All posts tagged: NEWCITY

Image: Elliot stands under scaffolding along a brick building, with the street to the right. One hand holds onto a post on the scaffolding, and he's leaning out to the left towards the frame. Photo is in black and white. Photo by Ryan Edmund.

The Art of Adaptation: An Exit Interview with Elliot J. Reichert

In 2013, just days into his position as the Assistant Curator of the Mary and Leigh Block Museum of Art, Elliot J. Reichert was doing what curators often do. After being thrown into the installation process of a new exhibition, he was flexing his ability to fuel wildfires while demonstrating his resourcefulness in locating unusual materials at the very last minute in service of an artist’s vision. In this case, the artist was the late musician and sculptor Terry Adkins and the wildfires were the brand new works that had been sitting on the back shelf of Adkins’ mind for years that he now had the opportunity to bring to life. When Elliot took this role, the museum was preparing to mount Recital, a substantial solo exhibition of Adkins’ work which had traveled from the Tang Teaching Museum in Saratoga Springs, New York to Chicago. When Recital was being mounted, there was no way of knowing that this mid-career retrospective would, in fact, be a definitive moment in Adkins’ career and would also be marked …

Featured image: Fawzia Mirza. In this medium-close-up shot, Fawzia looks directly and confidently at the camera, smiling with pursed lips and pointing at the viewer with both hands. Fawzia wears a long-sleeved denim shirt with a blue-on-blue, camouflage-like print and the top few snaps unsnapped. The cuffs of her shirt-sleeves are folded back, and she wears several bracelets and rings made of silver or wood. Photo by Bradley Murray, cropped to fit. Courtesy of the artist.

Beyond the Page: Fawzia Mirza

“Beyond the Page” digs into the process and practice of writers and artists who work at the intersection of literary arts and other fields. For this installment, I interviewed Fawzia Mirza — actor, writer, producer, and “artivist” — about the relationship between her writing and performance, her creations’ many forms and media platforms, the role of comedy and collaboration in her work, and how she hopes her work impacts others. Our conversation took place remotely, with Fawzia responding via audio recording to a set of emailed questions. Find Fawzia on Twitter and Instagram @thefawz. “The Red Line” premieres on Sunday, April 28, on CBS. This interview has been edited for length and clarity.   Marya Spont-Lemus: I first became aware of your work several years ago, when you emceed TEDx Windy City, at which two of my students were speaking. I thought you were such a charming, energetic, bold, incisive yet kind and generous host, and it was so lovely to officially meet you a few years ago and to discover that you’re just as smart …

A Mayoral Engagement: What Does Art in Chicago Mean to You?

It is a Mayoral Engagement at The Chicago Urban Art Society. Join SIFC at Chicago Urban Art Society (CUAS) this Friday February 11th, 2011 for the Mayoral Meet and Greet for the Arts! SIFC will be asking, “What Does Art in Chicago Mean to You?” This is a great opportunity to engage in conversation and dialogue with other arts-minded people, local arts organizations, artists and arts educators. All mayoral candidates have been personally invited! On Friday, we are turning the SIFC photobooth into a videobooth confessional and asking one question all night long, “What does art in Chicago mean to you?” Help CUAS and the rest of Chicago’s art advocates in this extra campaign effort get ART elected!