Maya-Camille Broussard gives a glimpse into some of the challenges she experienced as a child and continues to experience in her daily life, and reminds us of why now, as always, Black Disabled Lives Matter and need to be uplifted when we talk about police violence.
A conversation with Ireashia M. Bennett, a Black queer new media artist from Suitland, Maryland who now calls Chicago home. Their work takes the form of photography, multimedia essays, short documentaries, and experimental films that poetically harness and affirm Black queer disabled perspectives and realities.
Creative, connecting, and celebratory—these were the intentions laid out for people at the start of the Disability Art Showcase and Maker-Space on April 16th. The event organizer, Bri Beck, a disability artist/advocate and art therapy graduate student from the School of the Art Institute of Chicago, hosted between sixty and seventy participants at Access Living, downtown Chicago’s main Center for Independent Living, for an evening of art-making and community-building. Systemically divided groups of disabled people, veterans, scholars, art therapists, artists, activists, and more, were invited to utilize the arts “to share the varied story of disability and to bring together those that are disabled and those that work within this community to further grow and define a collective voice and community”—per Beck’s design. Image: Two people, one kneeling and one standing, work together on a colorful wall tapestry made of various fabric strips. Photo by Ryan Edmund. Guests contributed to a group tapestry, created disability pride buttons, wove fibers alongside someone new, participated in a #DisabledIAm photobooth, and engaged with artwork created by disabled artists …
“I could have never expected this, it’s so exciting. It [makes me] feel like my story has been told for a very long time, and I don’t always have to be the one telling my story,” asserts Bri Beck while discussing the work in Chicago Disability Activism, Arts, and Design: 1970s to Today at Gallery 400. The exhibition is a multi-generational sampling of the disability-centered artwork that has been coming out of Chicago over the last fifty-plus years. Artist and art therapy graduate student Bri Beck and I visit the exhibition to discuss her experience as a part of this rich history. As we make our way through the gallery, Beck points out artists she’s worked with, portraits of people she recognizes, and professors she’s been mentored by. “I love being a part of the Chicago disability community,” says Beck. A close-knit and interconnected community, she explains, “there aren’t very many of us!” The seemingly small circle of artists and activists doing disability work in Chicago is precisely what has made the city an epicenter for advocacy and …
Leslie Rose is a textile and performance artist who creates domestic spaces in public and transforms damaged garments into treasured garments of wearable art through her project Gardens in Open Spaces. Her pieces blossom as they commemorate the stories of wearers and inspire conversation. Rose is a working-class disabled transwoman and a sex trafficking survivor who has experienced periods of homelessness, and she draws on these experiences as she interrogates the nature of domestic spaces, access to public spaces, the gendering and invisibility of certain types of labor, and how to navigate the effects of trauma. Because she is often unable to leave her apartment due to her disability, sharing her project on social media and through those who have commissioned wearable pieces has become part of her performance. You can follow her on Instagram using the tag #gardensinopenspaces. UPDATE: Since this interview, Rose suffered a heart attack and has launched a campaign to help her meet medical and living expenses while she recovers. This interview has been edited for clarity and conciseness. Jennifer Patiño Cervantes: How did your …
There’s something about a library that makes me feel at home. The seemingly endless options of well-worn books are a welcome sight for anyone who grew up spending hot summers cross-legged on a public library floor. During July, that innate sense of welcoming is highlighted further with the Chicago Public Library (CPL)’s Disability Awareness Month. With a fierce desire to make the disability community feel more at home in the city’s library spaces, the CPL’s Diversability Advocacy Committee is in the midst of its second annual celebration of people with disabilities—both as guests as well as creatives. Evelyn Keolian, co-chair of the Diversability Advocacy Committee and a Children’s Librarian at the Edgewater Branch, took the time to tell me a little more about the library’s Disability Awareness Month. Courtney Graham: Last year was the Chicago Public Library’s first observance of Disability Awareness Month, how did this initiative begin? Evelyn Keolian: At CPL, we have different heritage and cultural committees that take on the responsibility to facilitate programming to celebrate their respective heritage months. Some examples …
Chair or floor cushion? I decided to make myself comfortable in a chair on the corner of the stage—in the midst of the action, but removed enough to observe much of what was happening at the edges of the space. This performance of Claire Cunningham & Jess Curtis’ The Way You Look (at me) Tonight was certainly relaxed. Escorted to stage level, the audience was invited to sit directly on the stage in clusters of chairs and cushions, and prompted to make themselves at home, even remove their heavy winter boots if they were so inclined. After explaining what to expect, Cunningham and Curtis—acclaimed international theatre and dance artists—set into motion a “collage of dance, song, and text.” For roughly 100 minutes, the audience was treated to a show pendulating between humorous yet poignant moments and more classical performance segments of dance and song. (You can see a clip here). Though classical might be the wrong word, as Cunningham and Curtis’ work itself questions what we consider classic or traditional, playing with romantic ideals, gender …
In the video Crip Time (2017) by Philadelphia-based artist Carolyn Lazard, we watch two hands dole out units of medicine, one by one, into the expectant slots of a weekly dosage organizer. The methodical preparation plays out as a choreography of repetition and accumulation, a rhythmic tapping of pill on plastic. The pills themselves—studies in color and form as well as chemistry—become small ritual objects for marking time in a sick body. Abstracted from the suffering that necessitates them, these are pharmaceutical gemstones made from science we can’t access for purposes we aren’t told. The video marks the beginning of Beyond Measure, curated by Charlotte Ickes and Jared Quinton at Tiger Strikes Asteroid. The show pairs Lazard, whose personal experience with Crohn’s disease has shaped how they make visible the procedures and power dynamics structuring a life with chronic illness, with Daniel Cerrejón, who takes on the ways we try to demystify the condition of having a body among other bodies. At a time when dominant cultural narratives rely on the supposed immateriality of information …
![Image Description: Image of a very dark room, three faint windows can be made out. White text on top of the image says "Black Out Dinners" with a small fork and knife graphic. Photo courtesy of 6018North.]](https://sixtyinchesfromcenter.org/wp-content/uploads/2018/01/blackOutDinner-postcard-ver01-01_big.jpg)
Black Out Dinners are not the dining-in-the-dark, date-night novelty you may have seen offered on Groupon. 6018North, an Edgewater nonprofit for experimental arts and culture, takes the experience far beyond a trendy meal. In partnership with The Chicago Lighthouse, Black Out Dinners are presented by fully or partially visually impaired servers who guide guests in the pitch-black setting. The first two courses of the delicious vegetarian meal (Giuseppe Catanzariti of Midnight Kitchen Projects was the chef, with Sonia Yoon, when I attended) are enjoyed at communal tables in the dark, with only minor bumps and air-grasps. Dessert is served back in the light, and includes a discussion with the servers and meeting your fellow table-mates. As dinner guests, we were placing ourselves in the unknown, trusting someone for whom the dark is not unknown at all. This trust, the ability to lean on one another’s strengths, makes Black Out Dinners about far more than food. I had the chance to speak with Tricia Van Eck, Artistic Director at 6018North, as well as Elbert Ford, Job Placement Counselor …
None of the typical rules of a play apply here. Then again, when you come to a performance at the Museum of Contemporary Art Chicago, you aren’t really expecting typical, are you? Play is the second performance in a series called Thank You For Coming, created by Bessie Award–winning director and choreographer, Faye Driscoll. This performance “uses the ritual of storytelling to explore our reliance on stories to relate to one another and form identities as individuals and citizens.” What begins as a communal audience-participation on stage quickly delves into a parody of an absurd theater act. Employing multiple meanings of the term “play,” the cast performs a drama but an allowance for improvisation leaves room for the actors to engage in the more fanciful version of “play” as well. Play is also atypical in its breaking of the fourth wall. Not only does a sound engineer remain on stage, occasionally being called into the action, but Driscoll herself joins the cast. At times she is grabbing props or directing the actors, as if it were a rehearsal …
![[IMAGE DESCRIPTION: a gray-scale photograph of artist, Matt Bodett is shown from the shoulders up, on the left half of the image. The right half contains the words edge, sharp, and mined in a handwritten font, white on a black background; the words are partially erased and/or scribbled out.] Courtesy of Matt Bodett.](https://sixtyinchesfromcenter.org/wp-content/uploads/2017/09/matt-bodett-headshot.jpg)
A review of the recent performance at the Poetry Foundation.
While a new Sixty Inches from Center is in the making, please enjoy our weekly calendar, a list of visual art related events happening in Chicago. Events are chosen based on the information that is put in front of us. If you would like to take advantage of having your event listed on our website please send a press release to reuben.westmaas@sixtyinchesfromcenter.org Monday || March 31 Do Not Submit: A Storytelling Open Mic 7:30 to 10 p.m.; sign-up starts at 7 p.m. Powell’s Bookstore 2850 N Lincoln Ave Chicago, IL 60657 Free If you have been wanting to dip a toe into storytelling without facing a sold-out Moth Slam audience, this is the place to experiment. If you are an experienced writer/performer looking to hone your live lit skills, this is the place to put the work in. Not interested in telling? Come experience the process, and see how the polished stories on stage tomorrow are being shaped, tested and reworked today. Tuesday || April 1 Two Cookie Minimum Reading Series Celebrates Chicago’s Polish Writers 9 …
