Author: Jennifer Torwudzo-Stroh

Image: Don't Matter How Raggly the Flag, It Still Got to Tie Us Together by Thornton Dial. A large, mixed-media piece that looks like a tattered American Flag. © Estate of Thornton Dial. Photo: Stephen Pitkin/Pitkin Studio/

Black Artists Deserve Better: Thornton Dial at the IMA

Regarding the state of Indiana, I would say that it benefits from the perception crafted in our history classes that racism only exists in the south, and the northern states have always been a bastion of acceptance. Let me disabuse you of that belief. I went to college in Muncie, Indiana, where one of my professors quipped that Indiana is “the northernmost southern state.” In 1843, famous abolitionist and orator Frederick Douglass gave a speech in Pendleton, Indiana and was nearly bludgeoned to death by a white mob of anti-abolitionists. Additionally, Indiana has historically been a hotbed of Ku Klux Klan activity, (a fact that was shared with me repeatedly, almost gleefully during the time I lived there) and Confederate flags are the norm. Anecdotally I’ve seen them on car bumpers, proudly displayed on front porches, sewn onto jackets as patches, and on the wall of a frat house, just to name a few. All of this matters because The Davis Lab at the Indianapolis Museum of Art (IMA) at Newfields is currently hosting an …

Featured image: An installation view of Sergio Lucena: The Blue that embraces me... at Mariane Ibrahim Gallery. Three paintings hang on a white wall. Photo by Evan Jenkins, Courtesy Mariane Ibrahim.

Review of Sergio Lucena: “The Blue that embraces me…” at Mariane Ibrahim Gallery

Any other time, it would go without saying, but in 2021, it’s worth mentioning that art is best seen in person. As we inch toward a return to normalcy, we exist in a half-in, half-out lockdown world, leaving us trapped in a sort of art show purgatory. Do we roam the viewing room online first? Do we go in sight unseen? Or perhaps we just do a little peek at the viewing room on the bus on the way to the gallery. To address those concerns directly, The Blue that embraces me… is a show you must see at the gallery. You can, of course, glance or pour over the online installation views here, but for that oomph, that deep breath of cleansing air, the show can only be seen in person. The brief show at Mariane Ibrahim Gallery is made up of six works by Sergio Lucena. Although blue hues are present throughout, as the title suggests, each canvas is an exploration of a range of colors. Lucena’s paintings all follow a similar theme: …

Image: Deep Water and Drowning Are Not The Same Thing by YoYo Lander, 2019. The mixed-media piece shows a nude woman with brown skin sitting with her head in her arms. She wears a red head wrap and sits on blue sheets. Image courtesy of the artist.

Not All Fair: The Black Female Nude in Art

In Greek mythology, Andromeda was a princess like many before her, achingly beautiful, conspicuously silent, and waiting to be rescued. In her young life, her beauty had been her foil; her mother, Queen Cassiopeia, boasted that her daughter was more beautiful than the Nereids, the daughters of Poseidon. When the Queen’s blasphemous words got back to the beautiful sea nymphs the enraged Nereids demanded justice from their father, the god of the sea. Justice came swiftly in the form of a wild sea beast that ravaged the coastline of the princess’ kingdom. The ruler of that kingdom, King Cepheus, concluded that the only way to appease the angry sea god would be to sacrifice his precious daughter to the monster. And so poor, beautiful Andromeda was chained naked and shivering to a rock in the ocean to meet her fate. When the hero Perseus flew over in his winged sandals, he first saw her on the rock and mistook her for a marble statue. Entranced by her beauty, the hero and demigod swooped down, murdered …