All posts tagged: Artist Interviews

Chicago Archives + Artists Project: Interview with D. Denenge Duyst-Akpem

This interview took place as part of an initiative occasioned by the first Chicago Archives + Artists Festival, held at the Chicago Cultural Center in May 2017. The festival kicked off a series of in-depth artist interviews, including this one with D. Denenge Duyst-Akpem, which will be contributed to the Chicago Artist Files at Harold Washington Library. This series of interviews was conducted with a group of artists, curators, instigators, and organizers who we believe are essential to the history of Chicago art. The interview with Denenge was conducted by Sabrina Greig and is excerpted below. In addition to this smaller group of Sixty-interviewed artists, a call was put out to ALL the city’s artists: #GetArchived! The core of the free festival was a pop-up archive processing center staffed by Sixty Inches From Center and volunteers. Many partners lent their time, resources, and high-res scanners(!) to this endeavor, including LATITUDE, the Visualist, and Read/Write Library. Sixty Inches From Center is excited to be continuing the Chicago Archives + Artists Project with support from the Gaylord and Dorothy …

Snapshot: Devil in the Details by Jennifer Cronin

Snapshot is a Sixty column that takes a quick look at art history as it happens in Chicago. We send artists and organizers short and sweet questions to tell us about what they are doing right at this moment. We sent questions to artist Jennifer Cronin, whose exhibit Devil in the Details: A Portrait of Chicago pays heed to the unnoticed, mundane, and yet beautiful facets of Chicago’s urban landscape. The exhibition opens February 7th, 2018 at The Cliff Dwellers with a public reception from 4:30 to 8:30 pm, and is on view through March 30th, 2018 by appointment. Sixty Inches From Center: What was the inspiration for this show? What is your perspective on the city of Chicago that you’d like to share with viewers? Jennifer Cronin: Chicago is my home. When I was a student, I had the opportunity to travel abroad and I had an amazing experience visiting breathtakingly beautiful European cities for the first time in my life. But I also had a very meaningful realization when I returned to Chicago and I saw it with a completely …

Adrienne Ciskey: Invisible Illnesses and the Power of Play

If you suffer with a chronic illness, specifically one that others cannot see, the anxiety of  whether or not others take your pain seriously, on top of the endless physical battle with your own body, is very real. There is a hierarchy of illness in our culture based on assumptions of “seriousness” that is rarely acknowledged or discussed. A social judgment of validity is made about an illness, and if you are a woman suffering from an illness that is not only invisible but also widely unknown then the legitimacy of your pain dissipates quicker than the “no” you hear from the doctor when you ask if there is any known cure for your pain. Living with hypoglycemia and hyperthyroidism, I am no stranger to the slight eye rolls when I vocalize my symptoms and  I often find myself suppressing my needs, emotional and otherwise,  for the sake of avoiding skeptical responses from others. The question I ask myself time and time again is: How can others recognize something like an invisible illness? This question …

File Types: An Interview with Chaz Evans and Lorelei Stewart

File Type is a show currently on view at Gallery 400, which attempts to move beyond the general realm of “digital art” into a more nuanced exploration of the many iterations of commonly used files types such as .jpg, .pdf and .tiff. I had a chance to meet up with the curators of the show, Chaz Evans and Lorelei Stewart, at Gallery 400. We discussed the relevance of approaching new media with more specificity and I was able to uncover some of the ideas the artists were working with and the not-so-visible expressions of file type within their work. Jennifer Nalbantyan: First, can you both tell me a little bit of your background with Gallery 400 and how long you’ve been curating? Chaz Evans: This will be the first show that I’ve been able to participate in in a curatorial capacity at Gallery 400. I got my MA in Art History and I’m currently in the MFA program [at UIC] for New Media Art –I have one year left. I also work for Gallery 400. …