All posts tagged: Steffani Jemison

Image: Installation shot of Iceberg Projects exhibition “David Wojnarowicz: Flesh of My Flesh,” June 23 – August 5, 2018. In the middle of the room, a sculpture sits on a white pedestal, encased in glass. A world map with words overlaying the image is hanging on the wall to the left, and a video screen is displaying a video on the partial brick wall directly in front of the viewer. Image courtesy of Iceberg Projects.

Tip of the Iceberg: A Conversation with Iceberg Projects

Iceberg Projects is a non- commercial art gallery in a converted coach house at the northernmost tip of Chicago. Over the past ten years, Iceberg Projects has hosted a number of historically important shows, especially of queer and other underrepresented artists, including group shows like the Art+Positive archive, Feel Me?, and Broken Flag to solo shows of David Wojnarowicz, Rotimi Fani-Kayode, Kevin Killian, Barbara DeGenevieve, and Steffani Jemison.  Inseparable from the history of Iceberg is the man behind it, whose backyard anchors Iceberg Projects. Dr. Dan Berger is an HIV specialist who helped develop the drug cocktail widely used for treatment. Recently, he released a video offering expert medical insight into how COVID 19 as it particularly affects HIV and queer communities. But his commitment to queer community extends beyond his medical practice and into his art collection, which focuses on queer and black artists.  I visited Dr. Berger in his Rogers Park home to talk about the history of the space. We also talked at length about institutional risk-taking and archiving queer legacies.  + …

Whatever You Think I Am, I’m Not – Out of Easy Reach Review

“Art can make a difference because it pulls people up short. [Art] says, don’t accept things for their face value; you don’t have to go along with any of this; you can think for yourself” – Jeanette Winterson1 Ayanah Moor’s Good News makes me smile. It was the first thing I saw walking into the “Out of Easy Reach” exhibit at the DePaul Art Museum this summer. A grid of eight-by-three screen printed sheets of paper showing cream colored text set against a black background. The first reads, “Chicago: Chicago has a lot of professional Black women. But a lot of the women just don’t have their heads together. They try to be professional, but they forget that it takes a well-rounded life to be happy. – Danielle Thomas.” 23 more sheets list women’s candid remarks on the dating scene for women loving women in different cities across the U.S. Instantly there is a sense of a queer satire — taking the viewer’s knowledge (physical, visual, and sensual) of relationships and sex and gender, and transforming them. The …