All posts tagged: thesis

Featured image: Maggie Robinson and Allison Sokolowski performing in “I Am” at the Chicago Danztheatre Auditorium, as part of the Body Passages culminating event. Maggie balances with one foot, knee, and hand on the floor, as Allison stands on Maggie’s lower back. The performers hold each other’s left hands and look at each other. Both are barefoot and wear white t-shirts and jeans. Behind them is a well-lit stage, with a string of colorful paper suspended across it. Still from a video by John Borowski.

Body Passages: Culminating Collaborations

Published by Marya Spont-Lemus

This is the fourth and final article in a series about Body Passages, a partnership between Chicago Danztheatre Ensemble and The Chicago Poetry Center (the first, second, and third pieces can be found here). These articles provide brief looks into a 10-month, interdisciplinary creative process between Body Passages poets and dancers, documenting and reflecting on aspects of that process as it happens. Launched in 2017, Body Passages is an artist residency and performance series curated and produced by Sara Maslanka (Artistic Director of Chicago Danztheatre Ensemble) and Natasha Mijares (Reading Series Curator of The Chicago Poetry Center; Natasha also writes for Sixty). Trigger warning: The performance “Blood Memory,” discussed below, contains references to sexual assault, including in childhood. During a culminating event featuring groups’ final performances, the Body Passages artists offered the audience sugar cereal, sparkling cider, and glowsticks; invited us to dance with them and record ourselves reading their poetic curations; and asked us to travel back in time with them to New Year’s Eve 1998. Especially appropriate given Body Passages’ collaborative focus and …

Body Passages: Lani T. Montreal and Maxine Patronik on Developing “Blood Memory”

Published by Marya Spont-Lemus

This is the third article in an ongoing series about Body Passages, a partnership between Chicago Danztheatre Ensemble and The Chicago Poetry Center (the first and second are online). This series gives brief looks into a 10-month, interdisciplinary creative process between Body Passages poets and dancers, documenting and reflecting on aspects of that process as it happens. In September, I spoke with writer Lani T. Montreal and dancer/choreographer Maxine Patronik about their collaborative process; their resulting piece, “Blood Memory,” about trauma and bodily memory; and their thoughts about artists’ responsibility when presenting work with sensitive themes. This interview has been edited for length and clarity. Lani and Maxine’s final creation – along with those by other Body Passages groups – were performed at a culminating event at the Chicago Danztheatre Ensemble Auditorium on October 12 and 13. Marya Spont-Lemus: It was so cool to get to observe you today at work on “Blood Memory,” your piece-in-progress for Body Passages. So thank you! Before we get into discussing that collaborative piece and your process, I’d love …

Shared Work: Ryn Osbourne on Empathy, Relationship Building, and Transparency

Published by Emily Breidenbach

Ryn Osbourne is a visual artist and arts administrator originally from Ohio and based in the Midwest.  Osbourne has worked in direct service as an educator and mentor, facilitating arts-based activities with youth of all ages. As co-manager of MINT Collective (2015–present) in Columbus, OH, Osbourne has helped carry out multiple community programs including “Junk Dada Super Sunday” for the Wexner Center for the Arts.  She has worked with VISIBLE:INVISIBLE, a program which hosts studio art workshops for homeless youth in Columbus, OH, and AXIOM: A Judgment Call for the Arts helping to organize artists to participate in art making workshops with inmates of Merion Correctional Institution in Ohio and providing project direction aligned with ethical community practice. After relocating to Chicago, IL in 2016 to pursue her M.A. in Arts Administration and Policy from the School of the Art Institute of Chicago, Osbourne has worked with the Hyde Park Art Center as an education and programming intern assisting with community focus group research, has provided administrative support for Gary Lights Open Works, a social practice project based in …