All posts tagged: Sabina Ott

Who Are Your Teachers?: After Richard Hunt at the Koehnline Museum of Art

This summer the exhibition Sculpting A Chicago Artist: Richard Hunt and His Teachers Nellie Barr and Egon Weiner opened at the Koehnline Museum of Art at Oakton Community College, curated by Nathan Harpaz. Using his relationship with these two teachers, this exhibition taps into some of Hunt’s most formative years and the people he gravitated to as he moved closer to his calling–from adolescence to his college days. As an artist who has been making work in Chicago for over 60 years, Richard Hunt has had an incredible influence–not just on artists, not just on Chicago, but from coast to coast and throughout the world. In a way that is often quietly kept and unseen, this exhibition shifts our understanding of Hunt’s influence in a new direction that positions him as the influenced–something we aren’t often lucky enough to see in an exhibition space, but rather is reserved for the pages of books. His resonance and expansive presence first registered to me in 2009 when I attended the James A. Porter Colloquium at Howard University. Determined to find a quiet …

Inferno, Purgatory, or Paradise: An Interview with Sabina Ott

I call Sabina Ott “my eyes and ears to the Chicago art scene.” Her endless ability to wow with her art, which was on view from August 30 to January 4 in the huge-scale “here and there pink melon joy” at the Chicago Cultural Center, is matched by her commitment to present and support artists. She is intellectually and materially ambitious, and over the years I’ve developed a deeper understanding of her sensibility. Profoundly influenced by her mother, her work as an artist, teacher, and presenter is informed by a feminist ethic and explores the complicated, and at times ecstatic, space of transformation. Melissa Potter: What inspired you to become an artist?  I know your mother was a big influence on your work. Sabina Ott: I was always aware of my position as a woman artist—even if my response to cultural bias against women was sometimes confused. As a child, I wanted to have what I now call the privilege of the authoritative I: the privilege to access my subjectivity with the freedom that men seemed …

10 Minutes with Sabina Ott

It turns out that the Democrats and Republicans weren’t the only ones stepping up to the podiums to broadcast the ways in which they would like to push us forward. In the winter of 2010, the College Arts Association called on its members to vote for the next board members to serve on their Board of Directors. Although she has spent a large part of her life on the east and west coasts, we in Chicago claim candidate, and winner, Sabina Ott as one of our own. What kind of New York turned California turned Windy City perspective will she bring to the CAA? Let’s ask her! What has been your relationship with the College Arts Association? Why should students in the arts know about the CAA? As the premier organization serving artists, art historians, and arts educators across the country,CAA has been invaluable to my practice as an artist, through grant and exhibition calls, job opportunities, and especially Art Journal and The Art Bulletin. I always recommend membership—I first joined in 1995—to my students as a …

Et Cetera: Soundsuits, The Dorchester Project, SSCAC, Intuit, and KJ Marshall Speaks Truth…again.

This past weekend there were intimate places in the city where amazing art conversations were being had–all of which you will see in more detail when the Sixty Inches From Center: Chicago Arts Archive and Collective Project is launched in October.  The first of those places was at the Hyde Park Art Center Open Crit with Kerry James Marshall and Dawoud Bey.  Now, much of what KJM said were things that fester in the back of my mind regularly, but how clearly and effectively he articulated the function of art made these ideas come crashing to the forefront of my thoughts.  Here are some of my favorite quotes from the Open Crit on Friday, Sept. 10. “The truth is the artwork that matters to me, and that matters to the Hyde Park Art Center, is work that’s in conversation with other artwork.  With other painters.  With the history of painting. That’s what really matters.  If its just to satisfy you, if it satisfies your friends, the people in your family, then by all means keep …

Hyde Park Op Shop 3: Where PBR meets S.Pellegrino…

If you know EJ Hill then you’ve probably gotten food for your mind, body and intellectual soul from him.  You’ve probably entered a very inviting environment.  You are probably an amateur artist without even knowing it–just by being who you are and doing what you do, and participating when invited. For “Us”, the closing event for Op Shop, EJ invited the public to participate in a potluck in Hyde Park.  While I’ve been to the Op Shop on the corner of Lake Park and 53rd at an abandoned, former Hollywood Video, this particular Op Shop brought up old memories of good music and my days as a High Fidelity-esque record store snob.  See, this particular location was once Dr. Wax–the place that people in-the-know went to purchase tickets to the best shows and get the scoop on new music from the guru of all that’s good, Duane Powell.  It was Dr. Wax that introduced me to Jaspects, Bilal Salaam and 4Hero.  It was where I bought my Foreign Exchange tickets.  (Insert Deep Sigh Here). I …