All posts tagged: Handmade

Art Against the Flow and a Semantic Ecotone

As I walk into the gallery space, I’m greeted by vibrant and seemingly disparate groups of artworks. On one wall, there are bold, schematic line drawings of Chicago architecture. To my right are totem-like sculptures with intricate embellishments. Across the way is a collection of flat landscapes with skewed perspectives. This is Chicago Calling: Art Against the Flow, an exhibition on view at Intuit: The Center for Intuitive and Outsider Art as part of Art Design Chicago. Throughout the show, it seems that the curators Kenneth Burkhart and Lisa Stone refrain from hand-holding me through a chronological, step-by-step development of an artist or artistic movement. As I trace my way through the space, pausing at each work, I soon realize that the absence of a consistent, linear narrative may be the point. Intuit’s mission is to celebrate the power of outsider art, which they define on their website as “the works of artists who demonstrate little influence from the mainstream art world and who instead are motivated by their unique personal visions.” With this in …

This image depicts part of a performance score, bound into a thin book. On the top page, toward its bottom-right corner, it reads “Dear Corey: Unfold (into you)” in black ink on grey paper. Across the binding, on the bottom page—the majority of the image—text, lines, arrows, and shapes appear in black ink against a whitish vellum background. Solid black abstract shapes connect and overlap, creating white space where they overlap. Lines swoop, loop, and change direction, and some end in arrowheads. Text appears in different sizes and spatial orientations (e.g., right-side up, upside-down, diagonal, vertical, and organic shapes), with some words/phrases expanded in space, condensed, or intersecting with other text.

Beyond the Page: Udita Upadhyaya’s “nevernotmusic” (the book in progress)

“Beyond the Page” digs into the process and practice of writers and artists who work at the intersection of literary arts and other fields. This interview is the second of three with interdisciplinary artist Udita Upadhyaya about “nevernotmusic” — a solo exhibition of scores activated by curated, collaborative performances — and her process of developing these scores into a book (read the first interview here and the third here). In late May, I met with Udita to discuss the book’s first mock-up, her aesthetic choices and decision-making process, and the role of intimacy, the body, and language in her work. Follow @uditau on Twitter and Instagram and check out her book launch at TriTriangle on September 8, 2018, 7 pm. This interview has been edited for length and clarity.   Marya Spont-Lemus: So, you made a book! Udita Upadhyaya: Yeah. This is not what it’s going to look like but this is the first mock-up with real pages of the scores and some of the color and stuff being decided. MSL: Wow. Can I look …