All posts tagged: Little Village

How La Villita Envisions Justice: A Reporter’s Reflections

Since I began covering the Envisioning Justice initiative in Little Village in Spring 2018, something that Open Center for the Arts Founder and Executive Director J. Omar Magana told me has stayed with me. He said that he sees the Chicago neighborhood – where, in 2004, he opened his community art center – as a world-class village. It took me almost a year of meeting and speaking with artists and activists who live and work in La Villita, to understand what he meant. As part of the cohort of journalists documenting the ways Chicagoans have harnessed art to address criminal justice issues in their communities, I’ve had the extraordinary privilege to learn from the people at the intersections of this work. Little Villagers specifically represent a unique approach to community organizing – one that embraces interracial solidarity, and cross-issue advocacy. Holding power brokers accountable feels particularly salient in Little Village. The creeping threat of gentrification is still somewhat distant here, unlike the neighboring area of Pilsen, where brand new luxury apartments share blocks with single …

You Can Fly Higher: An Interview with Chicago-based Street Artist Sentrock

Sentrock is the moniker of Chicago-based street artist Joseph Perez, who moved to the city from Phoenix, Arizona in 2012. Since then, Chicagoans have likely seen his signature murals of brown children in red bird masks adorning the walls of buildings all over the North, West, and South Sides. With public art now on display in multiple U.S. cities, Sentrock has still shown the most love for Chicago. His mural across the street from YolloCalli Arts Reach in Little Village in particular has become an important and inspiring fixture that the community members and the young artists who work at YolloCalli have come to admire. Sentrock may not create art to be inherently political, but that doesn’t mean his murals don’t deliver messages. Most of his public pieces contain slogans like “You Can Fly Higher,” “Stay Woke,” and “We Learned To Fly Without Wings” alongside the images of masked young people with black hair and brown skin. In Little Village, a largely Latinx immigrant neighborhood, residents get to see these hopeful messages paired with physical …

Stories of Migration & Transformation: An Interview with OCAD’s Reyna Wences

Organized Communities Against Deportations (OCAD) describes themselves “an undocumented-led group that organizes against deportations, detention, criminalization, and incarceration of Black, brown, and immigrant communities in Chicago and surrounding areas. Through grassroots organizing, legal and policy work, direct action and civil disobedience, and cross-movement building, we aim to defend our communities, challenge the institutions that target and dehumanize us, and build collective power. We fight alongside families and individuals challenging these systems to create an environment for our communities to thrive, work, and organize with happiness and without fear.” OCAD was born in 2013 as a natural evolution from the founders’ early days leading what was then known as Immigrant Youth Justice League. I spoke with one of those founders, community organizer Reyna Wences, about her decade-long fight to transform policy and protect immigrants in Chicago. We also talked about the role of art in OCAD campaigns. Everything from banner drops to protest signs to public murals have played a role in building the immigrant rights movement in Little Village and beyond. Reyna talked about that …

An Interview with Hananne Hanafi of YolloCalli Arts Reach

Tucked away on the second floor of the Boys & Girls Club on 28th & Ridgeway in Little Village is  Yollocalli Arts Reach, a dynamic program that has been providing free visual, digital and media arts programming to young aspiring creators since 1997. In 2012, Yollocalli made Little Village home, and has a second studio location through a partnership with the Chicago Park District at Barrett Park in Pilsen that serves as an artist in residency space and provides free workshops. I caught up with Programs Coordinator Hananne Hanafi in YolloCalli’s vibrant space to learn more about the ways she and her colleagues are empowering creative youth in Little Village to express themselves through art.   Anjali Misra: How did you all end up in this particular space and this particular community? Hananne Hanafi: The National Museum [of Mexican Art] started the program and originally the space was located in Pilsen, and it was on the corner, it’s where the Giordano’s is now at 18th and Blue Island. So it was there for years and …

Little Village Through A Looking Glass: An Interview with Media Instructor Mario Contreras

As part of Chicago’s Envisioning Justice project to address community concerns around criminal justice through arts education, Open Center for the Arts in Little Village worked with teaching artists to bring specialized courses focused on immigration, incarceration, and political organizing to their students. Filmmaker and media instructor Jesús Mario Contreras was one such educator, teaching a series of filmmaking classes to youth and young adults from the neighborhood. He shared with me about his particular teaching philosophies of art as cultural communication, youth allyship, and the importance of self-reflection. Anjali Misra: How did you become involved with Open Center? Mario Contreras: Pepe Vargas from The Chicago Latino Film Festival recommended a friend of mine for  the job of instructor. Arlen Parsa, director of The Way to Andina, thought I’d enjoy the opportunity. AM: Can you describe your work with Open Center? What was day-to-day teaching like, and what were some highlights (best personal moments with students, staff, community members, etc.)? MC: I was one of many instructors that Open Center students worked with over the …

Shifting the Art Education Paradigm: A Conversation with Arnie Aprill of Envisioning Justice

When I asked Chicago-based arts and learning curriculum expert Arnie Aprill to sum up the Envisioning Justice initiative, he told me it was  “about respecting the knowledge of [Chicago] communities, not paying service to project funders.” Since the launch of this city-wide initiative, Aprill has been asking the hard questions, like “how do communities build their own capacity for healthy living? How are these communities being disenfranchised?” The catalyst of disenfranchisement that the Envisioning Justice program sites are addressing is the criminal justice system. Aprill works closely with hub directors (community leaders co-facilitating place-based Envisioning Justice projects) to offer activities that empower youth and families with the knowledge, tools, and resources to define their own futures outside of the seemingly ever-present gaze of the criminal justice system in Chicago. From Aprill’s assessment, many West and South Side neighborhood leaders face an uphill battle to not have their communities’ health be defined by where they fall in mass incarceration statistics. Aprill has always seen his role as helping already established neighborhood programs build capacity to address …

Community Art for Art’s Sake: A Conversation with Open Center for the Arts in Little Village

At Open Center for the Arts in Little Village, the focus is not on enacting social justice buzzwords like “youth diversion,” “community intervention,” or “artivism.” Instead, Open Center staff are working hard to build capacity for positive change in their neighborhood by modeling progressive values for the young people they mentor and serve. Earlier this year, I spoke with four of Open Center’s instructors and art practitioners and one student intern to learn about how each of them is envisioning justice in Little Village as well as how they view their own roles as artists within the ecosystem of direct service youth development and community organizing. Folks at the table included Executive Director J. Omar Magana, Envisioning Justice Hub Director Gabriela Juarez, Theater Instructor Luis Crespo, Film & Video Instructor Essau Menendez, and Theater Assistant & Student Jose Blanco This interview has been edited for clarity and length. Anjali Misra: Luis – as Theater Director, what do you oversee? Luis Crespo: I oversee the youth program and that’s working with the young people to use …

‘The Artist as a Catalyst of Social Change?’ Part 1: Nicole Marroquin

As many contemporary artists, arts organizations, and other cultural laborers continue a decades-long trajectory of reorienting their practices more deliberately towards and within the social world, forms and approaches have morphed through a collective re-imagining of the production, dissemination, and sociopolitical potential of art. These modes have sought to broaden access and participation in the arts, transform relationships between people, forge practices rooted in ethics as much as in aesthetics, and other similar gestures toward aligning art with notions of social justice and reform. Yet amidst this grappling, a number of unresolved riddles remain regarding art’s place in daily life: who is art’s “community,” and what exactly do we mean by “community”? What is art’s relationship to democracy? Can increased access to the arts also advance civic participation more broadly? What is the role of the artist in society? Can art and artists be catalysts for social change — and should they? Such issues and questions reverberate through the Jane Addams Hull-House Museum’s current exhibition Participatory Arts: Crafting Social Change, which explores the influence that Addams …

Collector’s Corner: Rob Sevier of Numero Group

“Collector’s Corner” looks at the artistic, curatorial, and cultural forces behind the act of collecting. We visit the homes, businesses, garages, desks, and closets of artists and cultural producers who thrive from this occasionally unruly practice. For this installment, we talk to Rob Sevier about his record collection at the offices of the Chicago-based record reissue label he helped found in Little Village, Numero Group. In Little Village you can spend lots of time walking to the pace of the neighborhood – the loud clog of people and cars beneath its famous archway, the food stands posted up on residential corners attended by entrepreneurial parents and their indifferent toddlers, the intricate murals that invite passersby to stop and stare for a while.  The homes, businesses, even alleyways all have a role in what has made this area so distinct from others in the city. Part of what makes Little Village distinct is Numero Group: an archival record label founded in Chicago in 2003 by Rob Sevier and Ken Shipley. Numero Group started as a soul …

We Just Wanna Make Crazy Weird Stuff!

  Carlos Matallana is a Bogotá-born and Chicago-based visual artist, a teacher, and a New Tech Curriculum developer. He has taught graphic design, web design, and comics in different after-school programs around Chicago since 2005. Currently he is working in his comic book Manual of Violence, which will be released by Mid 2015 http://manualofviolence.org/