All posts tagged: creative writing

Smiling Behind the Sun: An Interview with Eric Blackmon

Sixteen By Eric Blackmon 15 years, 7 months, 4 weeks, 1 day, 16 hours, and 33 minutes to be exact. 5,724 dreadful days, 137,416 and a half hours, 8,244,993 miserable minutes. And I won’t forget a second of it. I missed 66 of my kid’s birthdays, 337 holidays, 16 vacations, 14 graduations, 11 funerals, First steps, first words, all of my 20s, half of my 30s, most of my life. I lost everything. Every dime I had, four appeals, friends, family, my fiancé, my relationship with my kids. At times I lost faith, Other times I lost hope, A few times I ever lost myself, But I survived. I survived the conditions. I survived the ornery, tyrannical officers; some wolfish, vulturous inmates. A stabbing, being jumped, two black eyes, two busted lips, one chipped tooth, a busted head, 6 stitches, 1 broken nose, 1 fractured arm, 1 concussion. The suffering, the pain, the loss. But I overcame. I endured. By never hearing, never seeing, never speaking, never caring, never feeling, never loving, never resting, never …

Body Passages: Lani T. Montreal and Maxine Patronik on Developing “Blood Memory”

This is the third article in an ongoing series about Body Passages, a partnership between Chicago Danztheatre Ensemble and The Chicago Poetry Center (the first and second are online). This series gives brief looks into a 10-month, interdisciplinary creative process between Body Passages poets and dancers, documenting and reflecting on aspects of that process as it happens. In September, I spoke with writer Lani T. Montreal and dancer/choreographer Maxine Patronik about their collaborative process; their resulting piece, “Blood Memory,” about trauma and bodily memory; and their thoughts about artists’ responsibility when presenting work with sensitive themes. This interview has been edited for length and clarity. Lani and Maxine’s final creation – along with those by other Body Passages groups – were performed at a culminating event at the Chicago Danztheatre Ensemble Auditorium on October 12 and 13. Marya Spont-Lemus: It was so cool to get to observe you today at work on “Blood Memory,” your piece-in-progress for Body Passages. So thank you! Before we get into discussing that collaborative piece and your process, I’d love …

Featured image: Ryan Keesling leans over the shoulder of Walter, a Free Write Sound and Vision technician, as they both look at audio mixer that sits on a table in front of them. They are outside, under a blue tent, where Sound and Vision is mixing sound for the FEAST festival that took place September 8. Photo by Chelsea Ross

Just Narratives: A Conversation with Ryan Keesling of Free Write Arts and Literacy

“The ‘envisioning justice’ conversation is like – I don’t know, I think people try too hard to think about what it will look like.” Ryan Keesling had just pulled out his phone and was pointing at a photo on Free Write Art and Literacy’s Instagram page as he spoke. It was a flyer for YAS! Fest, the youth art showcase that took place in Millennium Park in September. On the flyer was an image of two DJs who had performed at the festival, Walter and Cortez, a.k.a. DJ 1Solo and DJ Tez. Keesling continued, “That’s not to say that people shouldn’t imagine. But, for me, I have to – I can imagine it, but also when I imagine it I don’t necessarily feel it. But when I see their faces and when I work with our students, both inside and outside, and I see them growing and I see them becoming aware of their abilities, and I see them being able to take control of their lives and I see them being happy and getting …