All posts tagged: Appalachia

Intimate Justice: Sarah Bastress

“Intimate Justice” looks at the intersection of art and sex and how these actions intertwine to serve as a form of resistance, activism, and dialogue in the Chicago community. For this installment, we talked with Rogers Park resident, Sarah Bastress, who hails from West Virginia and paints the queer body. S. Nicole Lane: How did you end up in Chicago? How did being raised in West Virginia impact your work? (I’m from North Carolina! Southern queers unite!) Sarah Bastress: I came to Chicago to do my post-bacc at the School of the Art Institute of Chicago, and then went on to do my MFA there, too. I ended up really enjoying my neighborhood and staying. I appreciate you asking about West Virginia. It has impacted my work a great deal. I don’t have an answer for you that isn’t incredibly long-winded. Since Trump won, the question is much more complicated. It is one of the most beautiful places in the world, and I miss mountains–the ones that have yet to be blown up to make …

Beyond the Page: Saleem Hue Penny

“Beyond the Page” digs into the process and practice of writers and artists who work at the intersection of literary arts and other fields. In February, I was excited to speak with “rural hip-hop blues” artist Saleem Hue Penny—whose work I have long admired—about his recent poetry chapbook and its audio companion, his process for creating within and across multiple media, and his work’s relationship to place, childhood, and the natural world. Follow @huedotart to hear about future readings, including the “Tammy Journal Takeover” at Pilsen Community Books this spring. This interview has been edited for length and clarity. Marya Spont-Lemus: You call yourself a “rural hip-hop blues” artist. How did you come to that framing for you and your work and what does it mean to you? Saleem Hue Penny: So I have traditionally used the acronym “h.u.e.”, for “hope uplifts everything.” It’s a double-play on my middle name, of Hue. My mother gave it to my little brother and me because we’re different shades in a bigger picture. And at some point I …