All posts tagged: Sapphire & Crystals

The Vessels that Marva Made: An Interview with Members of Sapphire & Crystals

“I am a strong woman; my strength as a Black woman pays homage to what I call the Sapphire Spirit. A woman who is sassy, jazzy, spiritual, brainy, the healer–she is Mother Earth in its grand splendor. I salute this spirit in all Black women everywhere. The recognition of my own Sapphire Spirit provided me with the knowledge I needed to speak. My name is Marva and I speak through my art, my voice extends all the way back to the first known human being who was a Black woman. Going forth, through my ancestors, I am creating new symbols and new directions, moving from my own individual voice to that of the collective voice. I now join with sixteen other African American Women Artists and form the Sapphire & Crystals group. As a collective we step forward to the world.” –Marva Lee Pitchford-Jolly In 1986 artists Marva Lee Pitchford-Jolly and Felicia Grant Preston started meeting in Pitchford-Jolly’s home to discuss how to continue supporting women artists after the group Mud Peoples Black Women’s Resource …

10 Minutes with Patricia Stewart

1. Tell us a bit about yourself and your artwork. I earned a fine arts degree from Southern Illinois University and a master’s degree from Chicago State University. I also studied at the School of the Art Institute of Chicago, the International School of Art and Design in Miami, Florida, and the Savanna College of Art and Design in Savanna, Georgia. I retired from a successful art teaching career, Art Curriculum Developer/Coordinator, Lead Teacher, Standards Based Curriculum Coach, and graphic artist for the Chicago Public Schools. I exhibit collections of paintings and abstract assemblages which employing both vibrant and muted colors often infused with metallic accents. The sculptural nature of leather initiates large bas-relief assemblages. Found objects integrated into the pieces transform traditional uses. Leather’s ability to be mutilated and colored lends itself purposefully to sculpting. The use of exciting colors, overlapping construction, and original shapes, combine past cultures with contemporary forms. I received numerous awards for my work from various institutions. My paintings, sculptures, and jewelry have been exhibited at the Neleh Art Gallery, …

Joyce Owens

In February of 2010 the College Art Association held the 98th Annual CAA Conference in Chicago, Illinois.  Before the conference, panelist Joyce Owens took a moment to answer a few questions about the future of her art practice, the Women’s Caucus for Art panel she will be serving on, which asks “Are women only institutions and spaces still necessary?”. 1. Briefly tell me about yourself. What is your current role in the arts and how did you get there? I am a visual artist, a professor and curator for my university (Chicago State University). Huge question; the answers start from childhood. I made art from childhood. Lucky for me, people thought I had “talent” even then and I was not discouraged from pursuing art. I studied art at Yale University (MFA) and Howard University (BFA) and have always taught in schools, city programs and camps. I decided to start curating shows for Sapphire and Crystals when I was the artist who identified the venues, except one time. I had ideas I wanted to implement. It’s …

Et Cetera: Soundsuits, The Dorchester Project, SSCAC, Intuit, and KJ Marshall Speaks Truth…again.

This past weekend there were intimate places in the city where amazing art conversations were being had–all of which you will see in more detail when the Sixty Inches From Center: Chicago Arts Archive and Collective Project is launched in October.  The first of those places was at the Hyde Park Art Center Open Crit with Kerry James Marshall and Dawoud Bey.  Now, much of what KJM said were things that fester in the back of my mind regularly, but how clearly and effectively he articulated the function of art made these ideas come crashing to the forefront of my thoughts.  Here are some of my favorite quotes from the Open Crit on Friday, Sept. 10. “The truth is the artwork that matters to me, and that matters to the Hyde Park Art Center, is work that’s in conversation with other artwork.  With other painters.  With the history of painting. That’s what really matters.  If its just to satisfy you, if it satisfies your friends, the people in your family, then by all means keep …