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Exhibitions
Weapons of Mass Distraction: A reflection on
Difference Machines,
an exhibition at Wrightwood 659
by
Carlos Matallana
March 13, 2024
·
Bilingual
,
Columns + Series
,
Comics
,
Exhibitions
Black fugitivity beyond the trenches of genocide: a response to J’Sun Howard’s
The Righteous Beauty of the Things Never Accounted For
by
Aaliyah Christina
March 12, 2024
·
Essays + Reviews
,
Exhibitions
Long-Forgotten Fairytale: Twin Flame, Double Ruin
by
Annette LePique
March 6, 2024
·
Essays + Reviews
,
Exhibitions
Drawing Life From
by
Carlos Matallana
February 29, 2024
·
Bilingual
,
Comics
,
Exhibitions
Reimagining South Asian Womanhood: A Review of
The Paglees: Between Reason and Madness
by
Mrittika Ghosh
February 23, 2024
·
Essays + Reviews
,
Exhibitions
Fossilized Ecologies: A Review of Yoonmi Nam’s
Generally Meant to be Discarded
at Studios Inc.
by
Yashi Davalos
February 20, 2024
·
Archives
,
Essays + Reviews
,
Exhibitions
Storm Interference, Lightning, Sound: an interview with Dorothy Carlos
by
Nadia John
January 18, 2024
·
Artists
,
Exhibitions
,
Interviews
Listening to Whales in Central Illinois: A Review of CETACEAN and
Who Speaks for the Oceans?
by
Jessica Hammie
January 17, 2024
·
Essays + Reviews
,
Exhibitions
,
Sound, Film + Video
Weaving Melodies: A Review of Qianwen Yu’s
Woven Symphony
by
Yunyao Que
January 15, 2024
·
Essays + Reviews
,
Exhibitions
Review: Charlotte Street Visual Artist Award Exhibition
by
David Alpert
December 6, 2023
·
Artists
,
Exhibitions
,
Sixty Regional
Tracing Imperial Threads: Shelly Jyoti, Indigo, and Collectivity
by
Mrittika Ghosh
November 20, 2023
·
Essays + Reviews
,
Exhibitions
Native Futures
: An Artist-Led Gallery Reclaiming Indigeneity
by
Tonal Simmons
October 18, 2023
·
Art Design Chicago
,
Community
,
Exhibitions
,
Interviews
Antonius-Tín Bui:
There are Many Ways to Hold Water Without Being Called a Vase
by
Francine Almeda
September 21, 2023
·
Archives
,
Essays + Reviews
,
Exhibitions
Broken Open: persevere, honor & create
by
Mary ejdpkl Lawson
September 20, 2023
·
Essays + Reviews
,
Exhibitions
,
Projects + Collaborations
24 Hours Make More Than a Day : An Interview with Max Li at First Presbyterian Church of Chicago
by
Ally Fouts
July 31, 2023
·
Artists
,
Exhibitions
,
Interviews
Traveling Somewhere Warm in Our Minds: A Review of
Presence in the Pause: Interiority and its Radical Immanence
by
Chenoa Baker
July 31, 2023
·
Artists
,
Essays + Reviews
,
Exhibitions
A Response to D-Composition:
Love Is…
by
Shivani Kumar
July 21, 2023
·
Essays + Reviews
,
Exhibitions
,
Happenings
Aesthetics of Adaptability: Yvette Mayorga, rasquachismo, and pink
by
Vic Barquin
July 18, 2023
·
Artists
,
Essays + Reviews
,
Exhibitions
By the Action of Light: A Review of
Direct Contact: Cameraless Photography Now
by
Kristie Kahns
July 14, 2023
·
Essays + Reviews
,
Exhibitions
Reflections and Thoughts on Black Visibility in Will Rawls’s
[siccer]
by
Adanya Gilmore
July 10, 2023
·
Artists
,
Essays + Reviews
,
Exhibitions
Review: Mika Horibuchi’s
Showcase
at Patron Gallery
by
Thomas Huston
June 23, 2023
·
Artists
,
Essays + Reviews
,
Exhibitions
Testimonies on Paper
: South Asian Women Shed Light on Multiple Stories
by
Saadia Pervaiz
June 16, 2023
·
Essays + Reviews
,
Exhibitions
Small Art, Big Energy: A review of Barely Fair
by
Christina Nafziger
May 23, 2023
·
Artists
,
Essays + Reviews
,
Exhibitions
Days Later, Down River: The Path to Follow
by
Francine Almeda
May 22, 2023
·
Essays + Reviews
,
Exhibitions
,
Featured
Entangling the Times: Review of
not all realisms: photography, Africa, and the long 1960s
by
Elizabeth Upenieks
May 16, 2023
·
Essays + Reviews
,
Exhibitions
What’s Inside a Girl?
A Response to Shana Hoehn’s
Basket Toss
by
Annette LePique
May 8, 2023
·
Essays + Reviews
,
Exhibitions
Interweave: Morgan Green’s
Text Fields
by
persephone van ort
April 30, 2023
·
Essays + Reviews
,
Exhibitions
Collaborating with Non-Human Species: an interview with artist Laleh Motlagh
by
Livy Snyder
April 28, 2023
·
Artists
,
Exhibitions
,
Interviews
Artistic Meditation: Bryana Bibbs Explores Personal Narrative Through the Intersection of Weaving and Painting
by
Jen Torwudzo-Stroh
April 11, 2023
·
Artists
,
Essays + Reviews
,
Exhibitions
Rural Opulence: An interview with Faleasha Savage and Imagine Uhlenbrock
by
Jared Packard
April 7, 2023
·
Exhibitions
,
Interviews
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![Reflections and Thoughts on Black Visibility in Will Rawls’s [siccer]](https://sixtyinchesfromcenter.org/wp-content/uploads/2023/06/DSC01540-copy-scaled.jpg)
