 2022

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Essays + Reviews
The Lover’s Prayer

by Riley Yaxley

November 29, 2022

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Essays + Reviews, Poetry + Short Stories
“The Wizards” are transmuting: a reflection

by Dr. N. Tulio Bermúdez

November 28, 2022

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Artists, Essays + Reviews, Happenings
Review of We. The Culture: Works by The Eighteen Art Collective at the Indianapolis Museum of Art at Newfields

by Jen Torwudzo-Stroh

November 25, 2022

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Essays + Reviews, Exhibitions