All posts tagged: art collaboration

Review: Static Cling @ Heaven Gallery

It’s always been interesting, walking into Heaven Gallery and browsing the vintage shop connected to the space on the right hand side. Gold brooches, gaudy necklaces, and fur hats line the wall as the gallery’s cat wanders in to sprawl out on the floor. It’s a gallery I’ve frequented for the past five years. It’s comforting, it’s familiar. It’s no surprise then that two Chicago artists, Nico Gardner and Lauren Carter, decided to respond to Heaven’s unique space and the clothes that fill the empty areas. Nico and Lauren simultaneously nod their heads at the tables filled with the contents from your grandmother’s jewelry box, creating their own reimagining of these pieces through their artwork. Memory, nostalgia, and identity are influential in the collection of pieces inhabiting the gallery. When entering the room, visitors are greeted with a piece entitled Keepsake: two tiny, sculptural, found containers in the shape of rabbits resting on a wall shelf. Lauren adds in hair and nail clippings into her work as a reminder that these objects carry some weight—a human’s contact, a …

Review: Out of Easy Reach

In December 2017, Tempestt Hazel, a founding editor of Sixty Inches From Center, wrote an essay titled “A Case, Cosign, and Roll Call for Women of Color in the Arts.” Rooted in weariness but ending with practical strategies for the inclusion of Women of Color (WoC) in the arts, the article uses the appointment of Julie Rodrigues Widholm as Director and Chief Curator at the DePaul Art Museum as an example of “stealthily building women into the fabric without writing it on the wall, and as if it was the mission all along.” It then goes on to call out the then-upcoming exhibition Out of Easy Reach curated by Allison M. Glenn, Associate Curator of Contemporary Art at Crystal Bridges Museum of American Art, as another example that promotes this particular method of inclusivity. Glenn’s exhibition combines the forces of arts practitioners and administrators (including Rodrigues Widholm) working primarily across the city of Chicago to present 24 female-identifying Black and Latinx artists who use abstraction “as a tool to explore histories both personal and universal, with a focus in mapping, …

Collected Histories: “Open 24 Hours” by Edra Soto

Edra Soto has transformed the Commons at the Museum of Contemporary Art (MCA) with her work Open 24 Hours into a beautiful place filled with remnants of histories that gives birth to transcultural discourse and new meaning. Fittingly, Soto’s culturally charged work is the inaugural project for this new “civically engaged space” at the MCA. As I walk in to the Commons to attend Edra Soto’s artist talk, there are installations of intricately designed, custom-made display structures that stand like pillars, shelf after shelf holding up empty bottles of all different shapes and sizes; the translucence of the greens and browns of the bottles providing a striking contrast to the opaque white of the shells that adorn their surfaces. Edra Soto informs the audience that she collected these bottles, and continues to do so, in her neighborhood of East Garfield Park. She picks them up, washes them, removes their labels—she cares about these bottles as objects. She sees something in them. They are not pieces of trash to be discarded and forgotten, they are pieces …