Essays + Reviews

The Willing Selective Hindsight of Islamicate History

by Saadia Yasmin Pervaiz

February 27, 2023

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Community, Essays + Reviews
A Sound Deemed Unwanted: A Review of Soft Noise at The Plan

by Livy Snyder

February 21, 2023

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Artists, Essays + Reviews, Exhibitions
Toys Are Us: Deborah Simon’s Embroidered Morphologies at the International Museum of Surgical Science

by Annette LePique

February 3, 2023

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Artists, Essays + Reviews, Exhibitions
Review of Still Together at Saint Kate Arts Hotel

by Annie Raab

January 27, 2023

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Artists, Essays + Reviews, Exhibitions
Root of Two: On Darkness

by Jared Brown

January 23, 2023

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Essays + Reviews, Exhibitions, Sixty Regional
Figures in the Landscape: Pao Houa Her’s Paj qaum ntuj / Flowers of the Sky

by Ruby Jeune Tresch

January 20, 2023

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Essays + Reviews, Exhibitions
Collage as Worldbuilding: Hybridity in Solo(s): Krista Franklin

by Amanda Dee

January 14, 2023

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Essays + Reviews, Exhibitions
In defense of communal catharsis, whenever required: on the Foo Fighters’ “Best of You”

by Darshita Jain

January 12, 2023

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Essays + Reviews, Sound, Film + Video
In Her Own Words: Confessions of Womanhood and Motherhood

by Gabrielle Lynch

January 6, 2023

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Artists, Essays + Reviews
Review of Glory Hole at Polonium Projects

by Annette LePique

January 3, 2023

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Artists, Essays + Reviews, Exhibitions
Earthly Pleasures: A Review of Soumya Netrabile’s Searching for Stars

by Annie Dauber

December 17, 2022

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Essays + Reviews, Exhibitions
The Agenda of Artifice | On Liza Jo Eilers’ The Care And Keeping of You

by Ruby Jeune Tresch

December 16, 2022

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Essays + Reviews, Exhibitions
Erasing Native Chicago Through Settler Occupation

by Fawn Pochel

December 8, 2022

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Community, Essays + Reviews
Not Geography But a State of Mind: Review of Forecast Form: Art in the Caribbean Diaspora at the MCA

by Elisa Shoenberger

December 5, 2022

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Essays + Reviews, Exhibitions
Beauty is in the “I” of the Beholder

by Chenoa Baker

December 2, 2022

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Essays + Reviews
The Lover’s Prayer

by Riley Yaxley

November 29, 2022

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Essays + Reviews, Poetry + Short Stories
“The Wizards” are transmuting: a reflection

by Dr. N. Tulio Bermúdez

November 28, 2022

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Artists, Essays + Reviews, Happenings
Review of We. The Culture: Works by The Eighteen Art Collective at the Indianapolis Museum of Art at Newfields

by Jen Torwudzo-Stroh

November 25, 2022

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Essays + Reviews, Exhibitions
Touch Grass: A Review of Liz’s Childhood Computer: 2003 – 2005 at Prairie

by Emeline Boehringer

November 21, 2022

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Essays + Reviews, Exhibitions, Projects + Collaborations
Overlap: Anna Kavan & me

by Sloane Murphy

November 15, 2022

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Artists, Essays + Reviews, Poetry + Short Stories
On Balance & Play: Tetsuya Yamada’s Shallow River

by Meghan Clare Considine

November 13, 2022

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Artists, Essays + Reviews, Interviews
Review: Fear of Property

by Rebecka Kann

November 8, 2022

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Essays + Reviews, Exhibitions
Kurt Can Act: an essay on theatre and what it does

by Kurt Chiang

October 17, 2022

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Essays + Reviews, Featured, Happenings
Review: MDW Art Fair at Mana Contemporary

by Joan Roach

October 8, 2022

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Essays + Reviews, Exhibitions
Thoughts on Remaking the Exceptional: Tea, Torture, and Reparations at the DePaul Art Museum

by Isra Rahman

September 22, 2022

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Artists, Essays + Reviews, Exhibitions
Nubes Art Fair at Heaven Gallery Promotes Both Equity and Sales

by Susan Musich

September 20, 2022

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Essays + Reviews, Exhibitions, Happenings
Review: Arghavan Khosravi’s The Witness at Kavi Gupta Gallery

by Elizabeth Upenieks

September 17, 2022

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Essays + Reviews, Exhibitions
On BOUND and Religious Experiences at Dive Bars

by Yoana Tosheva

September 16, 2022

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Essays + Reviews, Happenings
A Review of Artist Run Spaces at the Contemporary Art Center, Cincinnati

by Megan Bickel

September 15, 2022

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Essays + Reviews, Exhibitions, Sixty Regional
Just Gotta Keep Chasing: reflections on “Wildcats” at the Neofuturists

by persephone van ort

September 14, 2022

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Essays + Reviews